Returning to the present after Kong Skull Island’s 70’s setting, Godzilla: King of the Monsters is our chance for some giant monster against monster action.
With a quick revisit to the destruction of the end of 2014’s Godzilla by Gareth Edwards, we meet the Russell family who are searching for their son while Godzilla fights the MUTOs.
Jumping to the present, Mark and Emma Russell are estranged, with Emma continuing her scientific work with Monarch. When Emma and their daughter Maddie are kidnapped by Echo-Terrorists, along with a weapon that allows for some communication with the titans, Mark is recruited by Monarch to help get them back.
It turns out to be more complex than that, some believe that the Titans are the key to healing the planet. But their confidence lacks important data that could doom the planet and humanity.
So… One of my complaints with Edward’s Godzilla was it’s slow drawn out reveal of Godzilla. This was the umpteenth version of Godzilla and the slow reveal was unnecessary and pretty annoying. Here, we get to start seeing the titans very quickly and dramatically. Director Michael Dougherty knows that a movie called Godzilla: King of the Monsters will need to deliver on the monsters.
And boy does he. The film has several exciting sequences as Godzilla fights the new renditions of classic ToHo monsters. The designs of the creatures are great, they have a sense of life and threat.
I also liked the human characters in this film. It was nice to see Ken Watanabe and Sally Hawkins return from the previous film. Chandler is solid as a character who would just as soon see the titans all dead, but is forced to confront his anger and bitterness to save his family and the world. Vera Farmiga is both sympathetic and frustrating as Emma, who loves her family, but seems to skirt the line of ethics in her choices. And Stranger Thing’s Millie Bobby Brown is very good as the surviving child who really wants to do what is right and also honor her lost brother. The film has a fun supporting cast as well.
I really enjoyed this film. The myth building, the action and the characters came together for crazy monster bashing fun.
Get Out is about a young photographer named Chris meeting his girlfriend Rose’s parents for the first time. He is a bit nervous that they might be upset that their daughter is dating a black man. When they arrive, he finds that there is something a bit…off. Her parents are white progressives, who would have voted for Obama for a third term if they could. The only black people he meets seem to be in a daze.
Tripping Through Gateways 