It’s Not Just a Jungle Out There (Jumanji: The Next Level, 2019)

Jumanji_Next_Level_PosterAlex, Martha, Fridge and Bethany have all moved forward in life, but college life has been disappointing for Alex and he has become distant from the others.

When everyone returns home for Christmas, Alex decides maybe what he really needs is to recapture the confidence he gained from the last time they went through Jumanji. When he never shows up for a planned breakfast, Fridge, Bethany and Martha find themselves forced to enter the game.  But due to damage to the console, the group find themselves lost in a new part of the game and in the wrong avatars (well, except Martha).  To make matters worse, the game has pulled in Spencer’s grandfather and his old business partner Milo.

The Next Level faced a challenge.  How to convincingly argue the kids would re-enter the game and how not to lose the magic of the interplay of the last film.  The previous film was one of those rare films that did not depend on Johnson basically being himself.  The cast was convincing and fun playing the roles of teens trapped in a video game.

Kasdan ups the ante with this one. Gillan, Black, Hart and Johnson all get to play multiple inhabitants of their avatars (with Hart and Johnson doing fun takes on Glover and Devito for much of the film).

This was a real fun follow up that manages to carry over the character growth of the last film while still capturing what made the previous so much fun. The cast is great and the action is fun.

It’s Still A Jungle Out There (Jumanji: Welcome to the Jungle, 2017)

Jumanji_WTTJ_PosterEvery so often, someone decides it is time to start up a franchise. Rather than a reboot or a remake, when they announced Jumanji (starring that Robin Willims-esque Dwayne the Rock Johnson) it was decided that they would make a sequel. The film clearly establishes itself as set in the same universe as the Robin Williams movie late in the film.

The film opens with a jogger finding the board game on a beach.  He gives it to his teenage son Alex.  The young man sets it aside.  That night he is awoken by beating drums.  He opens up the box to find, instead of a board-game, a video game cartridge. He puts it in and disappears.  The film picks up 22 years later.  Alex is the town legend, his father and house the stuff of scary stories.

Spencer is a nerd who gets in trouble for doing football player classmate Fridge’s homework.  Their teacher recognizes that Spencer has plagiarized themselves.  At the same time, popular and pretty Bethany is in trouble for talking on her cell phone during a test and Martha is in trouble for talking back to her gym teacher.  The four get assigned to detention, which will involve them cleaning up a mess in the school basement.

The kids stumble upon an old video game system and decide to give the game Jumanji a try. They find themselves transported into the game, which they then find out that they must play to the end if they want to get out. This is a reversal of the first film, where the game broke out into the real world. Here not only are they in the video game world, they are video game avatars.  Spencer finds himself as the muscular and heroic Smolder Bravestone.  Fridge is the diminutive zoologist Mouse Finbar.  Martha is shocked to find herself looking a bit like Laura Croft fighter Ruby Roundhouse.   And Bethany gets the huge shock of being the middle aged Dr. Shelly Oberon (which she assumed a woman, only to find she is a man).

The film has a lot of fun with the new video game approach.  Everybody has three bars on their arms representing lives, resulting in some amusing moments when they end up regenerating. There is also the sendups of video game tropes.  Most notably, one people have somehow been missing because they have been reacting to single still photos and ignoring the context.  Karen Gillan’s Ruby Roundhouse is a sendup of the hot female fighter video game characters.  She questions very quickly what is up with such a ridiculous outfit.  Admittedly, they could have had her change, as at least one scene shows her putting a shirt on to cover herself. But the film is on the side of the folks who jumped on how she is dressed.

The plot is thin…they literally are just trying to get a jewel to a statue to lift the curse of Jumanji.  Which puts the focus squarely on the characters.  And thankfully, Johnson, Gillan, Black and Hart are all entertaining in their roles. Fridge is frustrated by the reversal to a character who is not very athletic and has the weakness of cake.

Bethany, of course, is pained both by her appearance and lack of access to a phone.  All four have lessons to learn, but it is mostly the spectacle of events and jokes that makes this film fun.

I admit, I was not expecting a lot out of this one, but I really had a good time. This is a bit more aimed at older audiences with some juvenile humor.  But it still works pretty well to be amusing and exciting.

Father-Son Bonding (Guardians of the Galaxy Vol 2, 2017)

guardians_vol_2_posterGuardians of the Galaxy was a bit of a risk for Marvel Studios.  It was really their first film that had little name recognition.  It also was their first film not closely tied to the Avengers.  And yet, under the guidance of James Gunn, Guardians of the Galaxy succeeded with a healthy dose of humor and action.  Towards the end of the film, Yondu mentions knowing who Starlord’s father is.  In this sequel, we meet dear old dad.

While fighting an inter-dimensional beast, Rocket steals some batteries from the Sovereign.  This results in a chase through space that culminates in Starlord meeting his father Ego. Ego is a “living” planet.  He has a human avatar who sired Starlord.  In the meantime, they are being hunted by Yondu and the Ravagers to collect a bounty for the Guardian set by the Sovereign.

Volume 2 carries forward with the same tone and attitude of the first film, making it a lot of fun to watch.  The opening credits are a blast to watch.  Easily one of the best opening sequences for a comic book film.  The cast has really come together and it shows in their performances.

The new cast adds to the fun, with Kurt Russell being a high point for…well being Kurt Russell.  He is one of those actors you hire because you want a “type” that is specific to a particular actor.  Call it the Goldblum Effect if you will.  You hire Jeff Goldblum for a movie because you want a “Jeff Goldblum Type”.

In addition, Sylvester Stallone, Ving Rhames and Michelle Yoeh have small but pivotal roles (obviously setting up Volume 3).  The film is full of blink and you might miss it fan service, but with James Gunn, it is not distracting (for the most part) and for people unfamiliar with the comics will be unnoticed.

Of course, the soundtrack is integral to this film, each song clearly chosen carefully by Gunn.  Marvel was wise to stick with Gunn for the Guardians brand because he has a very specific vision that allows these films to stand out from the Marvel Pack.

A lot of the humor this time around is coming from Drax (Dave Bautista) and Baby Groot. Some of the more surprising emotion comes from Michael Rooker’s Yondu.

Guardians of the Galaxy Volume 2 can be pretty intense and it is not really for young kids.  But teens and adults alike will find a lot to enjoy here.  Personally, I found Volume 2 to be a very fun film-going experience and find myself anticipating the next outing.

Oh, and by the way…there are five mid to post credit scenes.  So do not get up and head for the door right away.

Hooked On a Feelin’ (Guardians of the Galaxy, 2014)

Guardians_of_the_Galaxy_PosterWhen Marvel announced Guardians of the Galaxy, it was met with a pretty collective “huh?”  The announcement of director James Gunn was not much help.  Gunn had directed 2 films prior.  The Sci-Fi comedy Slither and the dark super-hero satire Super.  His writing credits were a bit more substantial.  While comic fans knew who the Guardians of the Galaxy were, the masses did not.  And this did not bode well for early anticipation.

And yet…James Gunn managed to deliver one of Marvel’s best films to date.  A traditional “Mismatched Crew Saves the Day” tale, the writing and performances make the most of the weirdness to carve a very fun film.

The film opens with young Peter Quill at the bedside of his dying mother.  When he runs off, he is abducted by aliens.  Because in Marvel’s world, that is just the kind of stuff that happens.  After a heavy-hearted beginning, we are introduced to grown up Quill.  In what seems like a serious sci-fi moment, Quill walks the landscape of a dead planet.  He pauses and puts on earphones and the booming sound of Come and Get Your Love.  This sets up a tone for the film that is highly effective.

We learn that Quill is not the brightest and gets by on luck.  As he tries to pawn off the magical McGuffin he steals from an old temple, he finds himself dealing with the green skinned Gamora who is after the McGuffin.  At the same time, Rocket (a talking raccoon) and Groot (a talking tree) are bounty hunters pursuing Quill.  This leads to all of them being imprisoned.  They are forced into a team, getting a late addition of Drax (Also green skinned and also tattooed).  Drax wants to kill Gamora, because she is an associate of the mad Kree Warrior and religious zealot Ronan.  Ronan killed Drax’s family and he is seeking his vengeance. Quill talks the other four into a prison escape, as Gamora knows someone who is interested in the McGuffin.

The prison escape is both action packed and highly entertaining.  Gunn keeps everything moving, and even when the film slows down?  It has momentum.  Gunn makes sure not to ignore the development of the Guardians.  They have opportunities to grow and Gunn (along with initial screen writer Nicole Pearlman) and overcome their situations.  Vin Diesel has one line, yet manages to imbue different emotions every time he says it.  When Drax discovers that Ronan does not appear to remember him or his family…he is lost and beaten.  He was entirely of no consequence to Ronan.  It causes him to alter his perspective.  He also starts to get the value of his friends.  Even if he does not understand how to talk to them.

The film focuses on the Guardians as David’s to Ronan’s Goliath, and it really works.  The cast is effective,  Probably the biggest flaw of the film is Ronan.  This has not been uncommon, a lot of the Marvel Cinematic Universe films seem to be thin on their villains (usually expecting to be overcome by good casting).  Otherwise the film is full of humor and excitement.  Gunn took an unknown group of characters and made a strong tale of friendship and misfits overcoming adversity.

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