I Am the Law (Dredd, 2012)

Dredd_PosterWhen a new Judge Dredd film was announced, there was no real fanfare.  What people did not realize is that the film was being written outside of the Hollywood scene.  Alex Garland (writer of 28 Days Later and writer/director of Ex Machina)…Garland is a fan of 2000AD and Judge Dredd.

Keeping the story very simple, Judge Dredd is taking a trainee with him, a hopeful Judge named Anderson.  She has some limited psychic ability.  Dredd is tasked with evaluating her.  When three skinned bodies fall from the sky, Judges Dredd and Anderson arrive at a 200 story building that is pretty much a city unto itself.  Dredd and Anderson capture a drug dealer who works for notorious gangster Ma-Ma.  To prevent him from being taken out, Ma-Ma has the building in lockdown and then announces to the entire complex that she wants the two judges killed.

This simple setup makes for a very effective story of survival.  Our leads must work their way to Ma-Ma to bring an end to their situation.  They are cut off from the outside world and must rely on their skills and wit.

The look of the city is grimy and lived in.  Full of pollution and decay, the sets of the film are effective.  The effects, specifically the sequences depicting the effects of the drug Slo-Mo (it makes the user feel that time has slowed down) are very well thought out.  The viewer sees everything in slow motion, with a shimmering effect.

Garland understands what makes Dredd work.  Keeping the story simple is such a benefit here.  There are no over the top conspiracies.  Karl Urban never shows his face without the helmet in this film.  And he wears a permanent scowl.  Never does Dredd break down.  Even when he seems to be relenting on his firm stances, it is in a fashion that he is in line with his attitude throughout the film.  Urban really embraced the character and does Judge Dredd real justice here.  Anderson is very sympathetic as a rookie and owns up to her mistakes.  At one point, she knows she has failed the evaluation but refuses to back down from the challenge of Ma-Ma and her gang. And Ma-Ma?  This is no glamor role for Lena Headey (Game of Thrones).  She is a drug addict and psychopath…cruel and vicious with scars to show for it.

Dredd has gained a cult following over the past five years, with people hoping for a sequel.  A few years ago an April fools announcement declared Netflix was doing a Dredd series with Karl Urban and Thirlby returning.  Fans were bitterly disappointed it was untrue.  But every so often, we get word of the filmmakers trying to press ahead.  And Urban has welcomed the possibility of returning to the role.  Most recently, there is the word that a series may be on the way after all, possibly with Urban back as Dredd.

Dredd is a very effective cop survival story, gritty and violent with strong performances.  The creators get the characters and manage to remain true to what made the character work in comics, without being alienating to those unfamiliar with the source material.

Rob Schneider in the Apocalypse (Judge Dredd, 1995)

Somebody looked at Sylvester Stallone’s chin and declared him perfect for the role of iconic British comic book character Judge Dredd.  And they were not wrong:
judge_dreddstallone-judge-dredd

(I know I already showed this…but it seems relevant for the review)

Judge_dredd_movie_poster_1995Anyhow, looking for a story, the filmmakers thought the best approach was to tell it through the eyes of SNL alum Rob Schneider.  He is an ex-convict returning home who gets caught in the crossfire between thugs and Judges.  A little background here.  After a nuclear event society is rebuilt in heavily concentrated cities.  In these cities are massive buildings, communities unto themselves. They are known as Megacities.  Outside of the sprawling cities is a desert wasteland populated by outlaws and mutants called the Scorched Earth.  The Society has combined Police Officers with Judges.  You do not go to court, a Judge simply tells you your sentence and that is that.

The most famous Judge is Judge Dredd.  Dredd has no tolerance for lawbreakers.  The comic is a satirical look at fascist societies (the Eagle emblem is not a coincidence, it is meant to acknowledge both America’s national bird as well as the use of the bird as a symbol by fascist societies).  Of course, fans also like the ultraviolence, making Judge Dredd’s popularity complex.  As Neil Gaiman notes, the comic is one of the rare instances where you have something that is both the very thing being commented on and the commentary itself.

While attempting to hide in a robot to avoid death by gang members or a Judge, Fergie (Schneider) is caught and sentenced for tampering with the robot.  In the meantime, Judge Dredd is framed for murdering a critic of the Judges.  He is sent to the Scorched Earth, where he runs into Fergie.  They return to stop a conspiracy to destroy the Judges and establish a new regime.

Judge Dredd is not very good in its story.  It tries to give some emotional depth to Dredd that ends up feeling odd.  Family angst is not something that drives the character and is an unnecessary addition.  The film also tries to hint at a romantic tension between Dredd and Judge Hershey (Diane Lane) who plays the role of the angel on Dredd’s soldier, pressuring him to be less harsh.

There are some notable things about the film.  The costumes look great.  They feel like they are ripped from the pages of 2000AD.  The sets are also like the strip come to life.  The cities and the Megacity blocks are appropriately broken down and seedy looking and the Scorched Earth barren and unforgiving.  Visually, the film is pretty impressive looking.  There are some nice nods to other 2000AD characters (most notably the use of the ABC Warriors robots).  Mean Angel (a cyborg and member of a cannibal outlaw family) stands out.

The cast includes Max Von Sydow, Diane Lane, and Armand Assante.  Most of these choices are good choices.  Rob Schneider is there as comedic relief, but it is not very organic in the story.  There is one amusing moment where Schneider looks over to Dredd on the prison transport and tries to figure out why he recognizes him…Schneider uses his hand to cover the top of Dredd’s head and recognizes him based on the chin.

No, where the film fails is not in its look.  It’s the story.  Trying to create an origin for Judge Dredd makes all sort of unnecessary explorations of his character.  Dredd does not question the Law.  The Law is his life.  You can have Judge Dredd question the application of the Law, but the character loses meaning if he questions the Law itself.

The biggest issue here is that ultimately, they did not hire Sylvester Stallone to bring Judge Dredd to life.  They hired him to be a stock Stallone Action Hero.  And Stallone delivers his lines as such.  It is not that Dredd does not make jokes…but he does not deliver them as one-liners.  He should always sound deathly serious.  Also? Dredd does not smile.  And most importantly…remember that gag I mentioned with Schneider recognizing Dredd?  That scene should simply not happen.  Judge Dredd is never seen in comics without his helmet.  Never.  I mean NEVER.  And yet, in this film?  He is seen far more without the helmet than in it.  This is because it is a star vehicle for Sylvester Stallone, rather than Stalone making a character live on screen.

Judge Dredd pretty much killed other 2000AD film deals, and frankly, it is obvious why.  The film fails in all the areas where it needs to succeed.  Character and Story.

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