The Myth, the Legend… (Hercules, 2014)

Hercules_2014_PosterThe film begins by detailing the great legends of Hercules.  As a child he defeats snakes sent by a jealous Hera. He fought the Hydra.  He defeated the Erymanthian Boar.  The Nemean Lion.  We discover this is a tale being told to some pirates about to kill a young man. Hercules walks into the camp, and before the lead pirate’s eyes, dispatches his crew.  We the audience realize he is not doing it alone. Hiding among the camp are a skilled team. It turns out that Hercules has a bunch of super friends that help feed the legend of an unbeatable warrior. And they are really just mercenaries.

While celebrating their latest victory, they are approached by Ergenia, daughter of Lord Cotys. She is asking for help to protect their home from a local warlord and promises the team their weight in gold. After agreeing, Hercules and his Amazing Friends help Cotys defeat the Warlord.  But they soon find they may have aligned themselves with the wrong people.

Hard to believe there were two Hercules films in 2014, but here we are.  This film is all about playing with the myth.  The film never confirms whether Hercules is truly a demigod or if the gods are even real.  At the same time, it never truly denies it either.  In fact, the film pretty much ends on a “Who knows???” kind of note.

There is also a mystery, as rumors of Hercules having killed his own wife and children dog him.  He was cast out of the kingdom of King Eurystheus for this and it is what led to his life as a mercenary. All of this plays around with the idea of myths and legends versus “the Truth”. This is another “all new tale”, though it tries to supplant those old tales of Hercules as the true story we never new.

Based on a graphic novel, I am somewhat relieved it did not go the route of 300 or Sin City. Or even it’s competition, the Legend of Hercules.  The action scenes are not heavily stylized.

The film seems to be relying entirely on Johnson’s charisma to sell the film.  The actions sequences are competent, but not especially memorable.  The element of the fantastic is blunted by the attempt to be coy about it’s place in reality versus fantasy. Even the best characters rely on great actors giving stock performances.  This is especially true of Ian McShane’s Amphiaraus, the wise drunk.

This is certainly one of Ratner’s better films…but frankly, that is not saying much.  Nothing really saves this from being disappointing at best.

Unbearable Whiteness of Being

So, the Brits are making a weird post 9/11 road trip movie following the apparently true tale of Michael Jackson, Marlon Brando and Elizabeth Taylor going on a road trip after…well, 9/11.  I suppose it is ripe for a comedic take.

But the main reason anyone is talking about the film is they cast Joseph Fiennes as…wait for it… Michael Jackson.

The most iconic black celebrity in the past 50 years of pop entertainment…is set to be played by a white guy.  The defense, of course, is that the film takes place at a point where Jackson looks really white.  And so, if they cast a black actor, they would have to do a lot of make-up to lighten the actors skin.

The thing is, Jackson never expressed a disdain for his blackness, he saw himself as a black man.  Many claim he bleached his skin.  This is certainly a distinct possibility, as he had vitiligo.  This often occurs in patches, and bleaching is actually a way to try and even out skin tone in patients.  People stick to the belief that Michael Jackson was trying to look white, due to his extensive surgeries.  There is no actual evidence of this, other than people want to believe it.  But the fact is, there is no basis for this.  What seems more likely, is Jackson fell into the same trap as many other celebrities who get plastic surgery.  He became obsessed with getting operation after operation, likely to sometimes “fix” previous surgeries.

Casting white actors in black roles has an effect that is quite different than doing the reverse.  There are many roles for white actors out there.  But in television and film, your cast is often comprised of white people.  And frankly, Fiennes does not look like Michael Jackson simply because he is white.  I mean, if Joe was a dead ringer for Jackson, there might be a defense here…but literally the only thing they have in common is paleness.

Fiennes will, in fact, have to go under extensive makeup and prosthetic effects to look like Jackson.  So, this is different from doing the same for a black actor how?

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