Tangled Webs (Spider-Man: Far From Home, 2019)

Spider-Man_Far_From_Home_PosterAfter the massive epic that was Avengers Endgame, a smaller story to actually close stuff off may seem like an odd choice. And yet?  Well, it may have been what was needed.

Bringing back director Jon Watts and the cast of Homecoming, we get a personal story in which Peter Parker really just wants to go on his school trip abroad and confess his love to MJ. But things are complicated.  It turns out that pretty much every major character from Homecoming was caught up in the snap.  And now they have to deal with the fact that all their classmates are now five years older.  The film explores some rather interesting aspects…like all the returned people who were displaced.  Peter and May found themselves homeless, which was one of those things you just do not thing about in the grand schemes.

It turns out that Nick Fury is trying to reach Spider-Man, but Peter refuses to take his calls. But once on vacation in Italy, the class comes under attack by a water monster, which is defeated by Mysterio. A mysterious man who Nick Fury informs Peter is from an alternate earth where he fought the threat of elemental men that are now plaguing Peter’s world.

Far From Home bumps up certain characters too much bigger roles, and it is to the benefit of the film. Holland and Zendaya have real chemistry and their storyline is both adorable and a lot of fun.

The Mysterio storyline is really well done.  There is a scene where his illusion powers is straight up the stuff of the comics. The visuals in the film are terrific and Gyllenhaal gives a solid performance.

Unlike Homecoming, Happy seems more invested in Peter and Spider-Man. This makes sense on a few levels, but I really did enjoy their interactions in the film.

I really enjoyed this latest outing, even more than Homecoming.  It is funny, has heartfelt moments, good performances and great visual effects.  Oh, and stay for the Mid and Post Credit scenes.  They are game changing moments.

Swing High (Spider-Man: Homecoming, 2017)

Spider-Man-Homecoming-PosterSpider-Man has the distinction of having been rebooted three times in the last fifteen years.  Both the Raimi Films and the Marc Webb films have good points.  Raimi’s Spider-Man 2 is a high point for super-hero themed films.  But they also never quite fully got Spider-Man as a character.  Maguire’s Peter Parker could be to goofy, while Garfield’s Peter was to moody and mopey.

Sony hit some hard times, made all the worse by a major hack that exposed all sorts of internal issues.  One thing it revealed?  Sony had talked with Marvel about a deal that would allow Spider-Man to be a part of the Marvel Cinematic Universe.  The talks fell apart before the hack.  But this brought them back to life.

Sony decided to let Marvel bring a heavy creative hand in.  In exchange, Sony got to include MCU characters in their Spider-Films.  The MCU introduced Spider-Man into their world via Captain America: Civil War.  Spider-Man was a highlight of that film.  And rather than try to retrofit Peter Parker in, as if Spider-Man had been there all along… they stepped into his career early, so he is new on the scene.

Homecoming picks up roughly eight months after Civil War, with Peter enjoying using his Stark supplied super-suit and anxiously awaiting his next big Avengers mission.  Which seems to never come along.  Instead, Peter races around trying to get better by fighting street crime and helping lost old ladies.  His day to day life has, of course, been tougher since Tony Stark has come into his life, and he starts to withdraw to make more time.  He dreams of beautiful classmate Liz and hangs out with his closest friend Gan-uh-Ned.  Of course, he makes a major discovery, the adults don’t listen and Peter over-confidently decides to take on guys who may be out of his league.

One of the refreshing story points is that this is not about Peter learning about “with Great Power comes Great Responsibility”…at this point, he has learned that lesson.  We only get vague reference to Uncle Ben’s death.  In fact, the origin of Spider-Man is tossed out in a two second exchange.

Holland’s Peter Parker is sweet and awkward…his Spider-Man is quippy, but still learning.  He is not yet the confident Peter Parker, he practices lines, tries to get into a good pose before alerting bad guys to his presence.  But of the previous film versions, this is easily the strongest portrayal of Peter.  He may be in-experienced, but there are just so many things that make this version…well Spider-Man.

The rest of the cast of characters are updated in some interesting ways.  Ned Leeds is really Ganke from the Miles Morales Spider-Man comics, and he is a very fun character.  This is largely due to the comic timing and enthusiasm of actor Jacob Batalon.  I was most hesitant about Marisa Tomei as Aunt May…not because of her acting ability…but because she is only a few years older than me…and she feels more youthful and vibrant than traditional portrayals of Aunt May.  But I ended up really liking her in the role.

Michael Keaton’s Vulture is a terrific improvement on the character.  I never really cared for the comic version…he never seemed like he was all that much of a threat.  And the green suit did not help.  Keaton’s performance is solid and menacing…yet his motives are understandable.  He is a guy who wants to provide for his family, and saw secret government agencies undercutting his business.  He turns to crime to make up for that.  The Vulture look is a nice combination of modern with hints of his original look.  It works very well.

The action scenes are all nice and effective.  Sometimes these films can get confusing during busy action scenes.  Homecoming makes the action easy to follow.  And the film is infused with humor.  While theses were not absent from the previous versions, it is much more present here.  And yet, the humor is not at the expense of Peter’s character.  He feels the heavy weight of responsibility, regardless of his experience.

Admittedly, the film does not break new ground for Spider-Man…but I think it may be the best of the Spider-Man films so far.  Or, at worst, a close second to Raimi’s second Spider-Man film.  This is a fun film, and fun should be part of (a lot more) super-hero films.  Being overseen by Marvel, there are plenty of easter eggs…but what Marvel is usually really good about is that the easter eggs are a bonus for fans who love the comics…and if you have not read the comics, you won’t feel like you are missing something.

Honestly, I recommend seeing Spider-Man: Homecoming in the theater.  It benefits from being seen with an audience.

Clowning Around (Clown,2014)

clown_posterThere have been many horror films that mine the scariness of clowns.  Jon Watts (Cop Car, Spider-Man: Homecoming) tries to find new ground.  And in some respects, he does.  Let me begin by saying, if your greatest fear is that a clown will devour your kids?  You may want to stay away from Clown.

The film begins with devoted father Kent trying to locate a clown costume when the clown hired for his son’s birthday cancels.  He stumbles on one hidden in a house he is helping renovate.

Donning the outfit, he appears at the birthday party and is a hit.  He falls asleep on the couch.  When he awakens the next morning, he cannot get the suit off.  he tries, including using a box cutter and a small hacksaw.  None of this works, and the costume remains.

His wife tries to help and successfully removes the nose, but it is is as if she removed part of his actual nose. She questions if he has died his hair, and they discover the wig is now more like actual hair.  As things progress, Kent finds himself changing, and the more he changes, the more he desires a special new food source.  He tracks down a man who appeared to have owned the suit previously.  This old man proceeds to explain that the clown is inspired my a mythical monster that would lure children from the village and eat them.  He would eat five children, one for each month of the year.  The man promises to help Kent…by beheading him.

Kent flees his family and hides in a motel.  Despondent, he attempts suicide.  This sequence is a bit amusing because when he shoots himself in the head, the blood spatter is rainbow colored.  The demon inside starts to gain greater and greater control.  His wife is desperate to help him…and she finds herself in a terrible situation of temptation…can she make sure he gets his last child?  Can she sacrifice a child to get Kent back?

The movie is somewhat light-hearted at the beginning, and Andy Powers is both sympathetic and funny.  But when we lose Kent and he is the beast, the film’s tone gets brutally dark.  There is no way for a happy ending where Kent is redeemed, as he eats four kids in the film, and there is not really coming back from that.

The make-up is quite good and the design of the clown as Kent changes is creepy.  Overall, I found the film to be entertaining, and the good stuff is better than the problematic stuff.  Clown was made in 2014, and while it has opened throughout the world, it was just released this past September in the U.S.  I am not sure why it sat on the shelf for a couple years, as much worse films have gotten released in a timely fashion.

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