The Art of Gaslighting (The Invisible Man, 2020)

Invisible_Man_2020_PosterWhen the Tom Cruise update of the Mummy crumbled, so did the planned Dark Universe that Universal was placing hopes on. Instead, Universal penned a deal with low budget horror production studio Blumhouse.  They brought in director Leigh Whannell to make a lower budget re-imagination of the character.

Whannell moves the focus to Cecilia Kass who is trying to escape an abusive relationship with a famous optics tech scientist.  She tries to hide from him until she is informed that he has committed suicide. At first, things start to look up and improve…but suddenly, mysterious occurrences begin to occur that slowly cause Cecilia to unravel…she is convinced that her ex Adrian is still alive (the film does not hide this, both the trailers and film make it clear that Adrian is messing with Cecilia).  However, she cannot convince anyone of this.  Adrian starts to escalate things, severing her relationships and interfering with all attempts to move forward.

Moving the focus from a mad scientist to the victim of an obsessed stalker is highly effective.  Whannell constructs an incredibly intense opening sequence, with no effects beyond the use of sound and the motion of the camera.

The whole film uses angles, shots and general camera movement that causes you to distrust your eyes.  And it is incredibly impactful for the viewer as we search the screen for what is…wrong.

Moss gives a terrific performance.  We know she is not crazy, but her descent into obsession with proving Adrian is still alive is visceral and shocking.

I also really liked Aldus Hodge who is a police detective friend allowing Cecilia a home in which to stay.

The Invisible Man is an excellent thriller and I highly recommend it.

Filed Away (Hidden Figures, 2017)

hidden-figures-movie-posterHidden Figures tells a story I suspect few Americans were aware of.  The women of NASA in the sixties.  Or to be more precise, the black women of NASA.  Hidden Figures explores the real story of three NASA “Computers”.  In the sixties, people were doing all the calculating that would eventually be taken over by computers.  And this film brings to light Katherine Johnson, Dorothy Vaughan and Mary Jackson.  All three were firsts in their field.

The film shows their struggles and triumphs, with terrific performances from the leads.  The film is heavy, joyful, heartbreaking and of course, inspirational.  This is not to say there are not some things one could take issue with.  One of the recurring issues for Katherine is running across the NASA campus to find a Colored Bathroom.  This does deliver an entertaining payoff towards the end of the film, as well as a great “standing up against the establishment” sequence.  But in reality, Katherine simply used the only women’s room in the building.  And when informed she should not use that bathroom?  She shrugged and kept using it.  It was Mary who had to make the run for the bathroom.

Also, the white characters (outside of John Glenn) are complete fabrications.  Costner’s Al Harrison is the tough but fair white guy who seems oblivious to the color of Katherine’s skin.  Jim Parson’s Paul Stafford and Kirsten Dunst’s Vivian Mitchell are there to represent specific racial attitudes of the time.  However, when watching the film, it had not occurred to me, as all three characters are nicely fleshed out.

Hidden Figures is a terrific film that I recommend.  It is a story that needed to be told, and both challenges and inspires.

 

Also, more movies with Janelle Monáe please.

Create a free website or blog at WordPress.com.

Up ↑