Exes (Dark Phoenix, 2019)

So…after a long delay that has pretty much reached the point where the X-Movies from Fox seem to be just getting pushed out to clear the slate, Dark Phoenix has been released. This is the series second attempt at pretty much the same story.

Set about ten years after X-Men Apocalypse, Dark Phoenix opens with the X-Men as fairly beloved by the public. They are now celebrities, but on a mission in space, this is all jeopardized as Jean Grey is hit by a strange cosmic anomaly that causes her powers to grow exponentially.

This results in her finding out facts about her past that drive a wedge between Jean, resulting in a character dying due to her actions. A second group, expressing interest in her power tries to seduce Jean while the X-Men are fractured between those that want to save Jean and those who feel she should be dead.

And honestly…the second shot is not a redemptive one. The whole ten year jump deal seemed to cause more problems. There are plenty of indicators of interesting story stuff going on between the past two films. But it almost seems like they forgot about stuff they established in Apocalypse. They had established stuff like the Hellfire Club as far back as First Class and yet, leave them aside for a bland sub-story threat.

The film introduces a new threat that has never been seen before in the X-Men franchise…the series has never even suggested this type of threat is out there. It seems logical that it could exist in a universe of mutants, but it also feels entirely out of left field.

We have yet a new world ending threat that honestly…feels kind of boring. Characters are used blandly, Storm and Nightcrawler feel like characters that Kinberg forgot were in the movie until the big fight.

Apparently they had their big end fight in space and reshot the film to set it…um…on a train. And the train fight is pretty cool. But not enough to save the film. The effects work fine, and the mutant effects work fine.

A lot of the performances feel like the actors are kind of ready to be done with this series. Sophie Turner’s performance is the best…she gives a genuinely strong performance.

As the film likely to be the finale for the Fox Franchise, Dark Phoenix is a pretty weak send off. I was disappointed that they could not recover from the failings of Apocalypse. but hey…we finally got Dazzler…so that is something?

As an aside, I am a bit amused at just how everyone appears to keep ignoring the New Mutants and are treating this as the final Fox X-Men film. But let’s face it…we don’t know if we will ever see that one released.

June 8, 2019 0

Back to the Future (X-Men: Days of Future Past, 2014)

Days of Future Past is a well loved storyline where Kitty Pryde is thrust into a future where Mutants are herded in camps, marked and in some cases killed. They are hunted by giant robots called Sentinels. And for the most part, Days of Future Past keeps these ideas. Except the film begins in the future and instead of Kitty Pryde going to the future, they send Wolverine back in time to stop it from ever happening. Kitty Pryde is still a part of this, as she can use her phasing ability to phase people through time. Only to a few days earlier, so they are playing a cat and mouse game with the Sentinels finding their hideout, Kitty sending Bishop back in time to warn them. They decide they need to go farther back, but it is to taxing on Kitty and the brain of the person she sends back. Wolverine volunteers to go, arguing his healing factor makes him the best choice.

Wolverine awakes in the 70’s and finds that the School Xavier opened is in shambles…there are no students. Xavier is addicted to a drug that allows him to walk, but also prevents him from using his powers. Beast is also there as his aide. They do not initially buy Wolverines arguments, but he eventually persuades them to the cause. They are trying to stop Mystique from assassinating Bolivar Trask. Trask is the creator of the Sentinels and he has been using mutants as part of his R&D. The research is fatal, and this is actually used to kill several characters from First Class off screen.

This is without a doubt one of the strongest films in the entire X-Men series. The return of Bryan Singer as director was clearly a smart choice. There is well timed humor and exciting action. We see the return of the original (still living cast). The future sequences are full of cool uses of power and we get new characters like Blink (who creates wormholes characters can escape through-the film is very inventive with these powers) and Warpath (a character from the 1970’s return of the X-Men comics). We have Storm and Iceman back. The films have always had a hard time placing Magneto on the side of evil and seeing real life friends Patrick Stewart and Ian McKellan back together again.

And the new characters are pretty memorable. Quicksilver appears only a short time, but he totally steals every scene. He is funny and likeable. Peter Dinklage makes Trask a sympathetic and misguided villain. He is not simply evil…he is consumed by fear of what mutants mean for the human race. It does not make his actions acceptable. His choices are evil, but you can see what takes him there. William Stryker returns to the series and is trying to weaponize mutants, treating them as less than human already. The film is, of course, very Wolverine-centric.

There are two cuts of the film out on Blu-Ray. The theatrical cut eliminated Rogue entirely with the exception of the film’s final scene, even though they filmed several scenes focused on Rogue. The second is not a directors cut, it is the Rogue Cut and restores Rogue to the story. Both versions are good, but it is nice seeing the inclusion of Rogue and the important part she plays. It also brings things back to the first film and Rogue’s relationship to Wolverine.

The film has continuity issues in regards to the film series. One being how Patrick Stewart is back…it is a bit more focused on undoing X3 and “fixing a timeline”…which results in questions. Like First Class, Days of Future Past overcomes a lot of these questions while watching it. This film feels like the passing of the baton to the new cast (much in the way Star Trek Generations tried to do…but this does it oh so much better). It is, like X2, a film that has a strong identity that is built on strong performances.

August 1, 2016 0

Temporary Apocalypse (X-Men: Apocalypse, 2016)

There is a scene in X-Men Apocalypse where, as a group of students are leaving Return of the Jedi, Jean Grey states “But we can all agree the third movie is always the worst.” It is a pretty clear shot at X-Men: The Last Stand. That was the movie Apocalypse Director Bryan Singer skipped and is pretty widely seen as a disappointment after X2. Except, whether they realized it or not, the joke is kind of a jinx.

See, X-Men: First Class and X-Men:Days of Future Past? They were quite good. They are entertaining and filled with terrific performances and nice use of characters from the vast history of the X-Men Comics. After the Last stand and the damage done by X-Men Origins: Wolverine the series went back to the beginning. Introducing us to Young Charles Xavier and Magneto. McAvoy and Fassbender brought characters we knew as aging leaders to young men trying to make the world a better play, but always coming to odds with how to do that. Then, in Days of Futures Past, they brought the past and future together, to try and fix the timeline, fixing the flaws of Last Stand and Wolverine.

And this brings us to X-Men Apocalypse. I was looking forward to it, as it was most of the team that brought us the last two installments. Yet again, the central focus is the relationship between Xavier (McAvoy), Magneto (Fassbender) and Mystique (Jennifer Lawrence). Beast (Nicholas Hoult) retuns, as does Moira Mactaggert (Rose Byrne). We are also introduced to a younger Nightcrawler (Kodi Smit-McPhee), young Cyclops (Tye Sheridan), young Jean Grey (Sophie Turner), young Storm (Alexandra Shipp) and Jubilee (Lana Condor). Of course, smartly, the film brings back Evan Peters as Quicksilver…and he steals the show a lot…again.

First, the good. Again, as I said, Quicksilver is just fantastic. Yeah, he is not really like his counterpart from the comics. In the comics, he is arrogant, impatient and snippy. This is explained in the comics by Quicksilver essentially seeing life as being a continuous wait at the DMV, at least when he has to move at the rest of the worlds pace. Evans approach is more of a lighthearted goofball who enjoys and savors his speed. And it really works.

The performers are good choices. I like that they kept the faith element for Nightcrawler. I know his creator never cared for that addition…but I always liked the combo of swashbuckler swordsman Christian who happens to look like a demon. Setting young Storm in Cairo was a nice touch, acknowledging her history from the comics. There are a lot of great visuals. And yet…

The story is just a mess. There is so much going on, so many introductions, characters get lost. Jubliee, who was a pretty big character in the comics for over a decade is barely a side character. We never even see her mutant powers in action. Angel is just a random passerby in the film, for all intents and purposes. Both he and Psylock (Olivia Munn) get precious little to do and zero character development. The film routinely feels like it is advertising “There will be a deleted scene on the blu-ray fans!” as it transitions from moment to moment. Maybe those deleted scenes will make Apocalypse feel threatening. When some of us expressed concern about the pictures of Apocalypse on Entertainment Weekly’s cover last year, we were told to not assume this was the final look, they will Fix It In Post, so to speak.They did not. Or at least not enough. In spite of hiring a terrific actor (Oscar Isaac), Apocalypse just never feels as frightening as the film keeps telling us he is.

And it is clear the film is going for epic. But it just never feels that way…because the film takes forever to get through it’s big dramatic moments. There is a sequence that is supposed to be the big Jean Grey moment. She walks dramatically into battle towards Apocalypse. There is a standoff going on the mental plane involving the psychic characters…and the film spends a ridiculous amount of time on dramatic shots of Jean Grey walking. And walking. And walking. Instead of being thrilled by a big moment, I was just wanting them to get to the moment.

And there is a dramatic image from the trailers…that turns out to be the filmmakers taking a cue from Superman IV: the Quest for Peace. The film just shambles along from scene to scene, never feeling coherent or particularly great. And after the last two films? A pretty big disappointment. I mean, it is okay, but it was a real drop after the last two films. And Deadpool. It is okay for an X-Men movie means it might be slightly better than the Last Stand.

May 28, 2016 1

Scientists Shouldn’t Play With Dead Things (Lazarus Effect, 2015)

If there is one story line that horror authors love to tell it is the one about the dangers of Scientific Hubris. Part of this is that the stories pretty much write themselves.

In the case of the Lazarus Effect, the scientists in question are trying to conquer death. After they succeed in resurrecting a dog, they lose their research to Big Pharma. So they break in to attempt to recreate the success and one of the scientists (Olivia Wilde) is accidentally killed. We can all see where this is going.

Upon being returned to life, her behavior becomes creepier and creepier and then progressively more violent. The turn is quite quick, it happens overnight.

The film is visually interesting, but the philosophical questions are treated in a way that feels pretty pedestrian. There is the scientist who has remnants of her religious upbringing causing her to wonder if what they are doing is very wrong (Wilde) and the scientist who thinks there is no spiritual afterlife, so only sees the potential (Mark Duplass).

The film never really asks big questions, and it never really addresses what it is that Zoe (Wilde) has become, or what her goal or purpose is, other than to be mean and cause mayhem. The Lazarus Effect is an interesting idea that seems lazily executed.

October 22, 2015 0