New Model (Child’s Play, 2019)

The Child’s Play franchise is seven films in and has a TV series in the making, so when a remake of the 1988 original, it was met with…skepticism. Especially as the film has no real ties to the original film via writer or director.

Here we get the basic story idea. Andy gets a doll that turns out to be dangerous and homicidal.

Here, Andy is a bit older. His mother gets a Buddi Doll that has AI and can connect to your Smart Home devices. It was returned as defective, and Andy’s mom takes it to give her son, as Andy is becoming more and more withdrawn. At first, the quirks do not seem to be to big a deal…until Chucky tries to kill the family cat after it hurts Andy. Andy forbids Chucky from killing. And for awhile, they become close friends.

But after some other kids discover that Chucky can swear and be generally rude, they want to hang with Andy. It is only after Chucky murders someone that they all realize how dangerous Chucky actually is.

And a lot of the film is pretty effective. I like Andy and his mom. And I think the AI take actually works in some interesting ways. Chucky is not inherently homicidal. He becomes increasingly so, desensitized by his environment and working as a stalker. He is not killing people out of a love for murder…but rather a warped ideal of his relationship to Andy. And while this comes at the sacrifice of Dourif’s memorable characterization, I really appreciate the new approach.

Andy’s friends are a bit obnoxious, and honestly, it seems like much of the film they made sure to give Chucky victims who were pretty morally reprehensible. I mean, there is only one character he kills that I genuinely liked. I appreciated the attempt they made with Brian Tyree Henry’s Detective Norris, making him a friendly face in story…but the character is kind of dull (which is definitely not Henry’s fault, we saw him be pretty wonderful in Into the Spiderverse in a similar role.

And…well…Chucky’s design should have gone through a few more revisions. He looks genuinely goofy sometimes.

But I found myself largely entertained by the film and felt it has far more positives than negatives. I walked out feeling pretty satisfied with a film that I confess to having not had a lot of hope for.

June 23, 2019 0

Teens vs Angels (The Prophecy 3, 2000)

Picking up several years after the second film, Danyael (the son of Jennifer Beal’s character) has grown up an angry young man who has refused to accept his place or that the world is part of something bigger. Life is cold…God is dead…there is no grand design. He has a gathering of followers. However, angels still are seeking to destroy him.

Meanwhile, Gabriel has begun to have a change in his understanding. Having spent years as a human, he realizes he has some atoning to do. He works to protect Danyael and set him on a proper path. This includes taking on the angel who replaced Gabriel in the opposition to God, Pyriel. Pyriel has an agent, Zophael, who is using Danyael’s girlfriend to track him down.

This film is a strong continuation of the themes from the first film. The finding of lost faith is there, but there is also a strong redemption arc, focused on people atoning.

I really liked the final film in a nice little religious fantasy films.

“It’s Not a Blind, Indifferent Universe, Danyael. It Never was.”

October 29, 2018 0

Vulgar Display of Power Pt 3 (The Exorcist III, 1990)

The Exorcist III (originally titled the Exorcist III: Legion) came thirteen years after the Heretic. It may have seemed like a pointless act to revisit the long dormant franchise. But the screenwriter of the first film (and author of the book upon which it was based) William Peter Blatty believed he had something to say.

Picking up seventeen years later, the film simply ignore the second film. Maybe it happened…but it has no bearing here. Lt Kinderman is older and wearier. His work has devastated hope within him.

When a young boy is murdered in a fashion related to a case from about the same time as the first film, he becomes convinced dark works of the Gemini killer have resumed. However, the one problem there is that the Gemini Killer has been dead for about 17 years. In spite of his lack of belief in any supernatural force for good, he starts to become desperate for answers, including talking to a mysterious patient that looks a lot like the late Father Karras.

Where as the second film veered off into insanity, Blatty seems far more determined to explore the questions of how can there be a good God in the face of all our depravity. Kinderman has looked at the face of man and found it wanting. He sees only the ugliness…the unworthiness. And this is what makes the film so compelling.

The sincerity that was the undercurrent of the first film is back. And for much of the film, Blatty is content to avoid the sensational, saving it for a dramatic confrontation with the Gemini Killer and the host of demons inhabiting the body of Father Karras.

George C. Scott takes over the role of Kinderman from the late Lee Cobb. He brings a wonderful gruff and tired feel. Brad Dourif brings his skills as a character actor portraying the face of the Gemini Killer. It is terrifically confident and angry. The Gemini Killer and the demons housed with him mock faith, they see his mission as a dark and unholy one to spread despair through violence and carnage.

My one criticism is the final resolution. In some ways it is reflective of the first film, but at the same time it chooses murder over sacrifice. It undermines the whole idea of Kinderman accepting a larger world. The film does not give many other options, and you can argue the spiritual forces of good intervene so that Kinderman can act…but still, I kind of wish Blatty would have chosen a different option.

The Exorcist III is a powerful watch and a definite gem.

October 13, 2018 1

To Rule Them All Thrice (The Lord of the Rings: The Return of the King, 2003)

All stories must conclude. Some just take longer than others. A lot longer. But more on that later. Sauroman is defeated, Aragorn and the people of Rohan have defended Helms Deep and Frodo, Sam and Gollum are at the door of Mordor.

Te film actually opens by jumping back several hundred years before the story we have been watching where we see hobbits Sméagol and Déagol fishing in a small boat. After being pulled into the water, Déagol finds… The Ring. Both are gripped by obsession for the ring, resulting in murder.

Aragon and the others make their way to Gondor to unite the armies of men against Mordor and it’s seemingly endless forces. We see most of our characters reunited. Sam and Frodo’s relationship is tested by the duplicitous nature of Gollum.

Without question, the visual effects, costume and set design are top notch. There really is not much to say here that I have not recognized in my previous reviews. Sure, there are minor slip-ups (hobbits that are clearly height doubles wearing masks of the actors) and a few of the “Legolas being amazing” sequences in battles are surely CGI.

Faramir and the hobbits all get better deals here. Both Merry and Pippin get to be more than comic relief, with downright heroic moments and emotional moments. There is a scene between Pippin and Gandalf where they say nothing, but share a look of great heart break from across the room, as if Gandalf knows Pippin is about to face some truly unfair tests.

Gimli, unfortunately, has never recovered from the Two Towers and remains embarrassingly frustrating comic relief.

Elijah Wood tells the story of how Jack Nicholson told him he left after the first ending. And this film has, like the book, several endings. Though, most lamented is the scouring of the Shire, which the extended edition and theatrical cuts never included (the first film paid tribute to it in a vision with Galadriel). Here, the extended cut moves the unceremonious end of Sauroman from the scourging to earlier in the story.

But the frustrating part is that each “ending” feels somewhat necessary. Each gives a certain sense of closure to the tale. For all their flaws, the trilogy comes together and has far more to love than hate. The strengths of the performances, the overall writing, the effects, the set design, the costumes…brings together one great epic.

December 12, 2017 0

Two Rule Them All (The Lord of the Rings: The Two Towers, 2002)

Picking up in the aftermath that split the fellowship apart, the Two Towers has a lot on it’s shoulders. Frodo and Sam are now on their own, making their way for Mount Doom to destroy the ring. Aragorn, Legolas and Gimli are trying to rescue Merry and Pippin, who are believed to have been kidnapped by Orcs.

We quickly learn that Merry and Pippin found escape from the orcs on their own. Aragorn, Legolas and Gimli are diverted by Gandalf who directs them to Rohan. Gandalf realizes the time has come to prepare the armies of men for an epic battle against Sauron and his forces.

Rohan is under the influence of the Wizard Sauroman. Their king is in a sickly trance, poisoned by Wormtongue, the agent of Sauroman. Upon arrival, Gandalf excises the presence of Sauroman and chase out Wormtongue. They warn the people there of the coming danger, and all agree they must make their way to an old fortress to protect everyone.

Meanwhile, Merry and Pippin discover the ancient race of Ents. The Ents are ancient and sentient trees. Pippin becomes determined to convince Treebeard and his fellow Ents to fight against the advancement of Sauroman and his orc army before it can join Sauron’s army.

And of course, there is Frodo and Sam. Theirs is a somewhat less exciting route, as they are trying to avoid being seen. Frodo confronts Gollum, who has been shadowing he and Sam in his attempt to get the ring back. Frodo takes pity Gollum, and chooses to take him along as a guide.

In the first film, we only had glimpses of Gollum. This character presented a huge challenge and still stands as a monumental achievement in CGI effects. Coupled with a terrific performance by Andy Serkis, Gollum comes to tragic and frightening life. Serkis takes on a voice that can seem almost painfully childish and monstrous…sometimes at the same moment. The film has a great moment using reflections and camera angles in which Gollum argues with himself over serving Frodo faithfully versus betraying him and stealing the ring back.

In the book, the stories are separated into two parts. The first half follows Frodo and Sam and the second half follows the other characters. In one way, this does allow some interesting storytelling moments. Frodo and Sam’s story will reference them seeing stuff we only see played out in the second half of the book. But it also can make the Two Towers a tough read. It does not break up the story enough.

Gimli continues his slide into little more than comic relief and Legolas even ends up having plenty of his swashbuckling antics coming off as comedic and cheesy (using a shield as a surfboard).

The film also undermines the character of Farimir, brother of Boromir. In the book he is not tempted by the ring in any way. He is a strong and confident man in ways his older brother was not. Unlike Tom Bombadil, this not being tempted is an effective statement of Farimir’s character. The film makes him much less sure of himself. He is haunted by the ghost of his brother and his father’s greater love for Boromir. He does, of course, make the choice he makes in the book, but the overly wrought drama of giving him severe daddy issues works against the character in frustrating ways. Yes, it allows Sam to be a dramatic voice of reason…but it really is an unnecessary detour that also makes Farimir come off as needlessly cruel at times.

The Two Towers does start to feel a bit meandering at times. The extended cut suffers from this even more, though some of the additional scenes are quite entertaining. While not quite an Empire Strikes Back (which is a bit leaner storytelling) it still is a pretty impressive film.

December 11, 2017 0

Up In Flames (Spontaneous Combustion, 1990)

Sam discovers that his parents were part of an experiment with nuclear power while he was in the womb. Upon being born, he is proclaimed a perfectly healthy baby. Shortly after his parents burst into flames (spontaneously!).

Sam discovers he has the power to make things burst into flames. When he gets angry, he causes people to erupt in violent flames. But it is not just other people. When a victim burns, so does he.

There are some goofy moments, like when staring into a fire, he has memories from before he was born. Or the fact that they talk about Spontaneous Human Combustion as a totally scientific fact and common occurrence. Or the psychic radio host.

What really makes this work is Brad Dourif’s performance. Sam is kind and sweet, so when he starts to struggle with his power, he is pretty sympathetic. This is especially true as he becomes unable to know who he can trust.

The ending gets a little convoluted, trying to be both tragic and “happy”.

The effects in the film are quite good, if somewhat hyper-dramatic.

Overall, though largely forgotten, this is a pretty strong effort from Hooper.

October 6, 2017 0