The Competition of Life (Game Night, 2018)

Game Night introduces the viewer to Max and Annie, a couple that are a very competitive team in games. Any game. Trivia, board games, whatever. It shows us a series of events leading to the present, framing their relationship in this light of their aggressive “We have to Win Spirit”.

One night Max’s older brother invites he and some friends over for a special game. It is a kidnapping mystery hunt, in which actors show up to kidnap brother Brooks. But when gangsters show up and kidnap him in front of Max, Annie and their friends, they believe it is just part of the game. They set about trying to find Brooks, never realizing the threat of the situation until they are in to deep dealing with the criminal underground.

All of this is, of course a lesson for Max, who fears that if he and Annie have kids, their fun care free life is over. His competitive focus is never satisfied because of his fears of their lives changing. It is not anything super profound, but it works within the context of the tale which is more about the screwball antics.

Game Night is a pretty fun movie (though there are some tonal issues). It has a likable cast and some memorable performances. It yields plenty of laughs and entertaining.

July 5, 2018 0

Culture Wrath (Wrath of the Titans, 2012)

Wrath of the Titans tries to rectify the one thing missing from Clash of the Titans. Titans. In the original Clash, the Kraken was a Titan, but in the 2010 film, this was a bit clear. Wrath opens with the story of how Zeus, Poseidon, and Hades defeated their father Kronos and imprisoned him in the underworld. It also reminds us that Zeus and Poseidon had conned Hades by binding him to the Underworld.

Perseus and Io were living the quiet life in a fishermans’ village. Io bore them a son, Helius and then died before the movie started. Gemma Arterton was unable to return to the film and so she was killed off. This would seem at least understandable until you find that they recast Andromeda with the blonde Rosamund Pike. But anyways, Helius desires to be a warrior, a life which Perseus is aggressively trying to keep him from.

Zeus reveals that he visits Helius in the boy’s dreams, but wishes Perseus would be more open to accepting their status as demigods. Meanwhile, Hades and Ares are conspiring against the other gods, tempted by Kronos. They get the jump on Poseidon and Zeus, stealing Zeus’ lightning bolt. Poseidon is mortally wounded, but escapes and passes his trident to Perseus. He tells Perseus to find his son, the demigod Agenor. He finds Andromeda, who is now a warrior Queen leading her army. They are aware things are afoot, as monsters have started to burst forth from the ground. They also have Agenor (who is basically the Greek god equivalent of Russell Brand) as a prisoner.

The three take some warriors with them to go on a mission to rescue Zeus and stop Hades from freeing Kronos. To do this, they travel to find Hephaestus for a way into the underworld. After a fight with Hades, Perseus, Andromeda, and Agenor escape into the ever-shifting labyrinth that will lead to the Underworld.

This film muddles it’s the previous stand against the gods, with Perseus having appeared to soften his feelings towards them. The film is full of nods to Greek myths, such as the Minotaur in the Labyrinth, chimera and so on. It also has easter eggs like the mechanical owl Bubo in a cameo (which occurred in the 2010 film as well) who is quickly laughed off. But everything feels so randomly chosen and leaves out some great character concepts from the original myths. And if the gods were largely missing in the original film, this one makes it all the worse by having the majority of the gods killed off-screen.

In fact, the film seems dedicated to destroying any further franchise potential by basically erasing the gods from existence. I would say this film is not a worthy successor to the 2010 Clash of the Titans, but then, that film was not impressive either.

The truth is, I wanted both of these films to be great, but they are so largely cynical of their source material, they lack the joy a good fantasy film can contain. They are all about the big effects, leaving little room for actual character. Sure, they try for heft in the notion of Hades and Zeus mending their relationship. And then there is Perseus finding love with Andromeda. Yet, these plotlines feel forced and a bit hollow.

November 8, 2017 0

Love is the Weapon (Wonder Woman, 2017)

There has been a lot of hype declaring that Wonder Woman is the best of the DC movies so far. But that is not fair to the film. Wonder Woman only had to be mediocre to rise to the top. Wonder Woman is a much stronger film than that. While Batman and Superman have had multiple appearances on movie screens, this is Wonder Woman’s first film in her 25 year history. This in spite of the fact that she is an iconic character, she is part of DC’s “Holy Trinity” along with Batman and Superman.

It is no secret that despite financial success, the DC Cinematic Universe has hit a lot of speed bumps. There have been things to like in previous outings, but overall, the films had a dark oppressive tone and frankly, Snyder and Company really did not get Superman at all. One of the big pluses of Batman V Superman was, in fact Gal Gadot’s Wonder Woman. Enough so that I felt encouraged by the film. It help that it was in the hands of a director other than Snyder.

And what do you know? It worked. Wonder Woman is an origin tale, which is no surprise. But the film opens with a beautiful sense of awe on the island of Themyscira (or as Steve Trevor calls it “Paradise Island”). We see warriors training, being watched by young Diana. She want to learn to fight, but her mother Hippolyta is adamant she will not be trained. As time passes, Diana learns combat in secret, much to the disappointment of her mother. Hippolyta eventually relents, but demands Diana be trained harder than any Amazon before her.

When a pilot on the run from the Germans crashes into the ocean near Themyscira it is clear that the war (World War 1) may come to them. Diana makes impassioned pleas to her mother that the Amazon’s must step in and join the war. In the end, she sneaks off the Island with Trevor to find and destroy the Greek god of war, Ares.

Diana is cast in the role of wide eyed innocent in a world she does not quite understand. And the film follows largely in suit. She has moments of child like wonder. For example, sshe sees a baby-something she never saw on her island home-home and instantly wants to run over to it. She tastes ice cream and tells the vendor that they should be very proud. Even the sexual humor is polite in this film. Yet, the innocence is not at the expense of Wonder Woman’s character. No, it is integral to her nobility. She believes the best. She believes mankind was created to be good and noble, only corrupted by Ares’ cruel nature. And then she must come to terms with the fact that this may not be the case. Mankind may be capable of both greatness and the worst.

It is the little moments of goodness that start to drive Diana, as she sees the small treasures in the band of mercenaries she and Steve are saddled with. At one point, one of the men buckles in combat, unable to do the one thing he was brought there to do. When he suggests they leave him behind, Diana looks to him with a gentle smile and asks who would sing for them? This instantly changes his spirit. And that is the thing with Wonder Woman. She is a fierce warrior. She is powerful and dangerous. But she is driven by kindness. She is drive by love. She is driven by hope. And that is something that was missing in the DC Cinematic Universe. A *hopeful* tone. This is what the first Wonder Woman movie brought us. Light in a dark movie universe.

There was a lot of talk about how Warner Brothers took a real gamble on Patty Jenkins as director. That is a whole other discussion. But if it was a gamble? It paid off. And Gal Gadot is proving herself to be the right choice for the role. She has grace and kindness, but is equally convincing as a warrior.

Wonder Woman is most certainly the best DC film, in large part due to the fact that it really understands it’s hero.

June 2, 2017 0

Lil’ Wolverine (X-Men Origins: Wolverine,2009)

No doubt, the fan favorite of of the X-Men films was the comics fan favorite Wolverine. Hugh Jackman held his own with some top talent in those first two films… a solo Wolverine film was kind of a no-brainer. And putting it in the hands of the director of the stunning Tsotsi, Gavin Hood seemed like a terrific idea. Then casting started to leak… Ryan Reynolds as Deadpool (what a good choice), Liev Schreiber as Sabertooth-wait…what? In the first X-Men Movie, Sabertooth was played by wrestler Tyler Mane. Now, the change in actors is no big deal, It happens. But the first movie played off the characters as unfamiliar with each other. Wolverine’s memory loss is his easy defense…Sabertooth’s? Don’t know.

Borrowing heavily from the comic series Origin the film establishes Wolverine and Sabertooth to by half brothers. Big plot point to miss. The opening credits feature a really nice montage of the young men growing to adult hood as soldiers in a series of wars, world war one, two and so on…finally settling on Vietnam …Jame’s brother Victor goes ballistic and kills civilians, as James tries to stop him…they end up being court marshaled. They are recruited by Stryker (Danny Huston) who is putting together a special ops team comprised of mutants. After a mission snafu, James, now called Wolverine walks.

Wolverine hides out in the wilds of Canada where he meets a beautiful young woman named Kayla Silverfox (Lynn Collins). They fall in love and live in a cabin. After she is killed (as super-hero girlfriends are prone to do) by Sabertooth, Wolverine seeks revenge. Wolverine is approached by Stryker with an offer to make him stronger to be able to take revenge. It is no surprise they try and double cross Wolverine.

He escapes and meets up with surviving members of Stryker’s crew, discovering that Stryker has a secret plan to build the ultimate mutant soldier that he can control. Wolverine finds out that Stryker is kidnapping young mutants and using his brother to do the deed. Wolverine runs off to the secret base with the help of Gambit (who doesn’t do much beyond fly Wolverine there and wish him luck.

A final confrontation results in Wolverine and Sabertooth fight Deadpool to the kind of death, Wolverine losing his memory via a magic Adamantium bullet and Kayla’s death-but not before sending Stryker for a long walk, and a digital Professor X who needs no chair.

The truth is, this film is what you call a major mess. By setting it in a vague “the 70’s” you start forcing the films into a specific timeline. The first three X-Men films all took place in “the near future”. The film features a high school age Psyclops. Making him in his mid to late 40s. Actor James Marsten was about 27 at the release of the first X-Men. And there are the confusing aspects of why nobody seems to remember this moment of history. It is hard to believe that Professor X knew where to pick up all those kids and yet is oblivious to Wolverine. And good grief did they muck up Deadpool, nearly killing the plans to spin Deadpool off.

The real positives of the films are the strong casting choices (Lost’s Kevin Durant is great as the Blob…Danny Huston, Liev Schreiber and Ryan Reynolds are strokes of genius). Jackman shows why he owns the character on screen again. The performances are mostly good…but they are in a story that seems overly convoluted and needlessly confusing-even by comic book standards. It has a nice beginning, but it falls apart quickly. It has some very goofy action set pieces and some legit humor going for it. It is so busy packing the film with so many characters and killing several of them off and making sure to fill in all the missing blanks of the original trilogy (How did Wolverine get his metal skeleton? How did he lose his memory?) that it becomes bloated. And it is under two hours. The fan service is very careless. We meet young Emma Frost, we meet Gambit, we meet…oh, it goes on.

There were plans for a series of X-Men Origins and the next film was going to be Magneto…but this film ended those plans. And no small wonder…in spite of excellent casting and a talented director, this film fails hard.

July 28, 2016 0