Fishies pt 1 (Piranha, 1978)

piranha_1978_posterJoe Dante’s third film was one of Roger Corman’s knockoff films.  Corman had a formula and it had a lot to do with seeing what was big or on the verge of big and following suit with lower budgets.  And it worked.  A lot of well known filmmakers and performers came out of the Corman Machine.  Dante, James Cameron, Ron Howard, Martin Scorsese, Gale Anne Hurd and John Sayles are but a few.

The first writing gig for John Sayles, Piranha is the tale of a young private detective named Maggie who is searching for a rich man’s daughter who disappeared on a hiking trip.  She meets up with local guide Paul and they find a remote building with a large pool.  They suspect maybe there could be bodies in the pool.  They find the lever to flush the pool, but get in a struggle with a crazed gentleman who wants to make sure they do not succeed.  After they managed to flush the pool, they find two skeletons.  Ultimately, it turns out that the pool was full of genetically altered piranha who are making their way down the river eating everything that comes into their path.  The river is taking them right to a local summer camp and a grand opening of a resort.

As is to be expected, there is a race against time (Paul’s daughter is at the camp) as Maggie and Paul try to warn everyone.  The local mayor wants them jailed, as he does not want to hurt tourism.  Did I mention that Piranha was made to cash in on the success of Jaws?

Sayles and Dante do not treat this as just a knockoff of a bigger film.  They understand the limits of their budget, and center things to work within those boundaries.  This results in a fun monster movie that has plenty to enjoy.  It is not nearly as exploitative as other Corman films (Corman often had deals with distributors requiring sex scenes and gratuitous nudity) and the gore is low level.  The titular piranhas are often unseen or blurry shadows.  The attacks often involve people disappearing beneath churning waters.

The cast is enjoyable, especially Corman regulars like Paul Bartel and Dick Miller.  Kevin McCarthy is always dependable for the “Maniacal Scientist” role, and he does not let the viewer down here.  Piranha has earned it’s cult status, being one of the more clever attempts to take advantage of a hit movie.  It manages to avoid simply being an imitation and is quite memorable in it’s own right.

 

 

Boys and Ghouls Go to the Movies Part 1 (Tales From the Crypt Presents Demon Knight, 1995)

TFtC_Demon_Knight_PosterHBO’s Tales From the Crypt was in it’s sixth Season when they started a bold plan to break out into movies. There had been a Tales from the Crypt film in the seventies, but this would be different. Instead of being an anthology film, the Tales from the Crypt movies would tell a theatrical length tale.  They assembled a series of scripts, none of which were specifically written for the franchise.  This resulted in three films of varying success.

The first up was Demon Knight.  It introduces us to Brayker (William Sadler) a man running from a conflict.  He arrives at a remote hotel which houses a motley crew of broken people.  Brayker is frantic and  mysterious, so nobody takes him seriously before Hell literally arrives in the form of Billy Zane…the Collector.  Brayker has something he wants.

The Collector is actually a demon who needs a “key” that Brayker is trying to protect.  This key will allow Hell to overrun the world.  So Brayker tries to keep him out of the hotel.  Except, the barriers he erects also depend on the personal strengths of the people in the hotel.  If they let the Collector in to themselves, he can use them as fresh demons.

And that is where Billy Zane gets to shine.  This is really his movie.  The Collector appeals to your hopes or desires.  He promises one person love and respect, the two things she does not get in her life.  And then he tempts another character as a friendly bartender.  Zane has fun with these moments and is highly effective, you understand why characters cave.

The effects are low budget, but effective.  The demons are creepy, and the practical effects work really deliver for the story.  The characters are easy to root for, most of them having decent qualities, even if rough around the edges.  And the film has CCH Pounder.  Every film should have her in it.

In spite of the film being outside the typical stories in the Tales catalog (they are usually tales of bad people getting a comeuppance.  Demon Knight is a Heroes Journey), it is an effective tale.  It is fun, exciting and well told.  The film has a strong cast that really sell the situation.  This is the best of the three Tales From the Crypt films, and the one truly worth watching.

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