In the End Pt 3 (Final Destination 3, 2006)

final_destination_3_posterFinal Destination 3 returns it’s focus to high school kids (led by Mary Elizabeth Winstead) surviving the near death experience when someone has a vision (Winstead’s Wendy)…this time on a roller coaster.

Wendy has a tragic vision of a roller coaster accident.  Getting off the roller coaster Wendy and her friends narrowly avoid the accident.  Her boyfriend comments on Flight 180, but blows it off thinking he is mocking her.  But as survivors start dying, Wendy starts seeing the signs in photos from the  night of the accident (a la 1976’s the Omen). This time Wendy gets no help from Tony Todd’s Bludworth…pretty much abandoning any suggestion that he might be more than a mortician).

She actually puts this together late in the film.  The characters are not terribly compelling in the film, offering very little opportunity to get to know characters before they die.  The characters are roughed out stereotypes.  The aggressive jock, the goth kids, the hot vapid girls, the clueless and unsuccessful Pickup Artist.

The film saw the return of Director James Wong to the franchise, but that does little to improve things.  The film Does not tie the characters to Flight 180 in any way, which is fine, and explains why Final Destination 2’s presumption of tying up the loose ends of 180 do not impact things.  One gets the sense that the deaths are meant to be somewhat ironic.  The death scenes get even more elaborate, leading to a lot of spectacle, but little more.  Usually the film has one big death moment that seems worse that the others and in this film it is death by tanning bed.  The film has no real emotional core to make you care about the characters, several seem to be intentionally annoying so that you are less bothered by their dying.

Final Destination 3 adds nothing to the franchise’s mythology, nor does it put it to real interesting use.

Confusing Christmastime (Black Christmas, 2006)

blackchristmas_2006This movie is why people hate horror remakes.

Seriously, they tossed out the things that work and add in…uh, a backstory.  One of the most unnecessary back stories ever.  See, now the sorority house is Billy’s old house, and that is why Billy came back.

Except, now Billy is not alone.  Apparently his daughter/sister (don’t ask) is in the house and has been for awhile.  Cause somebody is killing the sorority girls while Billy is still locked in the asylum.  See, the film does not reveal the sister/daughter until after the killings begin, so it is totally confusing.

The film is just a mess, and truthfully, the cast is not all that memorable in their roles.  The characters are far more generic feeling. Bitchy Girl, Drunk Girl, Nice Girl, Weird Girl…the cast feels like it was culled from the WB.  Probably cause it was.

There is an added “eyeball torture” aspect and a happier ending.  Nothing added to the remake improves upon the original, and everything skipped is that much more noticeable.

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