The Process of Grief (Midsommar, 2019)

Midsommar_PosterDani and Christian’s four year relationship is dying out, but neither has the strength  to end things, especially after Dani faces a horrifying tragedy. They are invited by a friend, Pelle, to visit his home land for a unique festival. Christian and Dani are joined by Josh and Mark and the five make their way to Sweden.

What seems to be a fun time of hallucinogenic experiences and communal partying, turns out to be a frightening series of trials.

Midsommar is the second film from Ari Aster. Hereditary was a masterpiece of dread and so the question became…could he manage it a second time?  Well…yeah. Right from the start, this film pummels the viewer with the pain and heartbreak Dani is having to confront.

When we arrive in the small and remote Swedish village, it seems almost mythically wholesome. Everyone is kind and friendly. They want to share their celebration. But as the film progresses, things begin to become unnerving and the film starts build the sense of dread.  The threat is real and horrifying.

The characters are compelling. This is due more to what we experience than what we learn about their background.  Really, the only Dani, Christian and Pelle get much history.  But William Jackson Harper and Will Poulter both turn in performances that allow you to care about what happens to them.

But Florence Pugh really shines as she runs the gamut of broken pain and grief and joys.

Visually, the film is gorgeous.  The setting really draws you in, even when you know something terrible is bound to happen.

Aster really has impressed me with both of his efforts and I look forward to his next exploration in horror.

 

Alien Bomb Coming Through! (Transformers: Age of Extinction, 2015)

transformers-age-of-extinction-posterThe title of the review comes from an actual line in the film.  Of course, nothing seems to challenge Michael Bay’s toy based Franchise…as of this writing there are three more films (one being a Bumblebee spinoff film) in the pipeline.  There is no stopping it…not even this film.  It picks up ten years after the destruction in Chicago.  They have repaired and now the government is trying to wipe the Autobots and Decepticons out entirely.  To that end they have a space robot helping them who has an agenda of his own.

Nobody knows where Optimus Prime is…and it turns out he suffered massive damage and is now asleep in an abandoned movie theater.  He is found by failing inventor Cade.  Cade and his hot daughter are on the verge of losing their house.  His friend Lucas, hot daughter Tessa and her street racer boyfriend escape their house after government agents show up to claim Optimus Prime (who Cade revived).  Much of the film seems to be going in the direct of Cade finally being less distrustful of his daughter and accepting her boyfriend Shane.  Shane shows himself to be highly competent throughout much of the film.  So it makes sense that maybe they become friends.

They discover that businessman/genius has been building his own robots, his pride and joy being Galvatron.  You can probably see where this goes way wrong.  Eventually he teams with Cade to save the planet from a bomb left by the Robot Bounty Hunter who reveals that the folks who created the Autobots and Decepticons want to take them back and get rid of them.  Basically, it is the plot from Prometheus.

Remember my thoughts on Cade and his relationship to his daughter and her boyfriend?  Boy was I wrong.  For some reason they opted to make Shane totally incompetent and a complete fool that Cade has to suffer through.  And when Cade saves the days?  His daughter grabs her boyfriend and gives him all the credit for saving them.  It is a sudden and unnecessary character change to make Cade look good, but it just does not work in any way.  It is not even funny.

This is a better film than Revenge of the Fallen, but then, that is not saying much.  But it does have Optimus Prime Riding a Robotic T-Rex.

 

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