Have you heard about this movie where the schlubby guy hooks up with a hot chick out of his league? You know…the plot of, like, 77% of rom-coms? I mean…Seth Rogan? He is a type…
Rogan is Fred Flarsky, a lefty journalist who finds himself out of a job when his paper is bought by Parker Wembly (an unrecognizable Andy Serkis as a Rupert Murdoch type media mogul). At a party, he runs into his old baby sitter Charlotte Field, about to enter the ring as a presidential candidate.
Charlotte hires him to punch up her speeches and slowly, the pair find themselves falling for each other, in spite of the fact that her staff think this is a very bad idea, mainly because… well, Fred is a potential liability. He is a casual drug user, he has no filter and well…there is more.
And really? In the hands of less talented a less talented creative team and cast? This might have been an embarrassment of cliches. I mean, this film certainly follows all the tropes, right to the end. And yet, I never found myself caring. The film is funny, the characters endearing…I rooted for them to succeed. Theron and Rogan are great and I did not find myself questioning what she could see in him.
Long Shot is a terrific comedy that shows that you can actually follow the Rom Com template and make a very entertaining film.
Created by comic book icons Jack ‘the King’ Kirby and Stan Lee, Black Panther has seemed like a character Marvel wants to really make active…but struggles to figure out how to make him work best. Initially being a guest star in the pages of the Fantastic Four and the Avengers, T’Challa (the titular Black Panther) got solo stories starting with 1973’s Jungle Action # 5. The series was not a top seller, and Marvel cancelled it. They tried to continue the Black Panther in his own series, which lasted until 1979. They tried again in 1988, with a mini-series. This was followed by an appearance in Marvel’s anthology series Marvel Comics Presents in 1989. 1990 saw another series. But it was 1998 where Black Panther found some footing. Christopher Priest began his run and truthfully, he cracked the code with an incredibly engaging series. It lasted 62 issues (Priest wrote 60 of those issues). They worked on a new series in 2005 with Reginald Hudlin. 2016 brought back the Panther in his own series led by Ta-Nehisi Coates. This, for me, has come the closest to rivaling Priest’s terrific run.
While the Black Panther film was announced a few years ago, we did not get to see the Marvel Cinematic Universe take on the character until Captain America: Civil War. I really enjoyed his introduction. The film only hinted at a larger Wakandan culture, and so now is the opportunity to explore it deeper. This is a spoiler free review (so story references remain vague).
Opening with a young boy asking him to tell the story of home (Wakanda) before bedtime. This works rather nicely, filling us in on how Wakanda was built on Vibranium, how five tribes were united under a single king who was granted powers via plant life altered by the vibranium. Wakanda grew more technologically advanced than any other nation. They sought to hide from the world.
The film quickly establishes that while the world believes that Wakanda is a low tech third world country, it is a vibrant high tech society. T’Challa and his family are still reeling from the events of Civil War, and it is time to T’Challa to take the mantle of King.
Of course, there are those who oppose him. The weapons supplier Ulysses Klaue (pronounced “Claw” and first introduced to audiences in Avengers: Age of Ultron) and a mysterious young man called Killmonger are collecting Wakandan tech.
T’Challa struggles with his role as king. Heartbroken over his father’s death (again, in Civil War) and struggling with the role of Wakanda in the world. His ex-girlfriend Nakia believes that Wakanda should be sharing it’s riches with the world…to be a beacon for the world, not tucked away. She loves him, but cannot see a place for herself in Wakanda when she has seen such suffering in the outside world.
The film shows us a society which has a richness of history and culture. The costume design is beautiful. The king’s personal guards are all striking in appearance with lush reds and gold. They are all warrior women with shaved heads (in one entertaining moment T’Challa, Nakia and general Okoye are undercover and she complains about having to wear a wig).
The Wakandan tech is exciting sci-fi tech that would make Bond jealous. The Wakandan landscape is a combination a immense futuristic cities and beautiful forests and mountains. There are some fight scenes set amongst giant waterfalls that Director Coogler and his cinematographer use lighting and sunsets to amplify the sequences with intensity and beauty.
I really liked the characters in this film. For T’Challa, it carries over his lessons learned from Captain America: Civil War. T’Challa is merciful and a good man. Heavy is the head that wears the crown…this film shows T’Challa struggling to be a King and Protector and not being blind to the world around him.
The women really steal the show in this film. Okoye is a formidable warrior and guardian. Nakia is intensely stubborn in her dedication. But she also is in love with T’Challa (who is also very in love with her). His mother is a woman of pride and wisdom (Angela Basset is just regal and beautiful). And then there is his sister Shuri. She is a fun character who lovingly spars with her brother. She is a brilliant scientist, but her youth presents a more brash attitude. She is like a super competent “Q”.
Everett Ross (created by Christopher Priest in his 1998 series) appeared in Civil War, but we did not get a real feel for the character. Here we find him seeming over-confident at first, but he rises to the challenge of helping the Black Panther and his family. While he begins seeming a bit like he might be the comedy relief, he becomes a character who shows himself as heroic and willing to risk himself for his friends.
Killmonger is a villain with a good back story. He wants to rule the world, but not in some cheesy maniacal ruler fashion. He wants to rise his people up to subjugate the colonizers. Klaue is just after money, and shows no arc…but Andy Serkis seemed to have a lot of fun in the role.
Full of action, heart and punctuated with some great humor, Black Panther was worth the wait. I would easily categorize this as one of Marvel’s best.
I will be be honest. Walking out of Star Wars: The Last Jedi, I had no idea just how controversial this film would be. I wrote my first review and then rewrote it due to a spoiler claim. I watched as the film seemed to rise with critics and fall with some fans.
So I went to see the film a second time in the hopes of determining my feelings on the film. Do I think it sucks on a second viewing? Did I see those glaring flaws?
And so here we go…let us dive into the Last Jedi…
Spoilers, spoilers and and in the words of Artoo, “Bleepin’ Spoilers To Follow”!
The Last Jedi opens in the middle of an evacuation by the Resistance. Due to their actions in the Force Awakens the Resistance is no longer underground, and they have no cover from the New Republic as, well, the First Order obliterated them. While the Starkiller Base was destroyed, that does not mean the First Order is no longer a threat. They have located the Resistance Homebase and arrive in the middle of the evacuation. They bring in a super ship called a Dreadnought.
They are startled as a lone fighter appears to face the ship. It is Poe Dameron and BB8. Dameron is patched through and messes a bit with Admiral Hux. This is, for me, anyways a good little bit. It also worked for both audiences I saw it with. Poe starts firing on the ship, leaving the Hux confounded, but the Dreadnought Captain realizes what is happening. He calls for tie fighters to be scrambled, As Poe takes out the last of the cannons, Leia calls for him to abort the attack.
Dameron rejects the command, noting that taking out a Dreadnought is a big deal. He has the fleet launch their bombers. But as they near the Dreadnought? the Tie Fighters start taking the bombers out. The last bomber is in position and Poe is calling for them to drop the bombs. But the bomber’s, uh, bomb guy is out called. Gunner Paige tries to grab the trigger, but gets nocked down, in a last minute move, she gets the trigger and drops the bombs, sacrificing herself. We see her holding a medallion, which seems important.
Poe and the remaining fleet return, the ships jump to hyper space. There, Leia demotes Poe for his refusal to follow orders. He points out the gamble was a success, but Leia notes that the cost was to high. They lost all their bombers. They lost countless pilots. At the same time, Finn wakes up from his injuries received in the Force Awakens. He meets up with Poe and asks where Rey is…
Rey gives Luke the lightsaber…he looks at it and…tosses it aside?! Luke is not happy to see Rey at all. In fact, he walks off bitterly. Rey is perplexed. She tells him the Resistance…his sister…needs him. And Luke responds with derision. He mocks the notion of the legend returning with his laser sword and sending the First Order packing.
Rey follows Luke around a bit, but his day to day is kind..bizarre yet mundane. Luke went to find a place to hide and die. Rey suddenly feels a pull and finds an old tree…inside is a collection of books. Luke asks Rey why she is there.
Rey notes there has always been something inside, and now it seems to be growing. Rey wants to understand it. But Luke is convinced the Jedi should end.
Meanwhile, not long after having dropped out of hyperspace, the First Order shows up right behind them. The Resistance realizes they were able to track them through hyperspace. They put it together that the ships only have enough fuel for one last jump through hyperspace. The First Order launches their ship.
As Tie Fighters attack, the pilots race for their X-Wings. But along comes Kylo Ren. He and Leia seem to sense each other, he flies into the Resistance ship’s hanger.
All the X-Wings are destroyed. Ren and two other tie fighters approach the bridge of the ship, Kylo hesitates, but the other ships fire, blowing the ship bridge wide open. Leia appears dead, but then her eyes open and she flies to the bridge where medical officers retrieve her.
The Resistance opts to get out of the range of the main First Order ships, forcing the Tie Fighters to fall back and also allowing the shields to hold up under the First Order Barrage. It is announced that Leia’s command is passing onto Commander Holdo. Instantly there is friction between her and Poe. Poe clearly thought he should be leading, and he demands to know the plan. The only answer he gets is… “Be a good soldier.”
Finn tries to escape, hoping to find Rey, but runs into Rose. Rose is introduced in tears, looking at a familiar medallion. We find out her sister was the bomber gunner from the beginning of the movie. She recognizes Finn and starts gushing about what a hero he is. He is embarrassed, but then Rose realizes he was trying to take an escape pod. She stuns Finn and as she is hauling him to the brig, he mentions that the First Order can track them through hyperspace. They start to contemplate this and formulate a possible plan.
All the while, Rey has found herself psychically connected to Kylo Ren. They are conversing at times, Ren making his pitch on how terrible Luke is. Luke merely tells Rey that Kylo attacked him. But Kylo states Luke tried to kill him, claiming it was self defense to attack Luke. After confronting him, Rey finds Luke did indeed have a moment of fear, when he considered killing Kylo Ren, but he realized it was wrong. Unfortunately, Ren awoke to just see Luke standing over him and freaked out.
Luke starts to train Rey in a rather…unique fashion. He at first mocks her…he has her close her eyes and says to reach out. She literally reaches her hand out. He starts to tap her hand with a weed. Rey starts to get excited until she opens her eyes to realize what Luke was doing…but her second attempt starts to yield results. Luke explains that the Force is not a magic rock moving power. It is more like the tension between things.
Poe finds out from Holdo that they plan to have everyone take the emergency transports to reach a nearby planet. Poe thinks the idea is terrible. He works on a plan with Finn and Rose. They reach out to Maz to try and figure out a way onto Snoke’s ship. She tells them to go to find the Master Codebreaker. He will be at a Las Vegas type of place. Rose and Finn go to find him. In the meantime, Dameron leads a mutiny against Holdo, believing her plan will get everyone killed.
Finn and Rose arrive at their location, and in a humorous reference to the New Hope, Rose tells Finn what a terrible place they are visiting (not unlike Mos Eisley) and then it is a beautiful location. One the surface. They see the Master Codebreaker, only to be promptly arrested for a parking violation.
They end up in a cell with a guy who claims he can get them in. At first they reject him, but he ends up helping them escape. They may work their way back toward’s Snoke’s ship.
Rey and Chewbacca leave Luke behind, as Rey believes that since Luke won’t return, Kylo is their only hope. Rey arrives on Snoke’s ship and is brought before Snoke. He reveals that she and Kylo were connected by him. He had thought that Luke Skywalker was the Force Equal for light to Kylo’s darkness. But he now realizes it was Rey.
Holdo and Leia end the insurgency, stunning Poe. They start to send out their transports. But Holdo stays behind.
In an unexpected moment, Kylo uses the force to slice Snoke in two. This results in a battle between Snoke’s guards, Rey and Kylo. Rey believes the tide has turned. But Kylo reveals that he wants Rey to help him reshape the galaxy.
Poe Dameron wakes up to find that he is on a transport ship to reach the planet. And the danger increases when Rose, Finn and the Codebreaker are caught. The Codebreaker betrays them and tells the First Order about the escape plan. The First Order starts firing on the transports. But Holdo takes the main ship and then jumps to light speed, splitting Snoke’s ship in half.
Finn, Rose and BB8 escape the ship, as does Rey. They arrive at Chait (a planet that initially looks like Hoth). Kylo claims that Rey killed Snoke and basically takes up the mantle of Supreme Leader. They arrive on the planet surface, planning to destroy the Resistance. Finn and Poe take junk ships to try and destroy a giant battering ram laser thing.
The planet surface, instead of snow, is covered in salt, and just below that is red. It creates this really cool visual. They end up failing to stop it…but when all hope seems lost…in walks Luke Skywalker. He takes a moment with Leia to apologize. He then marches out and stands before the First Order Walkers. They fire on him (at the order of Kylo Ren). When the smoke clears, Luke is still standing.
Kylo steps down and confronts Luke in person. They start to fight, but Kylo seems unable to lay a blow on Luke. Meanwhile, Poe realizes Luke is giving them time, and they look for a way out. They follow some animals to find an exit…blocked by boulders.
It is revealed that Luke is projecting himself across the Galaxy. Then Luke fades away. Rey moves the boulders so the last of the Resistance can escape. They all climb aboard the Millennium Falcon and fly off.
As noted, the film has been…controversial. While critics has mostly loved it, the audience reaction seems largely split with a leaning towards negative. Some of these reasons are, well…okay… flawed.
One of the first negative articles I saw included the phrase “There is no gravity in space”. STOP SAYING THIS PEOPLE. There is gravity in space. But it functions a bit differently. But more importantly? Star Wars is not a hard science series. X-Wings would not fly like they do in any of the films. The Star Wars films disobey science all the time. The Empire Strikes back has space ships dropping bombs in space. Yes, yes, light speed would work differently than it does in the film. Stop arguing science against Star Wars films you do not like. Because the films everyone agrees are good are every bit as guilty.
Hologram Luke. Really, it is more like Astral Projection. We have not seen this in prior films. However, both Empire Strikes Back and Return of the Jedi introduced new Force powers. And certainly, the Star Wars world was in it’s infancy then. But at the same time, maybe the Astral Projection was a lost or forgotten thing. It is presented as immensely taxing. Snoke merely tied Rey and Kylo Ren together psychically, and he noted that would have torn either of them apart. So, it stands to reason it would not be something Jedi used a lot, if at all. Plus, it is certainly an extension of the concept of the Force Ghost. I actually liked this. I like how there are a few queues (that I missed on my first viewing) that something is off. Luke’s beard and hair lack any gray, and he does not effect the ground around him. Seriously, if you can accept Force Ghosts, but not Astral Projection? You probably need to be a fan of something else.
Related to that was “Space Leia”. After being pulled into space by an explosion, Leia opens her eyes and flies back to the ship. While I think the way it was shot is a little goofy, the concept itself is fine. Leia is Force sensitive, and in a life or death situation, using the Force to save her life is plenty believable. If the force can pull a lightsaber across a room to a Jedi, certainly a person can use the Force to pull themselves towards an object.
A couple things that I found a little disappointing. The class issues of the Las Vegas resort is lacking room to breathe and explore it. It all feels rushed. They need to find the Codebreaker and take off.
Then there is the fight with Captain Phasma. Phasma has a cool look with the Metallic Storm Trooper armor. She was set up as something big, even though she was disposed of quickly in The Force Awakens. Here, they have a decent fight and then she falls into a pit of fire.
The fight is to quick, so Phasma becomes kind of like Darth Maul…gone to quickly. However, I loved the exchange with Finn in which she tells him he will always be scum. Finn looks at her and says, “Rebel scum.” It is a great moment for Finn. I would also note that I have seen people constantly refer to Finn as a janitor, suggesting he should not be a good fighter based on this. But the problem with that logic is…he was raised and trained as a Storm Trooper. He has combat training, regardless of his assignment as a janitor.
I also found it frustrating that as Finn was about to sacrifice himself to destroy the laser battering ram, Rose blows through and stops him. Now, mind you, I like Finn, and did not want to see him die. But I also felt it would be a dramatic and heroic moment. I found myself admiring Finn as he was flying into the mouth of the cannon.
Now, some have made a big deal that the Last Jedi is an attack on Mansplaining. I am not convinced that it is this extreme. I think it is a bit simpler than that.
One of the things I really enjoyed was how the film thwarted my expectations. As a movie going culture, we have been heavily trained to be sympathetic to guys like Poe Dameron. Poe is kind of the John McLane character here. In any other film, Poe would be the guy who knows more than his leadership. When they announce that Leia is in a coma and they have chosen her successor, Poe clearly thinks it will be him. But instead it is Holdo. Oscar Isaac has a pretty hilarious reaction, as you see him practically ready to stand up and thank everyone…only to be deflated. In the case of Dameron, I think he would have reacted to command the same from a man as he does women. Poe does not think he is smarter than them because he is a man. He thinks he knows more than everyone else.
And in almost any other film, he would be proven right. Poe, Rose and Finn would have succeeded and been hailed as heroes. But the Last Jedi takes a huge risk. Many are using the rule of the “Idiot Plot” to condemn this particular story point. The Idiot Plot is a story point dependent on people not knowing vital information. Specifically, everything would be solved if somebody just told another character simple information.
This is a common plot device in sit coms and romantic comedies. And yes, as tropes go, it can often be very frustrating in those types of movies. And sometimes films and shows will have elaborate reasons why two characters cannot show such information. But it is not always applicable just because you can look and say “Gee, if so-and-so only knew this…” Context matters. Here, Poe is a soldier. A demoted soldier no less. And he was demoted for his reckless decision making which results countless deaths. People keep saying that Holdo could have averted the problem by simply telling Poe everything. But it is Poe that decided he is smarter than everyone else. It is Poe that decides to not tell Holdo of the plan he sets up, mocking her for keeping him in the dark.
Holdo and Leia are not incompetent leaders. Instead, it is Dameron’s single minded arrogance that causes the problem. His unwillingness to trust his boss. We have an endless supply of films about rebellious cops and soldiers who buck the system. And here we see that play out…and it backfires spectacularly. This may seem like the idiot plot on the surface, but looking below that surface makes plenty of sense as to why they told Dameron to just trust them.
It was quite interesting to see a story played out so differently than the conventional tropes.
Kylo’s story is interesting to me. Early in the film, Snoke berates him for getting beat by Rey and mocks his wearing of his mask. Ren leaves and angrily smashes the mask. Much of his journey in this film seems to be from that of wanting to be Darth Vader to accepting a different path. His interactions with Rey certainly give us a look at his continuing conflict, and it is understandable why Rey thinks he could be won over.
In spite of Snoke’s death at Ren’s hands, I feel the story is not over and need to withhold judgement for this unexpected move seeming premature.
The reveal that Luke is living alone, bitter and unwilling to help rubbed a lot of people, including Mark Hamill, the wrong way. But I think it was an interesting choice that made a lot of sense. Luke ran from both his failures and his legend. I suppose the Force Awakens could have opened with Luke having successfully rebooted the Jedi Order. But this is far more interesting. We find Luke resentful of not being left alone. He believes that the Jedi is a concept unworthy of continuing. And in some ways, this feels true.
The prequels established that the Jedi were a flawed bureaucracy, not cool Intergalactic Knights. The original trilogy showed Ben Kenobi to be a guy more than willing to stretch the truth.
And to this, we find Luke to be a pretty terrible teacher. And why wouldn’t he be? Even when he agrees to train Rey, it is with the attitude that all the rules of the Jedi are garbage. The Force is not for special people. The Force is not about your family line. The Force is available to all, if they are open to it.
And there is the Rub. Luke has closed himself off to the Force. In doing so, he has cut himself off from life. He cannot sense the activities of his loved ones. He did not feel it when Han Solo was killed by Kylo Ren. And Luke is fearful of the power he sees in Rey.
It is only when he realizes his failures should not define him that he sheds his fears. In opening himself back up to the Force, he is able to tap into power that even he had not experienced in the past. And upon completing his mission to help Rey and Leia? He finds Peace within the Force. He tells Kylo Ren, “Be seeing you.” It sounds like there is more to come with Luke. By the end of the film, Luke is reconnected with the Force and in unity with it.
The film’s biggest reveal is that of Rey’s parents. The Abram’s film showed us that Rey’s parents had left her with Unkar Plutt. Fan speculation was all over the map. Is she a Kenobi? A Skywalker? The Last Jedi loudly declares they were nobody. They were junkies who sold her to get money for a fix. They are buried in paupers graves on Jaaku. The Force Awakens hinted that Rey’s parents were not that important, despite claims otherwise. Maz tells Rey they both know her parents are never coming back.
This works for me. It of course, also works for the themes of the Film. Snoke believed that it was the Skywalker line that would stand in his way. It is why he converted Ben Solo. The fact that Rey is some random Force Sensitive person? That she is not some part of a prophesied blood line? I find this a very satisfying answer.
Are there things that I think could have been done better? As noted, yes. But are these failings greater than the things the film does well? Not by a longshot. Johnson has given us an unpredictable, interesting film that still reflects it’s predecessors. The Last Jedi is a strong Star Wars film that has me interested in seeing the next chapter of this story.
After the prequels, Star Wars appeared to be…well, complete. Lucas was no longer talking about a third trilogy. All had gone quiet on that front. Instead, Star Wars thrived in animated fare like the Cone Wars cartoon and in comic books through Dark Horse. Dark Horse had even started a Canon series that took place between a New Hope and Empire Strikes Back.
But then, in 2012, came a very unexpected announcement. Disney had purchased Lucasfilm and all it’s properties. And with this announcement came the news that they were working on a new trilogy. And on top of that, Disney would also be making Star Wars films set outside the main storyline.
This came with some controversy, as Disney declared that the extended universe of Novels and comics were, in no way, canon. Only the Six movies counted. This was partially to allow new novels and comic books to start building the universe anew. Dark Horse lost the rights and Marvel took up telling all new stories within the Star Wars universe.
J.J. Abrams was brought in fresh from rebooting Star Trek (ironically enough, he was often criticized for bring a Star Wars attitude to the franchise) to create the new story that would continue the adventures. Of course, Harrison Ford, Carrie Fisher and Mark Hamill were all brought in to reprise their roles (some more limited than others). So let us go forward, back to that galaxy far, far away…and be ready for spoilers!
Opening up about thirty years after Return of the Jedi, we are greeted by a star destroyer. It appears that while the Republic was restored, the remnants of the Empire formed as the First Order. The First Order is getting bolder and are trying to wipe out the Resistance, led by General Leia Organa. She has sent a top Resistance Pilot named Poe Dameron to the planet Jakku in an effort to get information that could lead them to Luke Skywalker.
First Order ships arrive on the scene, and Poe tries to escape, but his ship is damaged. He puts the top secret info into his astro droid BB-8. The droid goes on the run and Poe is captured by the mysterious Kylo Ren. It is quickly revealed that this is the son of Leia and Han Solo.
In the middle of this, one of the Stormtroopers seems out of step with the others. When they return from Jakku, he removes his helmet to reveal a young man who is not a clone (later in the film, it is explained the First Order takes young children from their families and trains them to be unquestioning soldiers rather than clones). The Storm Trooper helps Poe escape. In the middle of their escape, Dameron asks what his name is, and the Trooper responds with FN2187. Poe determines that he will just call him Finn, and the newly christened Finn declares he likes it. They crash back on Jakku. Finn cannot find anything but Poe’s leather jacket. He wanders the desert planet, tossing aside his Storm Trooper armor.
Meanwhile, BB-8 has been found by the young scavenger Rey. She helped BB get away from a junk collector and offers to help the droid get to the city. They arrive and Rey finds herself being followed. BB-8 sees Finn in Poe’s jacket and Rey attacks. Finn claims to be a member of the resistance, and that he can help. Finn hears a familiar sound and they realize they are under attack from the First Order.
They rush to find a spaceship. Finn points to a ship offscreen and Rey mocks it as being garbage, but the ship she wants blows up…resulting in her yelling out “The garbage it is”…but it turns out to be a very famous hunk of junk. It is the Millennium Falcon. Rey pilots while Finn mans the guns. This leads to a very exciting chase through the air forcing the two to rely on their best wits. At one point, Rey flies the ship through the carcass of a crashed Star Destroyer.
Once they reach space, they start to try and figure out how to get BB-8 and Finn back to the Resistance. Finn, of course, has no knowledge of the Resistance, but manages to convince BB-8 to play along. They are overtaken by a larger ship, and it turns out to be Han Solo and Chewbacca.
Things take a turn for the worse as two factions Han has double crossed show up. After a narrow escape, the newly formed crew head to meet up with someone Han knows can help. Their mission is now to get BB-8 to the Resistance, especially after they find that BB-8 holds coordinates to finding Luke Skywalker. They reach a lush planet and Han brings them to the temple of Maz.
Maz is a small alien who is even older than Yoda. She apparently has a crush on Chewbacca (she refers to him as her boyfriend, and it is unclear if this is playful or serious).
Finn confesses that he was a Stormtrooper and he is terrified. He only wants to run as far from the First Order as possible. Maz points him out to a couple of guys he could run with. Rey gets distracted, believing she hears a child calling for help. She goes to the basement of Maz’s temple where she finds a trunk with a familar item. Luke’s lightsaber, last seen in the Empire Strikes Back. As soon as she touches it, she faces a barrage of visions and sounds, voices and images of the past and future.
Rey runs from the Temple in terror. Unbeknownst to Maz, Han or the others, spies for both the Resistance and the First Order have sent out alerts, as the First Order and Resistance are both on the hunt for BB-8.
The first order has a new weapon they call Starkiller Base (this is a reference to the original scripts for Star Wars, when Luke was named Luke Starkiller). It is basically a variation on the Deathstar, except they used an actual planet to create it.
Having seen Rey run off, Finn starts to run for her, but everyone is stopped by a sight in the sky. The Starkiller Base has fired on the Republic’s central planets. The First Order knows that the Republic has been helping the Resistance, and without them, the Resistance loses key support. Everyone on the ground near Maz’s temple can see the lasers burning through space towards their targets.
Then, the First Order shows up, firing on the temple and it’s fleeing occupants. Rey and BB-8 are running through the forest while Stormtroopers are in pursuit. Han, Chewbacca and Finn fight Stormtroopers trying to get to Rey, but end up overwhelmed. Meanwhile, Kylo Ren has found Rey.
Ren discovers that Rey has seen the map and dismisses the need for BB-8, instead taking Rey with him. In the meantime, the Resistance shows up with X-Wings to chase off the First Order troops, saving Han, Finn and Chewbacca.
They are greeted by General Leia Organa, who embraces Han. Now, instead of running from the First Order, Finn argues for a direct assault on Starkiller base so they can save Rey. It is also revealed that Poe survived the crash landing, just as Finn had.
Rey is being interrogated by Kylo Ren, though, he seems to have deeper motives. He sees that Rey seems to have a natural gift for the Force, much like his grandfather.
After Ren leaves, Rey feels emboldened and tries a “force” trick by getting a guard to unlock her restraints. The seen is quite entertaining, and more played for the humor than the drama. But the scene works pretty well, showing Rey both a quick learner and more than willing to accept things on faith.
Back at the Resistance base, they prepare for their attack. They plan for Han, Finn and Chewbacca to take out the shields that will allow the Resistance fighters, led by Poe to take out the base before it can fire. The Starkiller Base’s primary weapon actually requires the energy of a star, so they have until the star being used for power is snuffed out.
Arriving in the Millennium Falcon, the heroes go in to find both Rey and set up the destruction of the base. As they search for Rey, Han realizes she has already escaped. They meet up with Rey and start planting explosives. Han sees Kylo and calls out to him. Han and Kylo meet on a bridge. Han reaches out, and Kylo speaks hesitantly, wanting his fathers help. Solo promises to help him, in this moment, Han’s facade of cocky hero drops to reveal a father who lost his son, and sees an opportunity to heal the relationship.
Instead, Kylo impales him with his lightsaber. Han, in a touching moment, touches the face of his son before falling from the bridge. Angrily, Chewbacca fires and hits Kylo Ren. The horrified trio of Rey, Finn and Chewbacca race out of the structure, setting off the bombs. This allows the X-Wings to start strafing the surface. Chewbacca heads for the Falcon, while Finn and Rey run into another obstacle…
Finn turns on the lightsaber and engages Ren, but it is a short fight. He starts to use the Force to grab the lightsaber the unconscious Finn dropped, but instead, it find’s Rey’s hands. This is a really nice dramatic and exciting moment, scored just tight by John Williams.
Rey and Kylo have a furious lightsaber duel, only to have the planet starting to break up around them. Ren tells Rey he could train her, she may be a strong raw user of the Force, but he can teach her better control. They are split apart by the turmoil around them. Chewbacca appears with the Falcon and they get Finn, leaving before the Starkiller Base is fully destroyed.
Returning to the base, Rey meets Leia (an they embrace, which Abrams admits was probably a mistake, there is no reason for the attachment, as Leia and Rey have never met). Using the information from BB-8, they have the missing puzzle piece. Earlier in the film, it is revealed R2-D2 has been in powersave mode, he wakes up and provides the rest of the map. Rey and Chewbacca fly off to the remote planet that Luke is staying on. Rey walks up and stands before Luke reaching out with his old lightsaber and the film ends…
Probably the two biggest knocks against the film were the fact that it mirrors A New Hope far to much and Rey is a Mary Sue.
The film does follow the beats of a New Hope quite closely. A young desert planet nobody is drawn into a larger battle of intergalactic forces and learns to use the force…while helping to destroy a planet sized planet destroyer. But I do not find this overall a problem. The repetition is certainly a valid storytelling device. I confess, I wish the big plot device did not hinge on a planet killer all over again, but I do like the visual design of Starkiller Base.
But the whole “Rey is a Mary Sue” thing. This is often leveled as a criticism along with folks upset by the film having “diversity”. Finn is played by a black man, Rey is, of course, a girl and Poe is played by a man of Cuban and Guatemalan heritage.
Before then, the casts were largely white. Lando and Mace Windu were exceptions. And I think Mace was mainly “Wouldn’t it be bad ass if Samuel L. Jackson was a Jedi???” There is a silly contingent of people out there that are certain having non-white male actors in roles is a problem. It somehow ruins the stories to have a variety of actors. They claim, of course, not that their problem is the diversity, but forced diversity. But John Boyega’s presence did not force some magical change on the story. Opening up considerations for actors in the Star Wars universe is hardly a problem. Especially when you consider how baked in the cake it is with Star Trek. And it sure seems to work okay there.
But back to Rey. So, Mary Sue is a term that is a part of fan fiction. If you are not aware, Fan Fiction communities are folks who love to write stories continuing the adventures of shows, movies, comics, etc that they love. Sometimes they work within the cannon of the franchise, but often, this is their way of saying “what should have happened.” Some writers are specifically focused on relationships they want to see that the official works clearly won’t be doing (*cough, cough* Finn and Poe *cough, cough*). But the most derided thing in fan fiction is the dreaded “Mary Sue”. A Mary sue is a character that is created by the author that is simply better and smarter than everyone else. There is nothing they cannot do. They always save the day and fix everything. It is generally believed that a Mary Sue is a way for the author to insert themselves into the story.
In the film we see Rey fly the Millennium Falcon, fix the Millennium Falcon, use the Force and have a lightsaber duel with a trained Sith Lord. Does this make her an all powerful Mary Sue?
There, that was not so hard.
Not satisfied? Okay…then we are going to break this all down.
Rey just happens to be a pilot who can just happen to fly and fix the Millennium Falcon. She even seems to understand it better than Han Solo. But let us look at Rey’s history. As a child, she is left with junk dealer Unkar Plutt. Her whole life has been as a scavenger. She plunders the ruins of the crashed ships that litter the surface of Jakku. This means she has some basic technical understanding of how ships function.
We know Rey is familiar with the Millennium Falcon, because when she is running with Finn, he calls out the Falcon and she says they are not going to take it because it is garbage. Unkar Plutt owns the Falcon at the beginning of the film. We know this in part because as Rey fires it up, he yells out about his ship. Later Rey tells Han about modifications that Plutt made that she disagreed with. So, she has been in the Falcon probably many times. So, between being a scavenger and working for Plutt? It stands to reason fixing ships would be a skill she might have.
She also points out how she has flown ships before, though never in space. And even with this, the film portrays her as a pilot who gets farther on luck than actual skill. When she first tries flying the Falcon, she nearly crashes it. This is not Mary Sue Territory.
Rey uses the force pretty well with no training. So?
Okay, okay. First off, the films have clearly established that those who are Force Sensitive may find themselves using it without even realizing it. You do not have to have training to use it, training simply helps you better control it it. Rey does a bit more than we see Luke do in the first film, which does not mean anything. Luke has nobody to duel Lightsabers with, that falls to Obi Wan in the first film. Luke has no more training than Rey in the beginning of Empire when he uses the Force to retrieve his lightsaber from the snow. There is no in movie argument that he could not have done that in a New Hope. So, this notion that a person who is Force Sensitive cannot do Jedi mind tricks and the like is not based in anything other than “It was not done by Luke in a New Hope”, which is, frankly, not much of a point at all. Still not Mary Sue territory.
Rey fights a trained Sith in a lightsaber duel. This often is argued that she wins. But that is absolutely false. Nobody won the fight. It was a draw. And you might think this still favors the Mary Sue Argument. But, no, it does not. Early on in the film, we see Rey protects herself with a staff. As a scavenger, a weapon is probably a necessity. And she uses a staff. It is pretty clear she uses the lightsaber in a similar fashion. But still, how could she fight Kylo Ren to a standstill? Well, right before this confrontation, Ren has killed his father and Chewbacca shot him with his bow. They spend the entire film establishing just how powerful that bow is. In the fight, Ren is clearly in pain, and he constantly pauses to punch himself in the side, apparently trying to blunt his pain. He also has been wounded by Finn in their brief lightsaber duel. Rey is fighting a wounded man who still manages to nearly best her, only the destruction of the Starkiller Base ends their fight.
So, in closing, the Mary Sue accusation does not hold up under scrutiny. In addition, unless you are condemning the original trilogy, the arguments for Rey as Mary Sue apply every bit to Luke Skywalker. If you think Luke is not a Mary Sue (or, Gary Sue, because people seem uncomfortable applying a feminine descriptor to a male character) than Rey cannot be either.
A few things that were bothersome…
Captain Phasma played by Game of Throne’s Gwendolyn Christie. While I liked the character’s visual look (and loved that they were comfortable always keeping the Helmet on, leaving for mystery), I felt like the character never got to show off, so to speak. They hired Christie, who is a commanding physical presence and she never really gets her moment.
Supreme Leader Snoke is only seen in in the form of a giant hologram. Who he is gets played up as a big mystery, but I do not find him particularly threatening here.
I was not sure how I felt about Luke being this legend and enigma in this film, the Last Jedi has given me perspective I will address in that piece.
But, for me, the positives vastly outweigh the negatives. I enjoyed returning to the universe and the characters. Seeing Han Solo and Chewie and General Leia were all welcome.
Driver gives a fascinating performance. His Kylo Ren worships his grandfather Darth Vader. He seeks to be like him, but he is a young fanboy desperate for approval from Snoke, but struggling with a part of him that still desires the love of his parents. The first six films all focused on the allure and deceit of the Dark Side. The Dark Side is an almost romantic threat that can overpower good. The Force Awakens is the first time we see the idea that the Light Side of the force has it’s own pull. And I like this.
I really like Rey and Finn. Both are in struggles that sometimes cause them to be overtaken by fear. Finn has only known the First Order, and the concept of friends like Rey and Poe quickly start to give him a new kind of hope. Rey has never had the courage of Jakku believing that some day her parents will return. When Maz points out that Rey knows this is not true, but she has the potential of a new family, Rey is terrified to face this and runs. Poe Dameron is one of those fun swashbucklers, who makes things work by kind of flying by the seat of his pants and hoping it all pays off.
When I saw the Force Awakens in 2015, I enjoyed it a lot. I have revisited the film a few times in the past few years, and my feelings have not changed.
The Last Jedi picks up shortly after the Force Awakens. It begins with a bold battle that has powerful repercussions on the characters.
Rey is trying to get Luke to come back with her to help the rebellion. But Rey finds herself unsure of her true goals.
This new Star Wars film is building off the questions and set up of the Force Awakens, and yet, it addresses them in very unexpected ways.
Characters you know are the heroes find themselves the ones needing to learn the lesson. Others are trying to come to terms with their celebrity status. Others are trying to come to terms with heroes not living up to their expectations, and in some cases, even face betrayal.
I found Mark Hamill’s performance as Luke to be Hamill’s strongest performance in the entire series. He is funny, frustrating, heartbreaking and heroic. And the film does this very well.
The film will likely frustrate people who have heavy theories about just how the new trilogy ought to play out, but I found Rian Johnson’s (Brick, Looper) choices to not satisfy those pet theories kind of…well, satisfying.
I appreciated the visual style, there is some genuinely gorgeous action in the film.
I really enjoyed the film, and feel it is one of the stronger films within the Star Wars story.
All stories must conclude. Some just take longer than others. A lot longer. But more on that later. Sauroman is defeated, Aragorn and the people of Rohan have defended Helms Deep and Frodo, Sam and Gollum are at the door of Mordor.
Te film actually opens by jumping back several hundred years before the story we have been watching where we see hobbits Sméagol and Déagol fishing in a small boat. After being pulled into the water, Déagol finds… The Ring. Both are gripped by obsession for the ring, resulting in murder.
Aragon and the others make their way to Gondor to unite the armies of men against Mordor and it’s seemingly endless forces. We see most of our characters reunited. Sam and Frodo’s relationship is tested by the duplicitous nature of Gollum.
Without question, the visual effects, costume and set design are top notch. There really is not much to say here that I have not recognized in my previous reviews. Sure, there are minor slip-ups (hobbits that are clearly height doubles wearing masks of the actors) and a few of the “Legolas being amazing” sequences in battles are surely CGI.
Faramir and the hobbits all get better deals here. Both Merry and Pippin get to be more than comic relief, with downright heroic moments and emotional moments. There is a scene between Pippin and Gandalf where they say nothing, but share a look of great heart break from across the room, as if Gandalf knows Pippin is about to face some truly unfair tests.
Gimli, unfortunately, has never recovered from the Two Towers and remains embarrassingly frustrating comic relief.
Elijah Wood tells the story of how Jack Nicholson told him he left after the first ending. And this film has, like the book, several endings. Though, most lamented is the scouring of the Shire, which the extended edition and theatrical cuts never included (the first film paid tribute to it in a vision with Galadriel). Here, the extended cut moves the unceremonious end of Sauroman from the scourging to earlier in the story.
But the frustrating part is that each “ending” feels somewhat necessary. Each gives a certain sense of closure to the tale. For all their flaws, the trilogy comes together and has far more to love than hate. The strengths of the performances, the overall writing, the effects, the set design, the costumes…brings together one great epic.
Picking up in the aftermath that split the fellowship apart, the Two Towers has a lot on it’s shoulders. Frodo and Sam are now on their own, making their way for Mount Doom to destroy the ring. Aragorn, Legolas and Gimli are trying to rescue Merry and Pippin, who are believed to have been kidnapped by Orcs.
We quickly learn that Merry and Pippin found escape from the orcs on their own. Aragorn, Legolas and Gimli are diverted by Gandalf who directs them to Rohan. Gandalf realizes the time has come to prepare the armies of men for an epic battle against Sauron and his forces.
Rohan is under the influence of the Wizard Sauroman. Their king is in a sickly trance, poisoned by Wormtongue, the agent of Sauroman. Upon arrival, Gandalf excises the presence of Sauroman and chase out Wormtongue. They warn the people there of the coming danger, and all agree they must make their way to an old fortress to protect everyone.
Meanwhile, Merry and Pippin discover the ancient race of Ents. The Ents are ancient and sentient trees. Pippin becomes determined to convince Treebeard and his fellow Ents to fight against the advancement of Sauroman and his orc army before it can join Sauron’s army.
And of course, there is Frodo and Sam. Theirs is a somewhat less exciting route, as they are trying to avoid being seen. Frodo confronts Gollum, who has been shadowing he and Sam in his attempt to get the ring back. Frodo takes pity Gollum, and chooses to take him along as a guide.
In the first film, we only had glimpses of Gollum. This character presented a huge challenge and still stands as a monumental achievement in CGI effects. Coupled with a terrific performance by Andy Serkis, Gollum comes to tragic and frightening life. Serkis takes on a voice that can seem almost painfully childish and monstrous…sometimes at the same moment. The film has a great moment using reflections and camera angles in which Gollum argues with himself over serving Frodo faithfully versus betraying him and stealing the ring back.
In the book, the stories are separated into two parts. The first half follows Frodo and Sam and the second half follows the other characters. In one way, this does allow some interesting storytelling moments. Frodo and Sam’s story will reference them seeing stuff we only see played out in the second half of the book. But it also can make the Two Towers a tough read. It does not break up the story enough.
Gimli continues his slide into little more than comic relief and Legolas even ends up having plenty of his swashbuckling antics coming off as comedic and cheesy (using a shield as a surfboard).
The film also undermines the character of Farimir, brother of Boromir. In the book he is not tempted by the ring in any way. He is a strong and confident man in ways his older brother was not. Unlike Tom Bombadil, this not being tempted is an effective statement of Farimir’s character. The film makes him much less sure of himself. He is haunted by the ghost of his brother and his father’s greater love for Boromir. He does, of course, make the choice he makes in the book, but the overly wrought drama of giving him severe daddy issues works against the character in frustrating ways. Yes, it allows Sam to be a dramatic voice of reason…but it really is an unnecessary detour that also makes Farimir come off as needlessly cruel at times.
The Two Towers does start to feel a bit meandering at times. The extended cut suffers from this even more, though some of the additional scenes are quite entertaining. While not quite an Empire Strikes Back (which is a bit leaner storytelling) it still is a pretty impressive film.
John Rogers, one of the writers of the abysmal Catwoman film once also wrote “There are two novels that can change a bookish fourteen-year old’s life: The Lord of the Rings and Atlas Shrugged. One is a childish fantasy that often engenders a lifelong obsession with its unbelievable heroes, leading to an emotionally stunted, socially crippled adulthood, unable to deal with the real world. The other, of course, involves orcs.”
And the Lord of the Rings is definitely one of those book series that had legions of admirers. Ralph Bakshi has adapted the three books into two animated films in 1978 and 1980. And there were a lot of false starts until the late 90’s. The first plan was to try and make one film…then they thought they could convince a studio to do two…but somehow, Peter Jackson convinced New Line the only proper way to do the film was to adapt each novel and film them back to back. They then took it a step further and released the special edition DVDs. These sets were expanded to include many scenes not used in the theatrical releases. My reviews will be of the Expanded Editions.
The story of the Lord of the Rings is that long ago the evil Lord Sauron tricked the leaders of the Elves, the Dwarves, and Man, creating powerful rings for them all…secretly creating the one ring that would rule them all. In a battle between Sauron and the final alliance of men, dwarves, and elves, Sauron was defeated. Instead of destroying the ring, Isildur keeps it for himself. He is eventually killed. The ring was then lost to time. It was found by a creature who hid with it in the mountains. It eventually fell into the hands of the Hobbit Bilbo Baggins. He has had it ever since. The Fellowship of the Ring is the beginning of the final push to destroy the ring.
The wizard Gandalf the Gray calls upon Frodo, nephew of Bilbo for this task. He sends Frodo on, promising to meet in a small town. Frodo is accompanied by his friend Samwise (or more simply, Sam). Soon after leaving, they are joined by fellow Hobbits Merry and Pippin. As they go on their journey, they pick up help from the mysterious ranger Strider (Revealed to be Aragorn, a descendant of Isildur).
When Frodo is wounded by a Ringwraith (the souls of the original nine kings of men who were enslaved to Sauron), he is whisked away to the Elvish city of Rivendell. There they meet up with what are to be the final members of the Fellowship of the ring, the Elf Legolas, the Dwarf Gimli and Boromir, son of the Steward of Gondor.
They find themselves constantly under attack, primarily from Sauroman, a wizard like Gandalf, but having chosen to serve Sauron. Using magic and a new generation of Super Orcs he tries to stop them at every turn.
Filmed in New Zealand, almost every shot of this film is awe-inspiringly beautiful. The Hobbit Shire has been carefully created bringing the environments of the book to life in a vibrant way.
Along with the sets, the film’s costumes are incredible. Everything has power and weight. The craftsmanship of the weapons and costumes immerses you into this world.
The visual effects have withstood the test of time. A lot of Weta Workshop’s work is a combination of digital and practical. But unlike far too many movies, the digital is groundbreaking and almost never distracting (except in it’s dedication to looking natural). The Fellowship of the Ring broke new ground in its digital work to create massive armies that seemed to move without being duplicated.
The film also uses a lot of practical tricks to create the illusion of different heights. Both Hobbits and Dwarves are supposed to be significantly smaller than the rest of the cast, and in spite of actors who are as tall as anyone else in the cast, using perspective tricks, smaller actors as stand-ins they manage to create a nearly seamless illusion.
And then there is the cast. Some scoffed when Elijah Wood was cast as Frodo. The books describe Hobbits in a fashion that insinuates, they are naturally a bit hairy and pudgy. But Wood (and really the other hobbit actors) are rather attractive. But They all do quite well. And Wood and Sean Astin really sell the deep and heartfelt friendship between Frodo and Sam. Frankly, I love the fact that the films capture this love. Films featuring male relationships can often be quite superficial.
Ian McKellen, so compelling as Magneto in the X-Men films carries great weight here as the wizard Gandalf. He is warm, yet can seem stern and menacing when necessary. And he brings a sense of grandeur so necessary for such a character. Viggo Mortenson brings a quiet nobility to Aragorn. And Cate Blanchett’s Galadriel as an unearthly and elegant beauty.
This is not to suggest there are no flaws. While not as large of an issue here, Gimli can often be reduced to comic relief (the same with Pippin and Merry). On the other hand, the storytelling is more expedient than the books. Often, Tolkien can seem a bit obsessive in his world-building, with sudden diversions into poetry and legends and language of Middle Earth. The filmmakers wisely cut the Tom Bombadil sequence. While this is a fairly loved section of the book, the screenwriters are correct that it undercuts the narrative of the Ring to suddenly have a character who is not impacted at all by it. Especially so early in the story. Personally speaking? I don’t care for that section of the book, and so I did not miss it within the film.
The Fellowship of the Ring is s very strong adaption of the book, full of epic adventure. It was a risky venture that paid off quite well for the filmmakers and the studio.
Following the smashing success of the Lord of the Rings films, Jackson had the cred to get a pet project off the ground. A remake of 1933’s classic King Kong. He wanted to make an epic, and it is far from the cheesey camp of the 1976 film starring Jessica Lang, Jeff Bridges and Charles Grodin.
Instead of updating the location to modern times, Jackson meticulously recreates 1930s New York. He introduces us to Carl Denham, a director who dreams very big and is trying to secure financing to go to a mysterious island shown on a map he has acquired. He hires down on his luck playwright Jack Driscoll to write a script for a grand adventure. He finds a beautiful leading lady in struggling actress Ann Darrow. His male lead is the egotistical Bruce Baxter.
They get on a boat, go to Skull Island, explore, find monsters, the Natives kidnap Ann who is sacrificed to a mysterious monster. The monster is the giant ape Kong who takes a liking to Darrow. Jack and Carl lead the crew to rescue Ann. Denham, of course, has an ulterior motive of getting film of the monsters on the island. They save Ann, capture Kong and Kong is brought to New York. Kong Breaks free and runs amok in the city.
Jackson hits all the beats, and it all sounds exciting. He is very faithful to the original story. Except…well, in typical Peter Jackson fashion, he overdoes it. The film takes an hour to set things up. A full hour before they get to Skull Island. All in a misguided attempt to set up character motivation and romance. Once on Skull Island, the film picks up and gets very exciting. But an hour of setup and added time for the reveal of King Kong…makes for a dull and slow film. The whole cruel savages approach to Skull Island’s natives is embarrassingly dated.
The performance by Andy Serkis as Kong is really impressive looking. The digital Kong is still impressive looking. But the film clocks in at three hours (and that is before Jackson’s expanded cut) and that results ina ridiculous amount of bloated storytelling.