Forced Friendship (Stuber, 2019)

Stuber_PosterKumail Nanjiani is the titular Stu.  Stu is a…uh… studious guy.  He works to thankless job, and is helping a woman he is in love with start her own business. Meanwhile, Dave Bautista is the reckless and angry cop Vic.  Vic is dedicated to catching the cop killing drug dealer Oka Tedjo.  But on the day he gets eye surgery, he finds out that he only has hours to find Oka.

This leads to Vic Reluctantly ordered an Uber ride and forcing the driver, Stu, to take him around town tracking the villain down holding the promise of a badly needed Five Star Rating over his head.

The main things to like in the film is that Nanjiani and Bautista.  They work well together, Bautista working his “tough guy muscles” and Nanjiani flexing his “nice but downtrodden guy muscles”. That part works really well.

Unfortunately, they are surrounded by a largely predictable and cliched story.  They try and lampshade this, making light of the cliches, but the film never feels like it is truly having fun with the action premise as much as it appears they wanted to.  I saw every major plot twist coming.  And that is too bad…this film has a good cast (the leads are supported by Natalie Morales as the daughter of Vic and Mira Sorvino as Vic’s boss).

I am not saying you should avoid the film…it has it’s moments. It looks good and again, the cast is great.  I enjoyed their interactions and performances.  The movie is okay as a diversion for an hour and half of your time. I just feel like it could have been…more.

Where the Bad Guys Go (Hotel Artemis, 2018)

hotel_artemis_posterIn some vague near future, slightly more advanced than where we are now in a society that is collapsing in on itself, two brothers are trying to complete a heist.  Wounded, they seek the Hotel Artemis.  It is a private hospital created specifically for the criminal element.  It is run by the Nurse and her assistant Everest (he is fixit man, security and policy reminder).  If you do not have membership, you cannot get in.

Things get tough for the brothers when a wounded Gangster they just stole from shows up needing medical intervention.  Will anyone get out alive? Is there a setup that was able to bypass the security of the Hotel Artemis?

First time director Drew Pearce delivers a simple and straight forward action film.  It almost feels like a John Wick spin-off. It is full of crazy action scenes, unique characters and a lead you root for in Sterling K. Brown.

Foster gives a great “world weary” performance, a woman who took the pieces of her shattered life and put them back together as best she could. Dave Bautista as Everest is remarkably engaging. Jeff Goldblum, well, this is Jeff Goldblum.

Hotel Artemis does not reinvent the wheel. But it is a whole lot of fun.

Life Without a Soul (Blade Runner 2049, 2017)

blade_runner_2049_PosterIt is 35 years since the first Blade Runner. Agent K is a blade Runner and also a modern replicant.  He is given a mission after the bones of a replicant are found that indicate she died in childbirth. Replicants should be unable to conceive, let alone carry a child to term.

K’s human boss wants him to find the child and kill it.  But things become complicated when he finds evidence that his false implant memories may be real, leading to the question of whether K is the mysterious child of Deckard and Rachel (Sean Young’s Replicant from the original film).

Further problems arise when we find that Niander Wallace, who has profited off the failure of the Tyrell Corporation and become the leading force of Replicant and digital A.I. technology, is also looking for the child.  The one thing that has eluded him has been the ability for replicants to reproduce.  He sees this as a key component in their evolution (well, most everyone does).

The films is visually stunning.  The neon dreams that fill the city, the holographic girlfriend Joi (showing both K’s isolation as a Blade Runner and Replicant and his desire to connect), the desolate Las Vegas…every shot in this film feels like independent artworks.

The ending gives the audience just enough to be satisfying without wrapping everything up in a neat little package.

Not playing coy about K’s identity as a replicant is something that gives the film strength.  In one scene, K expresses a concern about killing something “born” to his superior Lieutenant Joshi.  He notes that being born implies there is a soul there. Joshi sends him off with the cold note that he has gotten along fine without a soul. I am trying to determine if it is a problem for me that Joi is probably one of the most sympathetic beings in the entire film. But I suspect director Denis Villeneuve would like to hear that. By and large, the Replicants are the center of the show here.  Luv, Wallace’s right hand, is downright terrifying.

Villeneuve has given the audience a beautiful and captivating film.

Father-Son Bonding (Guardians of the Galaxy Vol 2, 2017)

guardians_vol_2_posterGuardians of the Galaxy was a bit of a risk for Marvel Studios.  It was really their first film that had little name recognition.  It also was their first film not closely tied to the Avengers.  And yet, under the guidance of James Gunn, Guardians of the Galaxy succeeded with a healthy dose of humor and action.  Towards the end of the film, Yondu mentions knowing who Starlord’s father is.  In this sequel, we meet dear old dad.

While fighting an inter-dimensional beast, Rocket steals some batteries from the Sovereign.  This results in a chase through space that culminates in Starlord meeting his father Ego. Ego is a “living” planet.  He has a human avatar who sired Starlord.  In the meantime, they are being hunted by Yondu and the Ravagers to collect a bounty for the Guardian set by the Sovereign.

Volume 2 carries forward with the same tone and attitude of the first film, making it a lot of fun to watch.  The opening credits are a blast to watch.  Easily one of the best opening sequences for a comic book film.  The cast has really come together and it shows in their performances.

The new cast adds to the fun, with Kurt Russell being a high point for…well being Kurt Russell.  He is one of those actors you hire because you want a “type” that is specific to a particular actor.  Call it the Goldblum Effect if you will.  You hire Jeff Goldblum for a movie because you want a “Jeff Goldblum Type”.

In addition, Sylvester Stallone, Ving Rhames and Michelle Yoeh have small but pivotal roles (obviously setting up Volume 3).  The film is full of blink and you might miss it fan service, but with James Gunn, it is not distracting (for the most part) and for people unfamiliar with the comics will be unnoticed.

Of course, the soundtrack is integral to this film, each song clearly chosen carefully by Gunn.  Marvel was wise to stick with Gunn for the Guardians brand because he has a very specific vision that allows these films to stand out from the Marvel Pack.

A lot of the humor this time around is coming from Drax (Dave Bautista) and Baby Groot. Some of the more surprising emotion comes from Michael Rooker’s Yondu.

Guardians of the Galaxy Volume 2 can be pretty intense and it is not really for young kids.  But teens and adults alike will find a lot to enjoy here.  Personally, I found Volume 2 to be a very fun film-going experience and find myself anticipating the next outing.

Oh, and by the way…there are five mid to post credit scenes.  So do not get up and head for the door right away.

Hooked On a Feelin’ (Guardians of the Galaxy, 2014)

Guardians_of_the_Galaxy_PosterWhen Marvel announced Guardians of the Galaxy, it was met with a pretty collective “huh?”  The announcement of director James Gunn was not much help.  Gunn had directed 2 films prior.  The Sci-Fi comedy Slither and the dark super-hero satire Super.  His writing credits were a bit more substantial.  While comic fans knew who the Guardians of the Galaxy were, the masses did not.  And this did not bode well for early anticipation.

And yet…James Gunn managed to deliver one of Marvel’s best films to date.  A traditional “Mismatched Crew Saves the Day” tale, the writing and performances make the most of the weirdness to carve a very fun film.

The film opens with young Peter Quill at the bedside of his dying mother.  When he runs off, he is abducted by aliens.  Because in Marvel’s world, that is just the kind of stuff that happens.  After a heavy-hearted beginning, we are introduced to grown up Quill.  In what seems like a serious sci-fi moment, Quill walks the landscape of a dead planet.  He pauses and puts on earphones and the booming sound of Come and Get Your Love.  This sets up a tone for the film that is highly effective.

We learn that Quill is not the brightest and gets by on luck.  As he tries to pawn off the magical McGuffin he steals from an old temple, he finds himself dealing with the green skinned Gamora who is after the McGuffin.  At the same time, Rocket (a talking raccoon) and Groot (a talking tree) are bounty hunters pursuing Quill.  This leads to all of them being imprisoned.  They are forced into a team, getting a late addition of Drax (Also green skinned and also tattooed).  Drax wants to kill Gamora, because she is an associate of the mad Kree Warrior and religious zealot Ronan.  Ronan killed Drax’s family and he is seeking his vengeance. Quill talks the other four into a prison escape, as Gamora knows someone who is interested in the McGuffin.

The prison escape is both action packed and highly entertaining.  Gunn keeps everything moving, and even when the film slows down?  It has momentum.  Gunn makes sure not to ignore the development of the Guardians.  They have opportunities to grow and Gunn (along with initial screen writer Nicole Pearlman) and overcome their situations.  Vin Diesel has one line, yet manages to imbue different emotions every time he says it.  When Drax discovers that Ronan does not appear to remember him or his family…he is lost and beaten.  He was entirely of no consequence to Ronan.  It causes him to alter his perspective.  He also starts to get the value of his friends.  Even if he does not understand how to talk to them.

The film focuses on the Guardians as David’s to Ronan’s Goliath, and it really works.  The cast is effective,  Probably the biggest flaw of the film is Ronan.  This has not been uncommon, a lot of the Marvel Cinematic Universe films seem to be thin on their villains (usually expecting to be overcome by good casting).  Otherwise the film is full of humor and excitement.  Gunn took an unknown group of characters and made a strong tale of friendship and misfits overcoming adversity.

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