Rise of a Zero (Hercules, 1997)

Hercules_Disney_PosterThe gods of Olympus are celebrating the birth of the son of Zeus and Hera (um…slight change from myth, Disney cannot be seen as endorsing extramarital god flings) Hercules.  Everybody seems happy except brother Hades. Hades attempts to turn Hercules mortal…but is only half successful, forcing Zeus to allow his son to be raised on earth by a poor couple of peasants. Hades is unaware that his plan was unsuccessful, mislead by his minions Pain and Panic, and believes Hercules is dead.

But years later, Hercules is a clumsy young man, who seems to cause trouble anywhere he goes, due to not being able to properly judge his own strength. He seeks the help of satyr Phil to train to become a true hero. Along the way he falls for “bad girl” Meg, who turns out to be a pawn of Hades. He is shocked to discover that Hercules is alive and sets out to get rid of Hercules and Zeus at the same time.

Frankly, James Woods is the best thing here. His Hades is a darkly comic jerk who is quite  bit of fun. The films tone and honor are kind of all over the place, and not particular effective (especially the whole mocking of “branding”, which rings kind of hollow as critical humor goes).

I really like the character design of the film.  The art style is unique from previous Disney animated features. Ultimately, we are left with a light film that is kind of a mess in it’s execution.

It is not something I plan to do often, but this essay from Lindsey Ellis on the film hits pretty much everything I like and dislike about the film.  And is more entertaining than my ramblings.

Blood Feast (Vampires, 1998)

john_carpenters_vampires_posterCarpenter followed up Escape From L.A. with a foray into traditional monsters with Vampires.  James Woods plays the Vatican’s lead Slayer Jack Crow.  Crow leads an elite team of vampire hunters.  They are a rough bunch who believe God exists…but they think He is a bastard.  Crow believes in his work, but is tired of the Church.  After a productive day of vampire hunting, the group celebrates with hard drinking and prostitutes.  But they are surprised by the Master Vampire.  He slaughters the Slayers, leaving only Jack and Anthony (Daniel Baldwin).  Crow and Anthony discover a young woman named Katrina was bitten by the Master before he went on the Killing spree.  They decide to use her to track the Master.

The two are saddled with a Priest to represent the Vatican’s interests.  This actually helps, as it gives Crow a chance to explain how things work in the world of Carpenter’s Vampires.  Crosses, Holy Water don’t work.  Just a stake through the heart and sunlight.  This is not like Blade (which came out the same year) where the vampires are a natural occurrence.  The Vampires here are decidedly supernatural. The end result of an exorcism gone wrong, the Master now seeks the Black Cross, which will help him become more powerful and survive stuff like sunlight.

Probably one of the more interesting things about the film is the Vatican connection.  Unlike Prince of Darkness, which had an “Everything you know is wrong” approach, it is the Vatican has kept the existence of vampires a secret.  Woods is perfectly good as the cranky and revenge driven Crow.  As blue caller Slayer Anthony Montoya, Baldwin has a likeable charm.  Tim Guinee’s Father Adam is likable as an enthusiastic wannabe Slayer.

In all of this, the part that does not work is the design for the Master.  He is not going t stand out in a lineup.  He is kind of dull, both in character and appearance.

Honestly, Vampires feels like the beginning of a decline for Carpenter.

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