Moving On (Harley Quinn: Birds of Prey, 2020)

Harley_Quinn_BoP_PosterThe DC Extended Universe Films have struggled. A lot.  By the time Justice League came out the only film that had seemed to be a solid success with critics and audiences. Wonder Woman was joined by Aquaman and Shazam! as viewed through a largely positive lens.  Of course, Shazam! was a bit of a disappointment in the box office, which is too bad considering it is a fun and entertaining film.  Harley Quinn had it’s own issues facing it… a spin off (it is not really a sequel to Suicide Squad in any sense of the word) to a poorly received film (Suicide Squad made nearly its entire haul opening weekend) that went for an “R” rating.  The only character appearing in this film was Harley Quinn. Mind you, Margot Robbie is often cited as one of the best parts of Suicide Squad, mainly because she was.

Birds of Prey: And the Fantabulous Emancipation of One Harley Quinn is a pretty messy title, and considering this is a Harley Quinn movie, rather misleading.  The focus is Harley Quinn and her life post Joker. But Harley discovers that life outside of the Joker actually makes her a big target for the underworld. Her biggest Danger is the Black Mask, Roman Sionis. He is after a unique jewel that was stolen by the pickpocket Cass Cain.  But things get complicated and Harley finds it hard to turn Cass over to Sionis.

Alongside are several interconnected side stories, Black Canary is working for Sionis, Detective Montoya is trying to take Sionis down and the Huntress is out for revenge on Sionis and his goons. Which means they will all have to team up together.

As I said, this is Harley’s movie. She narrates the film and will constantly suddenly decide we need to learn more of the story.  While this could lead to a complete mess, it kind of works as an aspect of Quinn’s personality.

I really like the characters in this film.  In fact, I found myself wanting more of Black Canary and the Huntress. Ewan McGregor is clearly having a good time playing an off the rails villain. Of course, Margot Robbie is making the character her own, becoming identifiable in the way Ryan Reynolds is with Deadpool or Hugh Jackman is with Wolverine.  She is so much fun in the film.

The action scenes are very well constructed and make for a whole lot of fun to watch.  The film is incredibly colorful, there is one scene where she is in the local jail taking people down with glitter pellets and other “silly” takes on weapons that is gleefully played out. They also use a visual queue similar to Suicide Squad…except they do it far better.

The “R” rating does not feel necessary and the film goes a little long. But it was a really entertaining time, and frankly, I wish this was the type of movie Suicide Squad had been.

Backward Compatible (Bumblebee, 2018)

Bumblebee_PosterIt is Charlie’s 18th birthday. And Charlie feels out of sync with the entire world. It seems her mother and brother were able to move past the death of her father. She had no friends.  The rich snobs mock and bully her. All Charlie has is her car. Which does not work. A project she had been working on with her father. And she cannot even make it work.

But on her birthday, in her Uncle Hank’s junk storage she finds an old VW Bug.  She tries to bargain with Hank, but he simply lets her have it as a Birthday gift. After getting it home, She makes a discovery about her car.

Bumblebee has always been one of the big favorites of the Transformers for the audience. He is easily one of the most likable parts of the live action franchise (in spite of some rather “ug” moments) and so, it makes sense to put him front and center.

This seems like it should have been destroyed by fatigue of a franchise that has never been particularly good.  But against the odds, the trailers actually got even jaded fans kind of hopeful.

What we have gotten is a movie about a robot that transforms into a yellow VW Bug who is befriended by a heart broken young woman.  And…

It works.  It works really well. Charlie is sympathetic in her sullenness. She does not simply lash out angrily. She just cannot understand why it seems like the rest of the world has found it so easy to move on, when the death of her father seems so insurmountable.  Her family is not terrible.  Really…they are painfully awkward.  But they are trying.  Memo, the young man who is crushing on her is actually a real welcome change of pace for this franchise. It is not that he is super competent.  But he is brave, funny and kind. Cena’s military man is a balanced take. He is a good guy trying to make the right decisions(and the lone voice of reason when the Government considers working with the Decepticons).

The friendship of Hailee Steinfeld’s Charlie and Bumblebee is really sweet and charming.  There is just a goofy wholesomeness there that is really endearing.

I think this film has the best designs of the franchise. The Bay films have been painfully busy and confusing.  Here, they have opted for looks more in line with the 80’s cartoon and toys and the result is beautiful and clean.  The film makers commit to their late eighties setting by including a nearly constant barrage of 80’s classics.

Along with heart, the film has real humor.

I used to say that the first Michael Bay Transformers film was probably about as good as you could hope for when it comes to a movie about giant robots that turn into cars.  Turns out, I was wrong.  Six movies later, we get the best Transformers movie.

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