I Love L.A. (Escape From L.A., 1996)

Escape-From-LA-posterJohn Carpenter’s first sequel.  Escape From L.A. brings back Snake Plissken.  The setup here is that in the late 20th century, a Presidential predicts a major earthquake will hit California and Las Vegas because of their sinful ways.  Unlike Pat Robertson, his prediction comes true.  American makes the now island of Los Angeles a one way prison.  The president was elected to a lifetime appointment.  They instituted a theocracy.  If you were to sinful you were sent to L.A. (but you get the option to repent of your sin and be immediately electrocuted).

In the future of 2013, the President’s daughter (oddly named Utopia, because a hyper-religious parent would name their kid Utopia?  Or is the implication that he used to be a hippie?)  has stolen an important prototype and run off to L.A.  Like before, the government calls in Snake Plissken and forces hm to make a deal to go into L.A. and get the prototype back so a potential invasion of America can be averted.

Plissken runs into all sorts of Oddballs, such as evil plastic surgeons and a surfer gang.  He gets help from the morally ambiguous Map to the Stars Eddie and the sexy Taslima.  He takes on Cuervo Jones in an attempt to get the prototype.

Like most sequels, Escape From L.A. mimics Escape from New York a lot.  There is even a scene where he walks into a club and finds a dead Rescue Team member he was tracking.  On the other hand, the film really amps up the action.

The film has stuff that does not really make sense.  The Evangelical President outlawed eating of red meat?  I mean, it might make more sense if the laws were based in Old Testament.  The effects are not..well…effective.  Many scenes are clearly green screened.  The basketball sequence just does not compare to the gladiatorial combat of the first film.

This is not to say the film is terrible.  The cast, including Steve Buscemi, Valeria Golina, Pam Grier, Stacy Keach and Cliff Robertson are all good.  And Russell slips right back into the skin of Snake Plissken with ease.  One of the most entertaining moments is when Snake is captured by the Surgeon General of Beverly Hills (Played by Bruce Campbell).  He leads a group of surgically enhanced misfits…they need to keep replenishing their body parts and look like the surgical disasters of nightmare on E! Television.

Escape From L.A. is fun, but comes no where near the classic status of Escape from New York.

 

 

I Heart New York (Escape From New York, 1981)

Escape-From-New-York-Poster1981’s Escape from New York was a large change from the Fog and Halloween.   There were no supernatural elements and it was not a slasher.  Instead, it was a straight up action film set in the distant future of 1997.  Reagan married Thatcher and they had a kid who became President.  Or something.  Anyways, the president gets stuck in the worlds largest maximum penitentiary.  Also known as New York.

Snake Plissken is coerced into slipping into Manhattan and saving the president.  A pardon is promised.  Of course, nothing turns out to be easy.  Snake ends up with a small band of folks who help him save the President as well as a cassette tape with top secret intel.

This marked the second of several films John made with Kurt Russell.  At the time, Russell was known for a string of Disney films.  The character of Snake Plissken was rugged.  He had an eye-patch, wore a trench-coat…he was a badass anti-hero.  In the end, Plissken is basically an opportunist and an anarchist.  He is not saving the president because he cares.

Carpenter gets action, and has Plissken face several jams, cunningly escaping each one.  His accidental team include a cabbie (named Cabbie, played with dopey charm by Ernest Borgnine), former partner Brain (Harry Dean Stanton) and his girlfriend Maggie (Adrienne Barbeau).  Their biggest impediment is the Duke (Isaak Hayes) who rules Manhattan.

I would say the weirdest thing is that some of the technology seems like it lacked creativity.  Seriously, cassette Tapes???  On the other hand, the create computer graphics with models that create an impressive effect.

For a lower budget action film, Carpenter keeps the story moving as Snake runs a gauntlet of trouble.  It is an exciting and entertaining film.  This is one of Carpenter’s great films, and in the early eighties, he was on a real role.

Carving a Niche

As part of my October Horror Movie Madness, I am going to explore the films of John Carpenter.  I will start at the beginning with Carpenter’s Student Film and work my way up.

Noticeably absent will be Halloween, as I covered the entire Franchise last year.  Also, I am leaving the TV movie Elvis aside for another time.  Although, at the same time, though not horror films, I will be covering Assault on Precinct 13 and Memoirs of an Invisible Man.   I have long admired Carpenter’s work.  Not just as a  director, but also as a writer and songwriter.  He has recently released two fabulous albums of music called Lost Themes and Lost Themes II.

Carpenter has written and directed more than one classic film, and I look forward to exploring his work in the days to come.

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