All things must end they say. It seems like May 4th is the appropriate day for me to put out my review of the final film in the “Skywalker Saga”. While I saw the film twice in theaters, December and January passed before I started playing catch up…and then I decided to wait for the 4K release of the film so I could get one more watch. And I finally committed to a third watch.
The film opens with a quick update crawl telling us the Emperor is back. And the story picks up with Supreme Leader Kylo Ren trying to locate the Emperor so he can defeat him. But quickly, we learn the Emperor has plans and wants Kylo to help, in exchange for an army that the Emperor and his Sith Cultists have been building for thirty years.
We then get reintroduced to Finn, Chewie and Poe, who are gathering data from someone who reveals there is a spy within the First Order. Rey is busy training to be a Jedi under the watchful eye of General Leia Organa. Once they find out the Emperor is definitely back, they determine they must take the fight to the Emperor, but the problem is that Exogol, the home planet of the Sith, is not on any map. They need a special Sith device that will lead them to the planet. So Ray, Finn, Poe and Chewie go off on a series of adventures.
So, the core question, if you are reading this, I suspect is “Did I Like It?”
I…guess? I mean, I did not hate it? But I did not love it?
Some Spoilers ahead…
It was great to see the characters return. It was nice to finally see Lando back. I like the way they used Hux in this film. I feel like John Williams did a solid job with the soundtrack. The action sequences were great. I was not super bothered by the return of the Emperor, since the old Extended Universe used the idea that the Emperor had been using cloning technology to extend his life. I also am never bothered by “new” Jedi powers being revealed in the films. The power to move objects was introduced in Empire, as were actual Force ghosts. And the powers exhibited in this film really build on stuff we have already seen.
Babu Frick is awesome.
At the same time?
A large chunk of the film feels like course correction. It feels like J.J. Abrams and writer Chris Terrio are trying to respect that Rian Johnson’s The Last Jedi Happened, but also trying too soft reboot. When Kylo Ren told Rey her parents were nobodies, he was not lying…he did not know the dark truth that her father was the clone son of Emperor Palpatine. And they were really good people trying to protect her from the Emperor. It is weird to think that Rey has had almost no interaction with Poe, but somehow they are besties in this film.
We have heard about the Knights of Ren for several years now and we meet them in this film. Kind of. I have no idea if they have names, but the movie shows them walking around. We have a Storm Trooper say they are scary. That is pretty much it. There is one fight with them towards the end and they are quickly dispatched. Otherwise we just see them walk around.
The way they tried to retro fit previously unused Carrie Fisher footage in the film never feels organic. At no point does it feel like anyone is interacting with her. Which leads me to this frustration… Abrams and Terrio sidelined Rose Tico in the saddest way possible. They make her a sidekick to a digital restoration of Carrie Fisher. Why was she not part of the action on the Millenium Falcon in the early part of the film? Why was THIS guy there instead???
The film has multiple points where it raises the stakes dramatically, only to reveal that there was nothing to worry about. Major story impacting incidents are reversed so that we lose nothing as fans. There is not anything that engages our emotions for the story. And that is where I lean towards feeling disappointed with how the Skywalker Saga comes to a close. It is fun, but not as satisfying as I had hoped it might be. It has some good ideas, such as Storm Troopers who rebelled against the First Order. But then instead of the obvious plot point of Finn having inspired Storm Troopers to refuse their orders, it is just never something that is connected.
So… I did not hate the film. There is stuff I really enjoy and stuff that annoys me. It kind of evens itself out.
But I care about love
I care about truth
And I care about trust
And I care about you
I care about us
~Michael Been, Us, On the Verge of a Nervous Breakthrough, 1994
Get Out made people step back and reassess their perception of Jordan Peele. Known for his comedy work, the biting horror thriller that took aim at white liberal racism, viewers took notice. For a lot of this, that made us want to see what came next. And the fact that he had more ideas in the realm of horror no longer seemed a question.
Going deeper down the horror rabbit hole, Us tells the story of young Adelaide. In the eighties, her parents take her to the Santa Cruz beach. She wanders away from her parents and enters a strange hall of mirrors. There, she meets a little girl who looks exactly like her. She is traumatized by the event. The film picks up years later with Adelaide, now married to Gabe, on their way to the family cabin with her children. When they go to the beach, her son Jason disappears briefly, causing a dread in Adelaide. And with good reason. That night, they find themselves under siege by…themselves. A warped set of duplicates seemingly full of malicious intent.
Saying much more just gives away the film. Astute viewers will likely start to put things togethers fast and start seeing where the story is going. Others will be blindsided. Unlike Get Out, Peele has formulated a far more… complex plot. The twists and turns start coming fast after the initial frights of the home invasion.
Peele has a terrific eye, and the film is a visual feast. There is, for instance, a really nice arial shot looking down on the family as they walk along the beach, attached to their shadows. He and his team of film makers use light and shadow masterfully to create discomfort and fear. In one scene, a person appears from the shadows of the background seamlessly.
You cannot ignore the performances here. Everyone has a dual role…and pretty much everyone gets to shine. The doppelgängers are chilling in their simple outfits and creepy makeup. Lupita Nyong’o is especially compelling, with her dual role. Red speaks in a disturbed creaky voice and moves in ways that are psychologically unnerving.
One of the things that makes the film so effective is how much I found myself liking the family. They draw you into their world making it impossible not to become invested in their survival.
Some have suggested Us marks the reveal that the director Peele most reflects is M. Night Shyalaman. And while I did not really see it in my viewings, I get what people are saying, mainly in the fact that this is a film with some big ideas that then throws a lot of twists and turns, yeah. But I am inclined to agree with the people who are saying this is a good thing, that this shares more in common with Shyalaman’s best work.
People who are bothered by smaller questions with struggle hard here. The film aims big, but leaves some stuff off. Because, honestly…where do the doppelgängers all get their matching red outfits is not important to the story.
Us is a terrific follow up to Get Out, and Jordan Peele has delivered a new an original vision.
Created by comic book icons Jack ‘the King’ Kirby and Stan Lee, Black Panther has seemed like a character Marvel wants to really make active…but struggles to figure out how to make him work best. Initially being a guest star in the pages of the Fantastic Four and the Avengers, T’Challa (the titular Black Panther) got solo stories starting with 1973’s Jungle Action # 5. The series was not a top seller, and Marvel cancelled it. They tried to continue the Black Panther in his own series, which lasted until 1979. They tried again in 1988, with a mini-series. This was followed by an appearance in Marvel’s anthology series Marvel Comics Presents in 1989. 1990 saw another series. But it was 1998 where Black Panther found some footing. Christopher Priest began his run and truthfully, he cracked the code with an incredibly engaging series. It lasted 62 issues (Priest wrote 60 of those issues). They worked on a new series in 2005 with Reginald Hudlin. 2016 brought back the Panther in his own series led by Ta-Nehisi Coates. This, for me, has come the closest to rivaling Priest’s terrific run.
While the Black Panther film was announced a few years ago, we did not get to see the Marvel Cinematic Universe take on the character until Captain America: Civil War. I really enjoyed his introduction. The film only hinted at a larger Wakandan culture, and so now is the opportunity to explore it deeper. This is a spoiler free review (so story references remain vague).
Opening with a young boy asking him to tell the story of home (Wakanda) before bedtime. This works rather nicely, filling us in on how Wakanda was built on Vibranium, how five tribes were united under a single king who was granted powers via plant life altered by the vibranium. Wakanda grew more technologically advanced than any other nation. They sought to hide from the world.
The film quickly establishes that while the world believes that Wakanda is a low tech third world country, it is a vibrant high tech society. T’Challa and his family are still reeling from the events of Civil War, and it is time to T’Challa to take the mantle of King.
Of course, there are those who oppose him. The weapons supplier Ulysses Klaue (pronounced “Claw” and first introduced to audiences in Avengers: Age of Ultron) and a mysterious young man called Killmonger are collecting Wakandan tech.
T’Challa struggles with his role as king. Heartbroken over his father’s death (again, in Civil War) and struggling with the role of Wakanda in the world. His ex-girlfriend Nakia believes that Wakanda should be sharing it’s riches with the world…to be a beacon for the world, not tucked away. She loves him, but cannot see a place for herself in Wakanda when she has seen such suffering in the outside world.
The film shows us a society which has a richness of history and culture. The costume design is beautiful. The king’s personal guards are all striking in appearance with lush reds and gold. They are all warrior women with shaved heads (in one entertaining moment T’Challa, Nakia and general Okoye are undercover and she complains about having to wear a wig).
The Wakandan tech is exciting sci-fi tech that would make Bond jealous. The Wakandan landscape is a combination a immense futuristic cities and beautiful forests and mountains. There are some fight scenes set amongst giant waterfalls that Director Coogler and his cinematographer use lighting and sunsets to amplify the sequences with intensity and beauty.
I really liked the characters in this film. For T’Challa, it carries over his lessons learned from Captain America: Civil War. T’Challa is merciful and a good man. Heavy is the head that wears the crown…this film shows T’Challa struggling to be a King and Protector and not being blind to the world around him.
The women really steal the show in this film. Okoye is a formidable warrior and guardian. Nakia is intensely stubborn in her dedication. But she also is in love with T’Challa (who is also very in love with her). His mother is a woman of pride and wisdom (Angela Basset is just regal and beautiful). And then there is his sister Shuri. She is a fun character who lovingly spars with her brother. She is a brilliant scientist, but her youth presents a more brash attitude. She is like a super competent “Q”.
Everett Ross (created by Christopher Priest in his 1998 series) appeared in Civil War, but we did not get a real feel for the character. Here we find him seeming over-confident at first, but he rises to the challenge of helping the Black Panther and his family. While he begins seeming a bit like he might be the comedy relief, he becomes a character who shows himself as heroic and willing to risk himself for his friends.
Killmonger is a villain with a good back story. He wants to rule the world, but not in some cheesy maniacal ruler fashion. He wants to rise his people up to subjugate the colonizers. Klaue is just after money, and shows no arc…but Andy Serkis seemed to have a lot of fun in the role.
Full of action, heart and punctuated with some great humor, Black Panther was worth the wait. I would easily categorize this as one of Marvel’s best.
I will be be honest. Walking out of Star Wars: The Last Jedi, I had no idea just how controversial this film would be. I wrote my first review and then rewrote it due to a spoiler claim. I watched as the film seemed to rise with critics and fall with some fans.
So I went to see the film a second time in the hopes of determining my feelings on the film. Do I think it sucks on a second viewing? Did I see those glaring flaws?
And so here we go…let us dive into the Last Jedi…
Spoilers, spoilers and and in the words of Artoo, “Bleepin’ Spoilers To Follow”!
Star Wars: The Last Jedi L to R: Chewbacca (Joonas Suotamo) and a Porg
The Last Jedi opens in the middle of an evacuation by the Resistance. Due to their actions in the Force Awakens the Resistance is no longer underground, and they have no cover from the New Republic as, well, the First Order obliterated them. While the Starkiller Base was destroyed, that does not mean the First Order is no longer a threat. They have located the Resistance Homebase and arrive in the middle of the evacuation. They bring in a super ship called a Dreadnought.
They are startled as a lone fighter appears to face the ship. It is Poe Dameron and BB8. Dameron is patched through and messes a bit with Admiral Hux. This is, for me, anyways a good little bit. It also worked for both audiences I saw it with. Poe starts firing on the ship, leaving the Hux confounded, but the Dreadnought Captain realizes what is happening. He calls for tie fighters to be scrambled, As Poe takes out the last of the cannons, Leia calls for him to abort the attack.
Dameron rejects the command, noting that taking out a Dreadnought is a big deal. He has the fleet launch their bombers. But as they near the Dreadnought? the Tie Fighters start taking the bombers out. The last bomber is in position and Poe is calling for them to drop the bombs. But the bomber’s, uh, bomb guy is out called. Gunner Paige tries to grab the trigger, but gets nocked down, in a last minute move, she gets the trigger and drops the bombs, sacrificing herself. We see her holding a medallion, which seems important.
Poe and the remaining fleet return, the ships jump to hyper space. There, Leia demotes Poe for his refusal to follow orders. He points out the gamble was a success, but Leia notes that the cost was to high. They lost all their bombers. They lost countless pilots. At the same time, Finn wakes up from his injuries received in the Force Awakens. He meets up with Poe and asks where Rey is…
Rey gives Luke the lightsaber…he looks at it and…tosses it aside?! Luke is not happy to see Rey at all. In fact, he walks off bitterly. Rey is perplexed. She tells him the Resistance…his sister…needs him. And Luke responds with derision. He mocks the notion of the legend returning with his laser sword and sending the First Order packing.
Rey follows Luke around a bit, but his day to day is kind..bizarre yet mundane. Luke went to find a place to hide and die. Rey suddenly feels a pull and finds an old tree…inside is a collection of books. Luke asks Rey why she is there.
Rey notes there has always been something inside, and now it seems to be growing. Rey wants to understand it. But Luke is convinced the Jedi should end.
Meanwhile, not long after having dropped out of hyperspace, the First Order shows up right behind them. The Resistance realizes they were able to track them through hyperspace. They put it together that the ships only have enough fuel for one last jump through hyperspace. The First Order launches their ship.
As Tie Fighters attack, the pilots race for their X-Wings. But along comes Kylo Ren. He and Leia seem to sense each other, he flies into the Resistance ship’s hanger.
All the X-Wings are destroyed. Ren and two other tie fighters approach the bridge of the ship, Kylo hesitates, but the other ships fire, blowing the ship bridge wide open. Leia appears dead, but then her eyes open and she flies to the bridge where medical officers retrieve her.
The Resistance opts to get out of the range of the main First Order ships, forcing the Tie Fighters to fall back and also allowing the shields to hold up under the First Order Barrage. It is announced that Leia’s command is passing onto Commander Holdo. Instantly there is friction between her and Poe. Poe clearly thought he should be leading, and he demands to know the plan. The only answer he gets is… “Be a good soldier.”
Finn tries to escape, hoping to find Rey, but runs into Rose. Rose is introduced in tears, looking at a familiar medallion. We find out her sister was the bomber gunner from the beginning of the movie. She recognizes Finn and starts gushing about what a hero he is. He is embarrassed, but then Rose realizes he was trying to take an escape pod. She stuns Finn and as she is hauling him to the brig, he mentions that the First Order can track them through hyperspace. They start to contemplate this and formulate a possible plan.
All the while, Rey has found herself psychically connected to Kylo Ren. They are conversing at times, Ren making his pitch on how terrible Luke is. Luke merely tells Rey that Kylo attacked him. But Kylo states Luke tried to kill him, claiming it was self defense to attack Luke. After confronting him, Rey finds Luke did indeed have a moment of fear, when he considered killing Kylo Ren, but he realized it was wrong. Unfortunately, Ren awoke to just see Luke standing over him and freaked out.
Luke starts to train Rey in a rather…unique fashion. He at first mocks her…he has her close her eyes and says to reach out. She literally reaches her hand out. He starts to tap her hand with a weed. Rey starts to get excited until she opens her eyes to realize what Luke was doing…but her second attempt starts to yield results. Luke explains that the Force is not a magic rock moving power. It is more like the tension between things.
Poe finds out from Holdo that they plan to have everyone take the emergency transports to reach a nearby planet. Poe thinks the idea is terrible. He works on a plan with Finn and Rose. They reach out to Maz to try and figure out a way onto Snoke’s ship. She tells them to go to find the Master Codebreaker. He will be at a Las Vegas type of place. Rose and Finn go to find him. In the meantime, Dameron leads a mutiny against Holdo, believing her plan will get everyone killed.
Finn and Rose arrive at their location, and in a humorous reference to the New Hope, Rose tells Finn what a terrible place they are visiting (not unlike Mos Eisley) and then it is a beautiful location. One the surface. They see the Master Codebreaker, only to be promptly arrested for a parking violation.
They end up in a cell with a guy who claims he can get them in. At first they reject him, but he ends up helping them escape. They may work their way back toward’s Snoke’s ship.
Rey and Chewbacca leave Luke behind, as Rey believes that since Luke won’t return, Kylo is their only hope. Rey arrives on Snoke’s ship and is brought before Snoke. He reveals that she and Kylo were connected by him. He had thought that Luke Skywalker was the Force Equal for light to Kylo’s darkness. But he now realizes it was Rey.
Holdo and Leia end the insurgency, stunning Poe. They start to send out their transports. But Holdo stays behind.
In an unexpected moment, Kylo uses the force to slice Snoke in two. This results in a battle between Snoke’s guards, Rey and Kylo. Rey believes the tide has turned. But Kylo reveals that he wants Rey to help him reshape the galaxy.
Poe Dameron wakes up to find that he is on a transport ship to reach the planet. And the danger increases when Rose, Finn and the Codebreaker are caught. The Codebreaker betrays them and tells the First Order about the escape plan. The First Order starts firing on the transports. But Holdo takes the main ship and then jumps to light speed, splitting Snoke’s ship in half.
Finn, Rose and BB8 escape the ship, as does Rey. They arrive at Chait (a planet that initially looks like Hoth). Kylo claims that Rey killed Snoke and basically takes up the mantle of Supreme Leader. They arrive on the planet surface, planning to destroy the Resistance. Finn and Poe take junk ships to try and destroy a giant battering ram laser thing.
The planet surface, instead of snow, is covered in salt, and just below that is red. It creates this really cool visual. They end up failing to stop it…but when all hope seems lost…in walks Luke Skywalker. He takes a moment with Leia to apologize. He then marches out and stands before the First Order Walkers. They fire on him (at the order of Kylo Ren). When the smoke clears, Luke is still standing.
Kylo steps down and confronts Luke in person. They start to fight, but Kylo seems unable to lay a blow on Luke. Meanwhile, Poe realizes Luke is giving them time, and they look for a way out. They follow some animals to find an exit…blocked by boulders.
It is revealed that Luke is projecting himself across the Galaxy. Then Luke fades away. Rey moves the boulders so the last of the Resistance can escape. They all climb aboard the Millennium Falcon and fly off.
As noted, the film has been…controversial. While critics has mostly loved it, the audience reaction seems largely split with a leaning towards negative. Some of these reasons are, well…okay… flawed.
One of the first negative articles I saw included the phrase “There is no gravity in space”. STOP SAYING THIS PEOPLE. There is gravity in space. But it functions a bit differently. But more importantly? Star Wars is not a hard science series. X-Wings would not fly like they do in any of the films. The Star Wars films disobey science all the time. The Empire Strikes back has space ships dropping bombs in space. Yes, yes, light speed would work differently than it does in the film. Stop arguing science against Star Wars films you do not like. Because the films everyone agrees are good are every bit as guilty.
Hologram Luke. Really, it is more like Astral Projection. We have not seen this in prior films. However, both Empire Strikes Back and Return of the Jedi introduced new Force powers. And certainly, the Star Wars world was in it’s infancy then. But at the same time, maybe the Astral Projection was a lost or forgotten thing. It is presented as immensely taxing. Snoke merely tied Rey and Kylo Ren together psychically, and he noted that would have torn either of them apart. So, it stands to reason it would not be something Jedi used a lot, if at all. Plus, it is certainly an extension of the concept of the Force Ghost. I actually liked this. I like how there are a few queues (that I missed on my first viewing) that something is off. Luke’s beard and hair lack any gray, and he does not effect the ground around him. Seriously, if you can accept Force Ghosts, but not Astral Projection? You probably need to be a fan of something else.
Related to that was “Space Leia”. After being pulled into space by an explosion, Leia opens her eyes and flies back to the ship. While I think the way it was shot is a little goofy, the concept itself is fine. Leia is Force sensitive, and in a life or death situation, using the Force to save her life is plenty believable. If the force can pull a lightsaber across a room to a Jedi, certainly a person can use the Force to pull themselves towards an object.
A couple things that I found a little disappointing. The class issues of the Las Vegas resort is lacking room to breathe and explore it. It all feels rushed. They need to find the Codebreaker and take off.
Then there is the fight with Captain Phasma. Phasma has a cool look with the Metallic Storm Trooper armor. She was set up as something big, even though she was disposed of quickly in The Force Awakens. Here, they have a decent fight and then she falls into a pit of fire.
The fight is to quick, so Phasma becomes kind of like Darth Maul…gone to quickly. However, I loved the exchange with Finn in which she tells him he will always be scum. Finn looks at her and says, “Rebel scum.” It is a great moment for Finn. I would also note that I have seen people constantly refer to Finn as a janitor, suggesting he should not be a good fighter based on this. But the problem with that logic is…he was raised and trained as a Storm Trooper. He has combat training, regardless of his assignment as a janitor.
I also found it frustrating that as Finn was about to sacrifice himself to destroy the laser battering ram, Rose blows through and stops him. Now, mind you, I like Finn, and did not want to see him die. But I also felt it would be a dramatic and heroic moment. I found myself admiring Finn as he was flying into the mouth of the cannon.
Now, some have made a big deal that the Last Jedi is an attack on Mansplaining. I am not convinced that it is this extreme. I think it is a bit simpler than that.
One of the things I really enjoyed was how the film thwarted my expectations. As a movie going culture, we have been heavily trained to be sympathetic to guys like Poe Dameron. Poe is kind of the John McLane character here. In any other film, Poe would be the guy who knows more than his leadership. When they announce that Leia is in a coma and they have chosen her successor, Poe clearly thinks it will be him. But instead it is Holdo. Oscar Isaac has a pretty hilarious reaction, as you see him practically ready to stand up and thank everyone…only to be deflated. In the case of Dameron, I think he would have reacted to command the same from a man as he does women. Poe does not think he is smarter than them because he is a man. He thinks he knows more than everyone else.
And in almost any other film, he would be proven right. Poe, Rose and Finn would have succeeded and been hailed as heroes. But the Last Jedi takes a huge risk. Many are using the rule of the “Idiot Plot” to condemn this particular story point. The Idiot Plot is a story point dependent on people not knowing vital information. Specifically, everything would be solved if somebody just told another character simple information.
This is a common plot device in sit coms and romantic comedies. And yes, as tropes go, it can often be very frustrating in those types of movies. And sometimes films and shows will have elaborate reasons why two characters cannot show such information. But it is not always applicable just because you can look and say “Gee, if so-and-so only knew this…” Context matters. Here, Poe is a soldier. A demoted soldier no less. And he was demoted for his reckless decision making which results countless deaths. People keep saying that Holdo could have averted the problem by simply telling Poe everything. But it is Poe that decided he is smarter than everyone else. It is Poe that decides to not tell Holdo of the plan he sets up, mocking her for keeping him in the dark.
Holdo and Leia are not incompetent leaders. Instead, it is Dameron’s single minded arrogance that causes the problem. His unwillingness to trust his boss. We have an endless supply of films about rebellious cops and soldiers who buck the system. And here we see that play out…and it backfires spectacularly. This may seem like the idiot plot on the surface, but looking below that surface makes plenty of sense as to why they told Dameron to just trust them.
It was quite interesting to see a story played out so differently than the conventional tropes.
Kylo’s story is interesting to me. Early in the film, Snoke berates him for getting beat by Rey and mocks his wearing of his mask. Ren leaves and angrily smashes the mask. Much of his journey in this film seems to be from that of wanting to be Darth Vader to accepting a different path. His interactions with Rey certainly give us a look at his continuing conflict, and it is understandable why Rey thinks he could be won over.
In spite of Snoke’s death at Ren’s hands, I feel the story is not over and need to withhold judgement for this unexpected move seeming premature.
The reveal that Luke is living alone, bitter and unwilling to help rubbed a lot of people, including Mark Hamill, the wrong way. But I think it was an interesting choice that made a lot of sense. Luke ran from both his failures and his legend. I suppose the Force Awakens could have opened with Luke having successfully rebooted the Jedi Order. But this is far more interesting. We find Luke resentful of not being left alone. He believes that the Jedi is a concept unworthy of continuing. And in some ways, this feels true.
The prequels established that the Jedi were a flawed bureaucracy, not cool Intergalactic Knights. The original trilogy showed Ben Kenobi to be a guy more than willing to stretch the truth.
And to this, we find Luke to be a pretty terrible teacher. And why wouldn’t he be? Even when he agrees to train Rey, it is with the attitude that all the rules of the Jedi are garbage. The Force is not for special people. The Force is not about your family line. The Force is available to all, if they are open to it.
And there is the Rub. Luke has closed himself off to the Force. In doing so, he has cut himself off from life. He cannot sense the activities of his loved ones. He did not feel it when Han Solo was killed by Kylo Ren. And Luke is fearful of the power he sees in Rey.
It is only when he realizes his failures should not define him that he sheds his fears. In opening himself back up to the Force, he is able to tap into power that even he had not experienced in the past. And upon completing his mission to help Rey and Leia? He finds Peace within the Force. He tells Kylo Ren, “Be seeing you.” It sounds like there is more to come with Luke. By the end of the film, Luke is reconnected with the Force and in unity with it.
The film’s biggest reveal is that of Rey’s parents. The Abram’s film showed us that Rey’s parents had left her with Unkar Plutt. Fan speculation was all over the map. Is she a Kenobi? A Skywalker? The Last Jedi loudly declares they were nobody. They were junkies who sold her to get money for a fix. They are buried in paupers graves on Jaaku. The Force Awakens hinted that Rey’s parents were not that important, despite claims otherwise. Maz tells Rey they both know her parents are never coming back.
This works for me. It of course, also works for the themes of the Film. Snoke believed that it was the Skywalker line that would stand in his way. It is why he converted Ben Solo. The fact that Rey is some random Force Sensitive person? That she is not some part of a prophesied blood line? I find this a very satisfying answer.
Are there things that I think could have been done better? As noted, yes. But are these failings greater than the things the film does well? Not by a longshot. Johnson has given us an unpredictable, interesting film that still reflects it’s predecessors. The Last Jedi is a strong Star Wars film that has me interested in seeing the next chapter of this story.
After the prequels, Star Wars appeared to be…well, complete. Lucas was no longer talking about a third trilogy. All had gone quiet on that front. Instead, Star Wars thrived in animated fare like the Cone Wars cartoon and in comic books through Dark Horse. Dark Horse had even started a Canon series that took place between a New Hope and Empire Strikes Back.
But then, in 2012, came a very unexpected announcement. Disney had purchased Lucasfilm and all it’s properties. And with this announcement came the news that they were working on a new trilogy. And on top of that, Disney would also be making Star Wars films set outside the main storyline.
This came with some controversy, as Disney declared that the extended universe of Novels and comics were, in no way, canon. Only the Six movies counted. This was partially to allow new novels and comic books to start building the universe anew. Dark Horse lost the rights and Marvel took up telling all new stories within the Star Wars universe.
J.J. Abrams was brought in fresh from rebooting Star Trek (ironically enough, he was often criticized for bring a Star Wars attitude to the franchise) to create the new story that would continue the adventures. Of course, Harrison Ford, Carrie Fisher and Mark Hamill were all brought in to reprise their roles (some more limited than others). So let us go forward, back to that galaxy far, far away…and be ready for spoilers!
Opening up about thirty years after Return of the Jedi, we are greeted by a star destroyer. It appears that while the Republic was restored, the remnants of the Empire formed as the First Order. The First Order is getting bolder and are trying to wipe out the Resistance, led by General Leia Organa. She has sent a top Resistance Pilot named Poe Dameron to the planet Jakku in an effort to get information that could lead them to Luke Skywalker.
First Order ships arrive on the scene, and Poe tries to escape, but his ship is damaged. He puts the top secret info into his astro droid BB-8. The droid goes on the run and Poe is captured by the mysterious Kylo Ren. It is quickly revealed that this is the son of Leia and Han Solo.
In the middle of this, one of the Stormtroopers seems out of step with the others. When they return from Jakku, he removes his helmet to reveal a young man who is not a clone (later in the film, it is explained the First Order takes young children from their families and trains them to be unquestioning soldiers rather than clones). The Storm Trooper helps Poe escape. In the middle of their escape, Dameron asks what his name is, and the Trooper responds with FN2187. Poe determines that he will just call him Finn, and the newly christened Finn declares he likes it. They crash back on Jakku. Finn cannot find anything but Poe’s leather jacket. He wanders the desert planet, tossing aside his Storm Trooper armor.
Meanwhile, BB-8 has been found by the young scavenger Rey. She helped BB get away from a junk collector and offers to help the droid get to the city. They arrive and Rey finds herself being followed. BB-8 sees Finn in Poe’s jacket and Rey attacks. Finn claims to be a member of the resistance, and that he can help. Finn hears a familiar sound and they realize they are under attack from the First Order.
They rush to find a spaceship. Finn points to a ship offscreen and Rey mocks it as being garbage, but the ship she wants blows up…resulting in her yelling out “The garbage it is”…but it turns out to be a very famous hunk of junk. It is the Millennium Falcon. Rey pilots while Finn mans the guns. This leads to a very exciting chase through the air forcing the two to rely on their best wits. At one point, Rey flies the ship through the carcass of a crashed Star Destroyer.
Once they reach space, they start to try and figure out how to get BB-8 and Finn back to the Resistance. Finn, of course, has no knowledge of the Resistance, but manages to convince BB-8 to play along. They are overtaken by a larger ship, and it turns out to be Han Solo and Chewbacca.
Things take a turn for the worse as two factions Han has double crossed show up. After a narrow escape, the newly formed crew head to meet up with someone Han knows can help. Their mission is now to get BB-8 to the Resistance, especially after they find that BB-8 holds coordinates to finding Luke Skywalker. They reach a lush planet and Han brings them to the temple of Maz.
Maz is a small alien who is even older than Yoda. She apparently has a crush on Chewbacca (she refers to him as her boyfriend, and it is unclear if this is playful or serious).
Finn confesses that he was a Stormtrooper and he is terrified. He only wants to run as far from the First Order as possible. Maz points him out to a couple of guys he could run with. Rey gets distracted, believing she hears a child calling for help. She goes to the basement of Maz’s temple where she finds a trunk with a familar item. Luke’s lightsaber, last seen in the Empire Strikes Back. As soon as she touches it, she faces a barrage of visions and sounds, voices and images of the past and future.
Rey runs from the Temple in terror. Unbeknownst to Maz, Han or the others, spies for both the Resistance and the First Order have sent out alerts, as the First Order and Resistance are both on the hunt for BB-8.
The first order has a new weapon they call Starkiller Base (this is a reference to the original scripts for Star Wars, when Luke was named Luke Starkiller). It is basically a variation on the Deathstar, except they used an actual planet to create it.
Having seen Rey run off, Finn starts to run for her, but everyone is stopped by a sight in the sky. The Starkiller Base has fired on the Republic’s central planets. The First Order knows that the Republic has been helping the Resistance, and without them, the Resistance loses key support. Everyone on the ground near Maz’s temple can see the lasers burning through space towards their targets.
Then, the First Order shows up, firing on the temple and it’s fleeing occupants. Rey and BB-8 are running through the forest while Stormtroopers are in pursuit. Han, Chewbacca and Finn fight Stormtroopers trying to get to Rey, but end up overwhelmed. Meanwhile, Kylo Ren has found Rey.
Ren discovers that Rey has seen the map and dismisses the need for BB-8, instead taking Rey with him. In the meantime, the Resistance shows up with X-Wings to chase off the First Order troops, saving Han, Finn and Chewbacca.
They are greeted by General Leia Organa, who embraces Han. Now, instead of running from the First Order, Finn argues for a direct assault on Starkiller base so they can save Rey. It is also revealed that Poe survived the crash landing, just as Finn had.
Rey is being interrogated by Kylo Ren, though, he seems to have deeper motives. He sees that Rey seems to have a natural gift for the Force, much like his grandfather.
After Ren leaves, Rey feels emboldened and tries a “force” trick by getting a guard to unlock her restraints. The seen is quite entertaining, and more played for the humor than the drama. But the scene works pretty well, showing Rey both a quick learner and more than willing to accept things on faith.
Back at the Resistance base, they prepare for their attack. They plan for Han, Finn and Chewbacca to take out the shields that will allow the Resistance fighters, led by Poe to take out the base before it can fire. The Starkiller Base’s primary weapon actually requires the energy of a star, so they have until the star being used for power is snuffed out.
Arriving in the Millennium Falcon, the heroes go in to find both Rey and set up the destruction of the base. As they search for Rey, Han realizes she has already escaped. They meet up with Rey and start planting explosives. Han sees Kylo and calls out to him. Han and Kylo meet on a bridge. Han reaches out, and Kylo speaks hesitantly, wanting his fathers help. Solo promises to help him, in this moment, Han’s facade of cocky hero drops to reveal a father who lost his son, and sees an opportunity to heal the relationship.
Instead, Kylo impales him with his lightsaber. Han, in a touching moment, touches the face of his son before falling from the bridge. Angrily, Chewbacca fires and hits Kylo Ren. The horrified trio of Rey, Finn and Chewbacca race out of the structure, setting off the bombs. This allows the X-Wings to start strafing the surface. Chewbacca heads for the Falcon, while Finn and Rey run into another obstacle…
Finn turns on the lightsaber and engages Ren, but it is a short fight. He starts to use the Force to grab the lightsaber the unconscious Finn dropped, but instead, it find’s Rey’s hands. This is a really nice dramatic and exciting moment, scored just tight by John Williams.
Rey and Kylo have a furious lightsaber duel, only to have the planet starting to break up around them. Ren tells Rey he could train her, she may be a strong raw user of the Force, but he can teach her better control. They are split apart by the turmoil around them. Chewbacca appears with the Falcon and they get Finn, leaving before the Starkiller Base is fully destroyed.
Returning to the base, Rey meets Leia (an they embrace, which Abrams admits was probably a mistake, there is no reason for the attachment, as Leia and Rey have never met). Using the information from BB-8, they have the missing puzzle piece. Earlier in the film, it is revealed R2-D2 has been in powersave mode, he wakes up and provides the rest of the map. Rey and Chewbacca fly off to the remote planet that Luke is staying on. Rey walks up and stands before Luke reaching out with his old lightsaber and the film ends…
Probably the two biggest knocks against the film were the fact that it mirrors A New Hope far to much and Rey is a Mary Sue.
The film does follow the beats of a New Hope quite closely. A young desert planet nobody is drawn into a larger battle of intergalactic forces and learns to use the force…while helping to destroy a planet sized planet destroyer. But I do not find this overall a problem. The repetition is certainly a valid storytelling device. I confess, I wish the big plot device did not hinge on a planet killer all over again, but I do like the visual design of Starkiller Base.
But the whole “Rey is a Mary Sue” thing. This is often leveled as a criticism along with folks upset by the film having “diversity”. Finn is played by a black man, Rey is, of course, a girl and Poe is played by a man of Cuban and Guatemalan heritage.
Before then, the casts were largely white. Lando and Mace Windu were exceptions. And I think Mace was mainly “Wouldn’t it be bad ass if Samuel L. Jackson was a Jedi???” There is a silly contingent of people out there that are certain having non-white male actors in roles is a problem. It somehow ruins the stories to have a variety of actors. They claim, of course, not that their problem is the diversity, but forced diversity. But John Boyega’s presence did not force some magical change on the story. Opening up considerations for actors in the Star Wars universe is hardly a problem. Especially when you consider how baked in the cake it is with Star Trek. And it sure seems to work okay there.
But back to Rey. So, Mary Sue is a term that is a part of fan fiction. If you are not aware, Fan Fiction communities are folks who love to write stories continuing the adventures of shows, movies, comics, etc that they love. Sometimes they work within the cannon of the franchise, but often, this is their way of saying “what should have happened.” Some writers are specifically focused on relationships they want to see that the official works clearly won’t be doing (*cough, cough* Finn and Poe *cough, cough*). But the most derided thing in fan fiction is the dreaded “Mary Sue”. A Mary sue is a character that is created by the author that is simply better and smarter than everyone else. There is nothing they cannot do. They always save the day and fix everything. It is generally believed that a Mary Sue is a way for the author to insert themselves into the story.
In the film we see Rey fly the Millennium Falcon, fix the Millennium Falcon, use the Force and have a lightsaber duel with a trained Sith Lord. Does this make her an all powerful Mary Sue?
No.
There, that was not so hard.
Not satisfied? Okay…then we are going to break this all down.
Rey just happens to be a pilot who can just happen to fly and fix the Millennium Falcon. She even seems to understand it better than Han Solo. But let us look at Rey’s history. As a child, she is left with junk dealer Unkar Plutt. Her whole life has been as a scavenger. She plunders the ruins of the crashed ships that litter the surface of Jakku. This means she has some basic technical understanding of how ships function.
We know Rey is familiar with the Millennium Falcon, because when she is running with Finn, he calls out the Falcon and she says they are not going to take it because it is garbage. Unkar Plutt owns the Falcon at the beginning of the film. We know this in part because as Rey fires it up, he yells out about his ship. Later Rey tells Han about modifications that Plutt made that she disagreed with. So, she has been in the Falcon probably many times. So, between being a scavenger and working for Plutt? It stands to reason fixing ships would be a skill she might have.
She also points out how she has flown ships before, though never in space. And even with this, the film portrays her as a pilot who gets farther on luck than actual skill. When she first tries flying the Falcon, she nearly crashes it. This is not Mary Sue Territory.
Rey uses the force pretty well with no training. So?
Okay, okay. First off, the films have clearly established that those who are Force Sensitive may find themselves using it without even realizing it. You do not have to have training to use it, training simply helps you better control it it. Rey does a bit more than we see Luke do in the first film, which does not mean anything. Luke has nobody to duel Lightsabers with, that falls to Obi Wan in the first film. Luke has no more training than Rey in the beginning of Empire when he uses the Force to retrieve his lightsaber from the snow. There is no in movie argument that he could not have done that in a New Hope. So, this notion that a person who is Force Sensitive cannot do Jedi mind tricks and the like is not based in anything other than “It was not done by Luke in a New Hope”, which is, frankly, not much of a point at all. Still not Mary Sue territory.
Rey fights a trained Sith in a lightsaber duel. This often is argued that she wins. But that is absolutely false. Nobody won the fight. It was a draw. And you might think this still favors the Mary Sue Argument. But, no, it does not. Early on in the film, we see Rey protects herself with a staff. As a scavenger, a weapon is probably a necessity. And she uses a staff. It is pretty clear she uses the lightsaber in a similar fashion. But still, how could she fight Kylo Ren to a standstill? Well, right before this confrontation, Ren has killed his father and Chewbacca shot him with his bow. They spend the entire film establishing just how powerful that bow is. In the fight, Ren is clearly in pain, and he constantly pauses to punch himself in the side, apparently trying to blunt his pain. He also has been wounded by Finn in their brief lightsaber duel. Rey is fighting a wounded man who still manages to nearly best her, only the destruction of the Starkiller Base ends their fight.
So, in closing, the Mary Sue accusation does not hold up under scrutiny. In addition, unless you are condemning the original trilogy, the arguments for Rey as Mary Sue apply every bit to Luke Skywalker. If you think Luke is not a Mary Sue (or, Gary Sue, because people seem uncomfortable applying a feminine descriptor to a male character) than Rey cannot be either.
A few things that were bothersome…
Captain Phasma played by Game of Throne’s Gwendolyn Christie. While I liked the character’s visual look (and loved that they were comfortable always keeping the Helmet on, leaving for mystery), I felt like the character never got to show off, so to speak. They hired Christie, who is a commanding physical presence and she never really gets her moment.
Supreme Leader Snoke is only seen in in the form of a giant hologram. Who he is gets played up as a big mystery, but I do not find him particularly threatening here.
I was not sure how I felt about Luke being this legend and enigma in this film, the Last Jedi has given me perspective I will address in that piece.
But, for me, the positives vastly outweigh the negatives. I enjoyed returning to the universe and the characters. Seeing Han Solo and Chewie and General Leia were all welcome.
Driver gives a fascinating performance. His Kylo Ren worships his grandfather Darth Vader. He seeks to be like him, but he is a young fanboy desperate for approval from Snoke, but struggling with a part of him that still desires the love of his parents. The first six films all focused on the allure and deceit of the Dark Side. The Dark Side is an almost romantic threat that can overpower good. The Force Awakens is the first time we see the idea that the Light Side of the force has it’s own pull. And I like this.
I really like Rey and Finn. Both are in struggles that sometimes cause them to be overtaken by fear. Finn has only known the First Order, and the concept of friends like Rey and Poe quickly start to give him a new kind of hope. Rey has never had the courage of Jakku believing that some day her parents will return. When Maz points out that Rey knows this is not true, but she has the potential of a new family, Rey is terrified to face this and runs. Poe Dameron is one of those fun swashbucklers, who makes things work by kind of flying by the seat of his pants and hoping it all pays off.
When I saw the Force Awakens in 2015, I enjoyed it a lot. I have revisited the film a few times in the past few years, and my feelings have not changed.
So, last Sunday’s Oscars happened. There was much questioning in advance of how Chris Rock would address the #OscarsSoWhite controversies. Some felt he should drop out. Some felt he should use the the night to stick it to Hollywood racism. And, he did pretty good. Rock had some good jokes that called out the racism at play…Hollywood’s “Sorority style Racism” as Rock noted. But Rock’s bits could have been better.
It started to become apparent that Rock’s calls to diversity were somewhat single dimensional. In fact people on twitter started noting that Diversity is a bit bigger than Rock’s focus. Aasif Mandvi tweeted:
He was met with a response that stated that because Chris Rock is black, he was focusing on black performers. Which, to be frank, is a pretty bullshit excuse. Rock was hosting the Oscars to a broader public. Asians and Latinos (just to name two groups left out) had every right to be frustrated by Rock’s extraordinarily narrow observations.
In a bit of irony, Rock’s race themed bits all highlighted white versus black. He only spoke of black actors vs white actors. There was a distinct lack of diversity. Heck, it even looked as if he and his writers lifted the Martian Gag from the Nightly Show.*
All of Rock’s bits would have been funnier with an expanded racial scope. Of course, pointing this out has gotten some hit with accusations of saying the same thing as “All Lives Matter”. Which is absolutely false. Let me cut folks off at the pass. This is false. Period. There is no discussion to be had. Pointing out that other races were not recognized by Rock is not the equivalent of saying all lives matter. Why don’t we look at some facts about Oscar Diversity. It is not a pretty picture.
There has not been an Asian Best Actor nomination since Ben Kingsly in 2003. There has not been an Asian Winner since 1982, which was also Ben Kingsly. It was 26 years earlier that there was another Asian nominated. That was Yul Brenner in 1956. And he won. You have two Asian winners in the Best Actor category. There was one Asian woman nominated for Best Actress. Merle Oberon in 1935. Not a single Asian Actress has been nominated since. Not even from the Joy Luck Club, which got no nominations for it’s actors.
Surely it is better for the supporting roles, right? Between 1957 and now? Best Supporting actor has nominated Asian Actors six times. Of those six? Two are Ben Kingsly. The only win was Haing S. Ngor for the Killing Fields in 1984. The last nomination was Ken Watanabe in 2003.
Supporting Actress? Since 1957? Again, six. The last being Hailee Standfield in 2010’s True Grit. Only one win, that was to Miyoshi Umeki in 1957.
So, what about Latinos? Surely, they fared way better in acting nominations and wins, right?
Well, for best actor? Five since 1950. Last nomination was Demián Bichir in 2011. Last win? 1950’s José Ferrer for Cyrano de Bergerac. For supporting role, there six nominations. One was for José Ferrer in 1948. Anthony Quinn was nominated and won twice. Andy Garcia and the other two went to Benicio del Toro, who won in 2000 for Traffic.
Best Actress had three nominations between 1998 and 2004. That is all, no wins. Just three nominations in the history of the Oscars. Supporting Actress? Six nominations between 1954 and 2013. And I bet that 2013 nomination would catch people off guard, because it is Lupita Nyong’o. She and Rita Moreno are the only wins.
Native Americans have three nominations in the history of the Oscars. Three.
While looking for that last one I found this article which sums all the information up nicely.
Chris Rock focused heavily on the lack of Black actors. Since 1958, there has been 18 nominations. This includes Will Smith (Twice), by the way. Morgan Freeman was nominated three times. Denzel Washington four times. There have been four wins (Sidney Poitier, Washington, Jamie Fox and Forrest Whitaker). Best actress has only had ten nominations since 1954 and only a single win (Halle Berry for Monster’s Ball in 2001).
Best supporting actor has seen sixteen nominations and four wins since 1969. The wins were Louis Gossett Jr., Denzel Washington, Cuba Gooding Jr and Morgan Freeman. Best supporting actress? Eighteen nominations with six wins (Hattie McDaniel, Whoopie Goldberg, Jennifer Hudson, Mo’Nique, Octavia Spencer and Lupita Nyong’o) between 1939 and 2013.
Going by the actual numbers, those individuals who were telling Asians, Native Americans, Latinos and other minority groups to just accept that they were being ignored? They have the bigger gripe. Asians, Latinos, Native American performances are far less recognized. In comparison, black performers are getting more of the opportunities.
Hollywood needs more diversity. Hollywood needs to expand it’s recognition. But Rock made his bits all about black actors, every single bit featured only black actors (or in one case Black “Man on the Street” interviewees), and Rock gave no recognition to the lack of diversity other races (who have had even less recognition in Oscar History). But he did manage a racist Asian joke. Way to go with the appeal to diversity.
*The Nightly show did the “What if Mark Watney Was Black” gag a few weeks back. It is entirely possible that the Oscar version was recorded in “competition” and it was coincidence…but it was the exact same joke, just the Oscar version got the original white actors.
And so, here it it is. The fans started skeptical when new films were announced, yet as we grew closer, folks started to get more and more excited. And as long as they were better than the prequels, these new films would be loved. But now I have seen J.J. Abram’s film.
For me? This was an exhilarating rush. I felt a genuine joy watching the film. The characters we know are back, and much as we remember, though a bit more worn and heartbroken.
The new characters look poised to take over the main franchise, and they are quite likable. I especially enjoyed the interactions between Rey, Finn, Han and Chewbacca.
Rather than a clone of Darth Vader, Rylo Ken is more emotionally twisted by the pull of the dark side. There is a hint that the light side of the Force has it’s temptations to be fought.
The jokes land on target, the film has plenty of laughs. There are plenty of call backs and nice little homages to the original trilogy. The film also sets up mysteries to be answered in the future.
I truly enjoyed the film, and this has me excited for the next installment.