All In the Family (American Gothic, 1987)

American_Gothic_PosterA rowdy group of young adults take their friend on a weekend getaway only for their small plane to have engine trouble. Landing on a small island to try and determine the issue.

They search the island and come across an empty house. While exploring the house, they are startled by the homeowners, Ma and Pa. The couple offer them a place to sleep for the night, with Pa saying a friend is coming to the island who could help them with the plane.  Ma and Pa seem a bit trapped in the past and a bit on the wacky side of religious.

But the biggest surprise is the couple’s three grown children Fanny, Woody and Teddy.  While clearly pushing 50, the three behave as if they are children.

The next day, we discover that the kids are not merely mentally imbalanced…they are homicidal. As the young friends begin to disappear, the friends think that tragic accidents have befallen them until the eccentric family’s darkest secrets are revealed.

American Gothic is one of those films that I found back in the days of VHS. It never seemed to achieve the notoriety of other 80’s horror…but it has a solid twist at the end and boasts great creepy performances from Yvonne DeCarlo (known best for her role as the sweet and kind Lily Munster)  and Rod Steiger as Ma and Pa, as well as the “children” played by Janet Wright, Michael J. Pollard and William Hootkins.

American Gothic is one of those good little horror films that I feel deserve wider recognition.

Family Values (Candyman 2: Farewell to the Flesh, 1995)

candyman__2_posterBill Condon (God’s and Monsters, Mr. Holmes, the upcoming Beauty & The Beast) took over the franchise with Farewell to the Flesh.  The setting moves from  Chicago to New Orleans just before Mardi Gras, and focuses on a young teacher Annie and her family.  Her father died the year before in what appeared to be a Candyman Murder.  Her brother gets in trouble when he threatens an author who wrote a book on Candyman and said author is gutted.

This film focuses heavily on the backstory of the Candyman as Annie starts to discover that her family has a deep connection to him.  Annie unwittingly calls him forth and he comes and speaks to her, killing those nearby.  He also seems to start influencing the children of her class.

There are some interesting ideas at play here, but  it does not always make a lot of sense.  Why exactly is the Candyman trying to kill his descendants?  Why is he seeking to destroy himself?  Does he not want his family line to continue?

Todd, as with the first film gives a dependable performance, imbuing the Candyman with a dark threatening and yet tragic nature.  But the film never comes together, and has a tendency to feel all over the place. While not a terrible sequel, it is not as good a follow up as one would hope.

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