“The Future is whatever you make it, so make it a good one!” These are the words of wisdom Doc Brown chooses to give Marty after three films bouncing around time. Spoilers occur throughout…
Made back to back with Part Two, the third film takes Doc and Marty to a time most appealing to Doc Brown. Why the old West is so appealing to Brown, a scientist, always seems weird to me. But anyways, Marty goes to 1955 Doc Brown for help. Future Doc Brown hid the Delorean away, so Marty and 1955 Doc dig it out so they can fix it and Marty can return to 1985. However, in spite of Doc’s comfort with remaining in the old west, Marty realizes there is a danger when they discover a tombstone for Brown from the 1800s. And so he goes back to get Doc.
In the old West, Marty finds himself meeting the relatives of both his family and Biff Tannen. Biff apparently comes from a long line of bullies. The film brings back the gag of Marty giving a false name, this time around he calls himself Clint Eastwood (which is met by laughter from locals for being a non-masculine name). Marty and Doc must figure out how to get back to 1985 before Doc is killed.
Things are complicated by the arrival of Clara, a schoolteacher. Doc saves her from falling off a horse. As Doc falls for her, they realize that she should have died, and Marty and Doc have altered history.
Back to the Future Part III avoids the complications of the previous film, keeping everything in a single time for most of the film. It repeats the motifs of the original film, and it takes three films for Marty to learn not to be set of by being called chicken. But while it is less creative than Part II, it is more tonally consistant and therefore more satisfying for the audience, I suspect.
I do find the “moral” imparted by Doc odd. We have spent three movies with Doc declaring how dangerous time travel is and how they need to stop jumping through time…only for Doc to decide to run around the time continuum with his family.
But still, this is a pretty enjoyable close to the series, and really, feels like a decent high note to end on.
Spoilers occur throughout…Back to the Future had one of those endings that worked both as a setup for future films, as well as just a cute way to end a time travel movie. Marty’s life looks awesome and then Doc Brown shows up saying they need to fix the future. I suspect that the reality is, it was just meant to be a cute little throw away ending. But then, Back to the Future was a big hit…and both the film makers and audiences wanted to see more. And so they set forward with plans for two sequels.
Back to the future begins right where the first film left off, Doc Brown urgently telling Marty they have to go into the future to do something about Marty’s kid. They bring along Jennifer for the trip to the future, but she becomes so excited by the notion of being able to see her future, the Doc opts to knock her out, telling Marty she will just think it is a dream. Doc tells Marty to go to a local hang out, meet Griff (grandson of Biff) and simply tell him “no”. It turns out that if Marty Jr. goes along with Griff’s peer pressure, he will end up in jail.
But after fixing that potential future, other things go awry. The police find Jennifer and bring her to her future home. Meanwhile, Marty gets the idea to buy a sports almanac so he can go back to the present and make bets based on future knowledge. Doc puts the idea to bed, but someone overheard the idea…and while Doc and Marty go to get Jennifer? Old Man Biff seeks to reverse his fortune.
They return to the present and leave the unconscious Jennifer on her porch. Marty slips in through his bedroom window, only to discover a whole new family is living in the house. After being chased off by an angry father, Marty comes across a newspaper. Certain they came back to the wrong time, Marty discovers that, indeed, they returned to 1985…but everything is off.
Marty is knocked out, and when he awakens (in a scene mimicking the sequence from the first film where he awakens to find his teen mother watching over him) he is startled by a mother who looks very different from before. He is horrified to discover that Biff is his step-father…and Biff is the richest man in America. Biff tries to kill Marty based on a warning from the man who gave him the sports almanac. Doc Brown intervenes and explains to Marty that an alternate timeline has been created.
To fix the timeline, they must go back to 1955 and steal the almanac from young Biff. Then, hijinks ensue. Marty has to get the almanac from Biff, while avoiding Biff’s thugs, yet also save his other self from those thugs. It is a crazy last act, filled with alternative views of sequences from the original film.
The most memorable part of the film for audiences was the future of 2015, where Marty rides a hover board, is wearing self drying clothes and everything is super technologically advanced. And apparently Gale and Zemeckis believed the height of future technology would be TV screen communications, swiping credits cards and…fax machines all over the house, built into walls.
It is a fun sequence though, for my money alternate 1985 is an interesting idea. Biff’s rich and famous routine is absurdly entertaining in it’s obvious allusions to the Donald Trump of the 80’s. And the notion of 80’s nostalgia is certainly not inaccurate.
The film ends on a cliff hanger, with it seeming that they solved the problem of the Dark 1985 timeline, but the Delorean is hit by lightning, causing it to appear as if Doc Brown was incinerated…but it is all a set up for the third chapter. A Western Union guy arrives with a letter addressed to Marty from 70 years earlier.
They introduce a a variation on the photo gimmick from the first film, instead using newspaper clippings. As they make changes, the paper headlines and photos change.
This is a flawed film, mainly because halfway through it just starts to seem endlessly complicated. But, in some ways, I really like it for daring to mess around with it’s formula.
Spoilers occur throughout…Marty McFly has big dreams but lacks any of the confidence to reach for them. His high school principal is convinced every generation of the McFly family are losers. And it is not hard to see why Marty may struggle with that. His parents are meek. His father is pushed around by his boss Biff. Biff has George McFly writing up his reports as well as supplying him with his car. His mother is uncomfortable with the notion of a girl calling a boy. His sister and brother are unemployed layabouts. And his uncle pretty much lives in prison, failing to get parole at the beginning of the film.
Marty’s only bright spot is his girlfriend Jennifer. She is confident Marty should be successful, especially as a musician. One evening, Marty is asked by his friend, eclectic inventor Doc Brown, to help him with a top secret project. The project turns out to be a Delorean car that Doc converted to… A TIME MACHINE. After an attack from rogue Libyans (it makes sense, trust me) forces Marty to jump into the Delorean and race off, triggering the time travel. Marty finds himself in 1955. Marty runs into his father, who turns out to be just as as weak willed as his grown up self.
But it is when he saves his father from being hit by a car that everything goes wrong. He discovers the act prevents his father and mother from starting their relationship, instead, young Loraine falls for Marty. Marty Tracks down Doc Brown for help and they set out to fix Marty’s parental relationship (discovering that he and his siblings will be erased from the timeline if his parents fail to fall in love).
As bizarre and outlandish as the plot may seem (and even creepy, what with the subplot that Marty’s mom has a crush on him), everything fits together nicely. The film establishes all the town’s important monuments in about two minutes. Each character is quickly defined in brief dialog. And the film presents the science of time travel in ways that seem complex, but easy to suspend disbelief for. Zemeckis and writer Bob Gale also have a simple gimmick for communicating to the audience the severity of the situation. Marty has a photograph of he and his siblings, each of whom fade from the photograph through the course of the movie.
Back to the Future was Michael J. Foxes first big starring feature film role. A role that almost never happened, the film began shooting with Eric Stoltz, but after awhile, it was felt he was just not right in the role. Up until this point Fox had been a rising television star. But Back to the Future pushed him into the next level.
Crispin Glover brings a likable and sweet nerdiness to the role of George McFly. This is important, both for George and Marty. While Marty is a “cooler” kid, a lot of his insecurities are mirrored in his father. When George makes his third act turnaround, Glover does so with a great performance. Lea Thompson is sweet, with a hint of rebellion, as Marty’s mom. A lot of the fun for her character is the juxtaposition of the woman she is in the future and the teen she was.
As Doc Brown, Christopher Lloyd brings his signature manic style, making for an entertaining performance Thomas F. Wilson will probably be forever tied to Biff Tannen, but he is extremely memorable in the role.
While the old age makeup for all the actors certainly looks like “Old People” makeup, it is not so distracting as to damage the enjoyment of the film. A lot of the effects still hold up for the film.
The tone of the film is light, with plenty of humor. And the jokes, for the most part, have withstood the test of time. There is one gag that has not held up so well, because, looking back, it is an image issue. The gag on it’s face is not remotely malicious, and the filmmakers probably never once had it occur to them that they were basically attributing a form of music created by black musicians to a white kid from the future.
Decades later, Back to the Future is every bit as entertaining as it was in 1985.
Martin Scorsese is most known for his gritty portrayals of the American underworld. But something that has often come up in his career is references to his Catholicism. This comes to life in Silence, the story of two seventeen century Catholic Missionaries who go to Japan to find their missing mentor. There are reports he has apostatized, which the two young men reject. They see it as impossible that the man that trained them in faith would reject that same faith himself.
They get help entering Japan from a tormented soul who turns is a Christian who denied his faith to save his life, while the rest of his village refused to renounce and were burned alive. He introduces them to Japanese Christians, which begins their harrowing experience. The film focuses heavily on Father Rodrigues (Andrew Garfield) trying to hold on to his faith as he is tormented by the Inquisitor who is dedicated to convincing Rodrigues to renounce his faith and convictions.
What makes this story so harrowing is the brutality of the torture. For Rodrigues, it is entirely psychological. The Inquisitor uses the suffering of others to try and drive the wedge between Rodrigues and his Christ.
Silence is a powerful and tremendous film. The sound design largely eschews music, with the exceptions of Christians singing and music played by the Inquisitor’s people. Otherwise, it is the sounds of nature that envelope the viewer’s ears.
Garfield and Driver are compelling in their performances, and of course Liam Neeson brings his trademark calm as the missing Ferreira. Issei Ogata is strangely both cruelly wicked and almost like a kindly grandparent. It is a testament to his performance that I could not totally hate the character. Yôsuke Kubozuka role as the troubled Kichijiro is such a frustrating and heartbreaking performance. Tadanobu Asano’s Interpreter is one who almost can convince you that the choice to apostatize is the only right choice. You almost believe his pleading with Rodrigues is out of heartfelt sympathy to save lives.
Scorsese’s Silence is a gut wrenching exploration of faith in the face of tribulation.
Here is my top ten… top eleven… top twelve … wait… top THIRTEEN… no, no…Top FOURTEEN films of 2017. Before anyone asks? I have not seen Ladybird, Blade Runner 2049, Call Me By Your Name, Dunkirk, Murder on the Orient Express, Wind River, Hostiles, the Shape of Water or Mother!
1. Logan
Logan is the swan song for both Hugh Jackman and Patrick Stewart in their memorable runs as Wolverine and Professor X. Set in a time where most of the X-Men are gone and Wolverine’s health is failing, Logan was a gutsy move. It earns it’s ‘R’ rating in the first five minutes, but what really makes it stand out is the emotion that is packed into it. Stewart gives a wonderful performance here.
2. Land of Mine
I know this was released in Denmark in 2015, but technically, it is a 2017 film for the U.S. So I am calling it as “this year”. After all, the director’s next film is due out in 2018.
3. War For the Planet of the Apes
Matt Reeves managed to make the most consistent trilogy of films. All three of his Apes movies have been top notch. Emotional and exciting, Reeve shows a real understanding of the balance of action and drama.
4. Wonder Woman
Wonder Woman was everything I wanted to see from the DC film universe. Wonder Woman is hopeful and filled with excitement. It was a bright spot for Super-Hero films in general, the DC Cinematic Universe quite specifically.
5. Get Out
Jordan Peele, best known as part of the comedy duo Key and Peele, wrote and directed this smart dark social satire thriller that skewers liberal attitudes towards black Americans. It has great writing and some really good performances.
6. The Big Sick
A wonderful and personal story from husband and wife creative team Kumail Nanjiani and Emily V. Gordon, the Big Sick mines humor and heartbreak from their real life experience. In what seems like the ultimate Rom Com movie plot, Emily had fallen into a coma early in their relationship. The Big Sick does not approach this from a glossy sense of “isn’t it romantic”. It is messy and gut wrenching at times. It is also endearing and joyful. They explore the issues of cultural differences, the pressures those can bring on relationships. Really, the Big Sick is a wonderful little movie.
7. Star Wars: The Last Jedi
Unexpectedly one of the most controversial films of the year… and one of the rare reversals for Star Wars where the critics largely love it, while the general audience is more sharply divided…The Last Jedi is kind of the Unforgiven of Star Wars. It also has one of Mark Hamill’s best live action performances ever.
8. Atomic Blonde
This film was not what was advertised. This is not a James Bond Spy Action flick. This is an Espionage Thriller, and a very, very good one at that.
9. Edge of Seventeen
I thought this was a real good “coming of age” film, full of wit and heart.
10. It
It (Chapter One) is a pretty solid fright film. Dramatic with some of the strongest kid actor performances I have seen in a long time, this was a real intense scare film and one of the best adaptions of King to date.
11. Logan Lucky
I suppose this is really just “White Trash Ocean’s Eleven”…but it is full of great performances, and held together emotionally by Channing Tatum and young Farrah Mackenzie. Really, this was a lot of fun.
12. Baby Driver
Baby Driver is not a deep film. It is not even all that emotionally engaging. It is the simple story of a getaway driver trying to get out of his job for the girl he loves. But Edgar Wright does not give the film any such pretense of being more than just a really good noir action flick with a killer soundtrack.
13. Thor: Ragnarok
Ragnarok is a lot of fun. I simply had a terrific amount of fun. The Hulk has evolved, Cate Blanchett’s Hela is a good villain and Taika Waititi managed what seemed to be looking impossible…a Thor film that rose above, “I guess it was okay.”
14. Spider-Man: Homecoming
Sam Raimi had a decent run with Spider-Man, but ended on a flawed note. Marc Webb made Spider-Man films with some good points, but still did not quite connect for audiences. Sony’s deal with Marvel to bring Spider-Man into the Marvel Cinematic Universe paid off. Skipping over the origin story, we get a Spider-Man months into his role. Peter Parker wants to be an A-List Super-Hero badly, but he is stuck on a neighborhood level, and his connections to Tony Stark are not boosting him forward like he hoped. Between good arcs for both Spider-Man and his nemesis the Vulture, I am excited to see where Peter goes next.
Honorable Mentions:
John Wick 2. Somehow, these John Wick movies have me wanting to see more. I mean, they are really enjoyable. Kong: Skull Island was fun, much in the same way as Baby Driver. A Cure For Wellness was just such a weird film, but I really liked it. Also really enjoyed Guardians of the Galaxy 2. While not perfect, it is a lot of fun.
Set in Denmark after World War II, the Danish Government realizes their beaches are covered in deadly landmines. Rather than risk their own people, they choose to use the German POWs that are so despised.
The film introduces us to Sergeant Carl Rasmussen as the Germans are being marched out of Denmark. He is a man consumed with rage, and sees a German carrying a flag, and assaults him. Rasmussen is assigned several German POWs to clear a local beach of landmines. The POWs are actually about fifteen to eighteen years of age. They really are boys who seem to not understand what they were fighting for.
There is a scene early on in which several of the boys became sick. When it is discovered they stole pig feed from the local farm out of desperation, it is realized they ingested rat dropping, causing the illness. The woman who owns the farm laughs, telling Rasmussen that she got some Germans after all.
And this is the movie’s big risk. These boys were Nazis. But they are young boys, and it makes it harder to just be callous towards them. And much of Land of Mine is about Rasmussen’s journey from anger to sympathy. His concern that his superiors are being as cruel and as unkind as the Nazis were.
It is an intense film, where a cough can bring the unexpected end to a life. You watch as these boys risk life and limb, and one careless moment can leave the viewer gasping. This is a powerful film film, low on physical violence, but emotionally jarring.
Every so often, someone decides it is time to start up a franchise. Rather than a reboot or a remake, when they announced Jumanji (starring that Robin Willims-esque Dwayne the Rock Johnson) it was decided that they would make a sequel. The film clearly establishes itself as set in the same universe as the Robin Williams movie late in the film.
The film opens with a jogger finding the board game on a beach. He gives it to his teenage son Alex. The young man sets it aside. That night he is awoken by beating drums. He opens up the box to find, instead of a board-game, a video game cartridge. He puts it in and disappears. The film picks up 22 years later. Alex is the town legend, his father and house the stuff of scary stories.
Spencer is a nerd who gets in trouble for doing football player classmate Fridge’s homework. Their teacher recognizes that Spencer has plagiarized themselves. At the same time, popular and pretty Bethany is in trouble for talking on her cell phone during a test and Martha is in trouble for talking back to her gym teacher. The four get assigned to detention, which will involve them cleaning up a mess in the school basement.
The kids stumble upon an old video game system and decide to give the game Jumanji a try. They find themselves transported into the game, which they then find out that they must play to the end if they want to get out. This is a reversal of the first film, where the game broke out into the real world. Here not only are they in the video game world, they are video game avatars. Spencer finds himself as the muscular and heroic Smolder Bravestone. Fridge is the diminutive zoologist Mouse Finbar. Martha is shocked to find herself looking a bit like Laura Croft fighter Ruby Roundhouse. And Bethany gets the huge shock of being the middle aged Dr. Shelly Oberon (which she assumed a woman, only to find she is a man).
The film has a lot of fun with the new video game approach. Everybody has three bars on their arms representing lives, resulting in some amusing moments when they end up regenerating. There is also the sendups of video game tropes. Most notably, one people have somehow been missing because they have been reacting to single still photos and ignoring the context. Karen Gillan’s Ruby Roundhouse is a sendup of the hot female fighter video game characters. She questions very quickly what is up with such a ridiculous outfit. Admittedly, they could have had her change, as at least one scene shows her putting a shirt on to cover herself. But the film is on the side of the folks who jumped on how she is dressed.
The plot is thin…they literally are just trying to get a jewel to a statue to lift the curse of Jumanji. Which puts the focus squarely on the characters. And thankfully, Johnson, Gillan, Black and Hart are all entertaining in their roles. Fridge is frustrated by the reversal to a character who is not very athletic and has the weakness of cake.
Bethany, of course, is pained both by her appearance and lack of access to a phone. All four have lessons to learn, but it is mostly the spectacle of events and jokes that makes this film fun.
I admit, I was not expecting a lot out of this one, but I really had a good time. This is a bit more aimed at older audiences with some juvenile humor. But it still works pretty well to be amusing and exciting.
A tale of standing up to your fears via games, Jumanji tells the adventurous tale of Alan Parrish, a bullied young man with a domineering father, who finds the magical game. He starts a game with his friend Sarah, but before she can role the dice, he disappears into the game and the room fills with bats. Sarah runs away and the film leaps ahead twenty six years.
Judy and Peter Shepherd move into the Parrish house with their aunt. They discover the game and free Alan. But the game is not over, as the house and soon the neighborhood start to fill with jungle creatures. And to top it off, there is the hunter Van Pelt, who is chasing after Alan.
They track down the grown up Sarah and coerce her into helping finish the game, all while their world gets turned more and more upside down. Their only hope to set things back to normal is to finish the game.
Williams is fun as the grown Alan Parrish, and the film sets him up as a kid in need of a reality check. David Alan Grier plays an employee of Alan’s father who is fired because he covers for a screwup of Alan’s at his father’s factory. It is not that Alan lacks reasons to be a bit selfish and bitter. But the film shows he needs to grow. In an interesting choice, the villain Van Pelt (an evil big game hunter within the Jumanji game) is played by Jonathan Hyde, who also plays Alan’s father. He actually brings warmth to Alan’s stern father towards the end, allowing the viewer to see why Alan still loves him. Part of that is played out when the adult Alan learns his father actually pretty much gave up on everything else in the effort to find his son.
Jumanji is dragged down a bit by it’s dated 1990’s digital effects, most distracting in the digital monkeys. However, this is still a pretty enjoyable and light film.
I will be be honest. Walking out of Star Wars: The Last Jedi, I had no idea just how controversial this film would be. I wrote my first review and then rewrote it due to a spoiler claim. I watched as the film seemed to rise with critics and fall with some fans.
So I went to see the film a second time in the hopes of determining my feelings on the film. Do I think it sucks on a second viewing? Did I see those glaring flaws?
And so here we go…let us dive into the Last Jedi…
Spoilers, spoilers and and in the words of Artoo, “Bleepin’ Spoilers To Follow”!
Star Wars: The Last Jedi L to R: Chewbacca (Joonas Suotamo) and a Porg
The Last Jedi opens in the middle of an evacuation by the Resistance. Due to their actions in the Force Awakens the Resistance is no longer underground, and they have no cover from the New Republic as, well, the First Order obliterated them. While the Starkiller Base was destroyed, that does not mean the First Order is no longer a threat. They have located the Resistance Homebase and arrive in the middle of the evacuation. They bring in a super ship called a Dreadnought.
They are startled as a lone fighter appears to face the ship. It is Poe Dameron and BB8. Dameron is patched through and messes a bit with Admiral Hux. This is, for me, anyways a good little bit. It also worked for both audiences I saw it with. Poe starts firing on the ship, leaving the Hux confounded, but the Dreadnought Captain realizes what is happening. He calls for tie fighters to be scrambled, As Poe takes out the last of the cannons, Leia calls for him to abort the attack.
Dameron rejects the command, noting that taking out a Dreadnought is a big deal. He has the fleet launch their bombers. But as they near the Dreadnought? the Tie Fighters start taking the bombers out. The last bomber is in position and Poe is calling for them to drop the bombs. But the bomber’s, uh, bomb guy is out called. Gunner Paige tries to grab the trigger, but gets nocked down, in a last minute move, she gets the trigger and drops the bombs, sacrificing herself. We see her holding a medallion, which seems important.
Poe and the remaining fleet return, the ships jump to hyper space. There, Leia demotes Poe for his refusal to follow orders. He points out the gamble was a success, but Leia notes that the cost was to high. They lost all their bombers. They lost countless pilots. At the same time, Finn wakes up from his injuries received in the Force Awakens. He meets up with Poe and asks where Rey is…
Rey gives Luke the lightsaber…he looks at it and…tosses it aside?! Luke is not happy to see Rey at all. In fact, he walks off bitterly. Rey is perplexed. She tells him the Resistance…his sister…needs him. And Luke responds with derision. He mocks the notion of the legend returning with his laser sword and sending the First Order packing.
Rey follows Luke around a bit, but his day to day is kind..bizarre yet mundane. Luke went to find a place to hide and die. Rey suddenly feels a pull and finds an old tree…inside is a collection of books. Luke asks Rey why she is there.
Rey notes there has always been something inside, and now it seems to be growing. Rey wants to understand it. But Luke is convinced the Jedi should end.
Meanwhile, not long after having dropped out of hyperspace, the First Order shows up right behind them. The Resistance realizes they were able to track them through hyperspace. They put it together that the ships only have enough fuel for one last jump through hyperspace. The First Order launches their ship.
As Tie Fighters attack, the pilots race for their X-Wings. But along comes Kylo Ren. He and Leia seem to sense each other, he flies into the Resistance ship’s hanger.
All the X-Wings are destroyed. Ren and two other tie fighters approach the bridge of the ship, Kylo hesitates, but the other ships fire, blowing the ship bridge wide open. Leia appears dead, but then her eyes open and she flies to the bridge where medical officers retrieve her.
The Resistance opts to get out of the range of the main First Order ships, forcing the Tie Fighters to fall back and also allowing the shields to hold up under the First Order Barrage. It is announced that Leia’s command is passing onto Commander Holdo. Instantly there is friction between her and Poe. Poe clearly thought he should be leading, and he demands to know the plan. The only answer he gets is… “Be a good soldier.”
Finn tries to escape, hoping to find Rey, but runs into Rose. Rose is introduced in tears, looking at a familiar medallion. We find out her sister was the bomber gunner from the beginning of the movie. She recognizes Finn and starts gushing about what a hero he is. He is embarrassed, but then Rose realizes he was trying to take an escape pod. She stuns Finn and as she is hauling him to the brig, he mentions that the First Order can track them through hyperspace. They start to contemplate this and formulate a possible plan.
All the while, Rey has found herself psychically connected to Kylo Ren. They are conversing at times, Ren making his pitch on how terrible Luke is. Luke merely tells Rey that Kylo attacked him. But Kylo states Luke tried to kill him, claiming it was self defense to attack Luke. After confronting him, Rey finds Luke did indeed have a moment of fear, when he considered killing Kylo Ren, but he realized it was wrong. Unfortunately, Ren awoke to just see Luke standing over him and freaked out.
Luke starts to train Rey in a rather…unique fashion. He at first mocks her…he has her close her eyes and says to reach out. She literally reaches her hand out. He starts to tap her hand with a weed. Rey starts to get excited until she opens her eyes to realize what Luke was doing…but her second attempt starts to yield results. Luke explains that the Force is not a magic rock moving power. It is more like the tension between things.
Poe finds out from Holdo that they plan to have everyone take the emergency transports to reach a nearby planet. Poe thinks the idea is terrible. He works on a plan with Finn and Rose. They reach out to Maz to try and figure out a way onto Snoke’s ship. She tells them to go to find the Master Codebreaker. He will be at a Las Vegas type of place. Rose and Finn go to find him. In the meantime, Dameron leads a mutiny against Holdo, believing her plan will get everyone killed.
Finn and Rose arrive at their location, and in a humorous reference to the New Hope, Rose tells Finn what a terrible place they are visiting (not unlike Mos Eisley) and then it is a beautiful location. One the surface. They see the Master Codebreaker, only to be promptly arrested for a parking violation.
They end up in a cell with a guy who claims he can get them in. At first they reject him, but he ends up helping them escape. They may work their way back toward’s Snoke’s ship.
Rey and Chewbacca leave Luke behind, as Rey believes that since Luke won’t return, Kylo is their only hope. Rey arrives on Snoke’s ship and is brought before Snoke. He reveals that she and Kylo were connected by him. He had thought that Luke Skywalker was the Force Equal for light to Kylo’s darkness. But he now realizes it was Rey.
Holdo and Leia end the insurgency, stunning Poe. They start to send out their transports. But Holdo stays behind.
In an unexpected moment, Kylo uses the force to slice Snoke in two. This results in a battle between Snoke’s guards, Rey and Kylo. Rey believes the tide has turned. But Kylo reveals that he wants Rey to help him reshape the galaxy.
Poe Dameron wakes up to find that he is on a transport ship to reach the planet. And the danger increases when Rose, Finn and the Codebreaker are caught. The Codebreaker betrays them and tells the First Order about the escape plan. The First Order starts firing on the transports. But Holdo takes the main ship and then jumps to light speed, splitting Snoke’s ship in half.
Finn, Rose and BB8 escape the ship, as does Rey. They arrive at Chait (a planet that initially looks like Hoth). Kylo claims that Rey killed Snoke and basically takes up the mantle of Supreme Leader. They arrive on the planet surface, planning to destroy the Resistance. Finn and Poe take junk ships to try and destroy a giant battering ram laser thing.
The planet surface, instead of snow, is covered in salt, and just below that is red. It creates this really cool visual. They end up failing to stop it…but when all hope seems lost…in walks Luke Skywalker. He takes a moment with Leia to apologize. He then marches out and stands before the First Order Walkers. They fire on him (at the order of Kylo Ren). When the smoke clears, Luke is still standing.
Kylo steps down and confronts Luke in person. They start to fight, but Kylo seems unable to lay a blow on Luke. Meanwhile, Poe realizes Luke is giving them time, and they look for a way out. They follow some animals to find an exit…blocked by boulders.
It is revealed that Luke is projecting himself across the Galaxy. Then Luke fades away. Rey moves the boulders so the last of the Resistance can escape. They all climb aboard the Millennium Falcon and fly off.
As noted, the film has been…controversial. While critics has mostly loved it, the audience reaction seems largely split with a leaning towards negative. Some of these reasons are, well…okay… flawed.
One of the first negative articles I saw included the phrase “There is no gravity in space”. STOP SAYING THIS PEOPLE. There is gravity in space. But it functions a bit differently. But more importantly? Star Wars is not a hard science series. X-Wings would not fly like they do in any of the films. The Star Wars films disobey science all the time. The Empire Strikes back has space ships dropping bombs in space. Yes, yes, light speed would work differently than it does in the film. Stop arguing science against Star Wars films you do not like. Because the films everyone agrees are good are every bit as guilty.
Hologram Luke. Really, it is more like Astral Projection. We have not seen this in prior films. However, both Empire Strikes Back and Return of the Jedi introduced new Force powers. And certainly, the Star Wars world was in it’s infancy then. But at the same time, maybe the Astral Projection was a lost or forgotten thing. It is presented as immensely taxing. Snoke merely tied Rey and Kylo Ren together psychically, and he noted that would have torn either of them apart. So, it stands to reason it would not be something Jedi used a lot, if at all. Plus, it is certainly an extension of the concept of the Force Ghost. I actually liked this. I like how there are a few queues (that I missed on my first viewing) that something is off. Luke’s beard and hair lack any gray, and he does not effect the ground around him. Seriously, if you can accept Force Ghosts, but not Astral Projection? You probably need to be a fan of something else.
Related to that was “Space Leia”. After being pulled into space by an explosion, Leia opens her eyes and flies back to the ship. While I think the way it was shot is a little goofy, the concept itself is fine. Leia is Force sensitive, and in a life or death situation, using the Force to save her life is plenty believable. If the force can pull a lightsaber across a room to a Jedi, certainly a person can use the Force to pull themselves towards an object.
A couple things that I found a little disappointing. The class issues of the Las Vegas resort is lacking room to breathe and explore it. It all feels rushed. They need to find the Codebreaker and take off.
Then there is the fight with Captain Phasma. Phasma has a cool look with the Metallic Storm Trooper armor. She was set up as something big, even though she was disposed of quickly in The Force Awakens. Here, they have a decent fight and then she falls into a pit of fire.
The fight is to quick, so Phasma becomes kind of like Darth Maul…gone to quickly. However, I loved the exchange with Finn in which she tells him he will always be scum. Finn looks at her and says, “Rebel scum.” It is a great moment for Finn. I would also note that I have seen people constantly refer to Finn as a janitor, suggesting he should not be a good fighter based on this. But the problem with that logic is…he was raised and trained as a Storm Trooper. He has combat training, regardless of his assignment as a janitor.
I also found it frustrating that as Finn was about to sacrifice himself to destroy the laser battering ram, Rose blows through and stops him. Now, mind you, I like Finn, and did not want to see him die. But I also felt it would be a dramatic and heroic moment. I found myself admiring Finn as he was flying into the mouth of the cannon.
Now, some have made a big deal that the Last Jedi is an attack on Mansplaining. I am not convinced that it is this extreme. I think it is a bit simpler than that.
One of the things I really enjoyed was how the film thwarted my expectations. As a movie going culture, we have been heavily trained to be sympathetic to guys like Poe Dameron. Poe is kind of the John McLane character here. In any other film, Poe would be the guy who knows more than his leadership. When they announce that Leia is in a coma and they have chosen her successor, Poe clearly thinks it will be him. But instead it is Holdo. Oscar Isaac has a pretty hilarious reaction, as you see him practically ready to stand up and thank everyone…only to be deflated. In the case of Dameron, I think he would have reacted to command the same from a man as he does women. Poe does not think he is smarter than them because he is a man. He thinks he knows more than everyone else.
And in almost any other film, he would be proven right. Poe, Rose and Finn would have succeeded and been hailed as heroes. But the Last Jedi takes a huge risk. Many are using the rule of the “Idiot Plot” to condemn this particular story point. The Idiot Plot is a story point dependent on people not knowing vital information. Specifically, everything would be solved if somebody just told another character simple information.
This is a common plot device in sit coms and romantic comedies. And yes, as tropes go, it can often be very frustrating in those types of movies. And sometimes films and shows will have elaborate reasons why two characters cannot show such information. But it is not always applicable just because you can look and say “Gee, if so-and-so only knew this…” Context matters. Here, Poe is a soldier. A demoted soldier no less. And he was demoted for his reckless decision making which results countless deaths. People keep saying that Holdo could have averted the problem by simply telling Poe everything. But it is Poe that decided he is smarter than everyone else. It is Poe that decides to not tell Holdo of the plan he sets up, mocking her for keeping him in the dark.
Holdo and Leia are not incompetent leaders. Instead, it is Dameron’s single minded arrogance that causes the problem. His unwillingness to trust his boss. We have an endless supply of films about rebellious cops and soldiers who buck the system. And here we see that play out…and it backfires spectacularly. This may seem like the idiot plot on the surface, but looking below that surface makes plenty of sense as to why they told Dameron to just trust them.
It was quite interesting to see a story played out so differently than the conventional tropes.
Kylo’s story is interesting to me. Early in the film, Snoke berates him for getting beat by Rey and mocks his wearing of his mask. Ren leaves and angrily smashes the mask. Much of his journey in this film seems to be from that of wanting to be Darth Vader to accepting a different path. His interactions with Rey certainly give us a look at his continuing conflict, and it is understandable why Rey thinks he could be won over.
In spite of Snoke’s death at Ren’s hands, I feel the story is not over and need to withhold judgement for this unexpected move seeming premature.
The reveal that Luke is living alone, bitter and unwilling to help rubbed a lot of people, including Mark Hamill, the wrong way. But I think it was an interesting choice that made a lot of sense. Luke ran from both his failures and his legend. I suppose the Force Awakens could have opened with Luke having successfully rebooted the Jedi Order. But this is far more interesting. We find Luke resentful of not being left alone. He believes that the Jedi is a concept unworthy of continuing. And in some ways, this feels true.
The prequels established that the Jedi were a flawed bureaucracy, not cool Intergalactic Knights. The original trilogy showed Ben Kenobi to be a guy more than willing to stretch the truth.
And to this, we find Luke to be a pretty terrible teacher. And why wouldn’t he be? Even when he agrees to train Rey, it is with the attitude that all the rules of the Jedi are garbage. The Force is not for special people. The Force is not about your family line. The Force is available to all, if they are open to it.
And there is the Rub. Luke has closed himself off to the Force. In doing so, he has cut himself off from life. He cannot sense the activities of his loved ones. He did not feel it when Han Solo was killed by Kylo Ren. And Luke is fearful of the power he sees in Rey.
It is only when he realizes his failures should not define him that he sheds his fears. In opening himself back up to the Force, he is able to tap into power that even he had not experienced in the past. And upon completing his mission to help Rey and Leia? He finds Peace within the Force. He tells Kylo Ren, “Be seeing you.” It sounds like there is more to come with Luke. By the end of the film, Luke is reconnected with the Force and in unity with it.
The film’s biggest reveal is that of Rey’s parents. The Abram’s film showed us that Rey’s parents had left her with Unkar Plutt. Fan speculation was all over the map. Is she a Kenobi? A Skywalker? The Last Jedi loudly declares they were nobody. They were junkies who sold her to get money for a fix. They are buried in paupers graves on Jaaku. The Force Awakens hinted that Rey’s parents were not that important, despite claims otherwise. Maz tells Rey they both know her parents are never coming back.
This works for me. It of course, also works for the themes of the Film. Snoke believed that it was the Skywalker line that would stand in his way. It is why he converted Ben Solo. The fact that Rey is some random Force Sensitive person? That she is not some part of a prophesied blood line? I find this a very satisfying answer.
Are there things that I think could have been done better? As noted, yes. But are these failings greater than the things the film does well? Not by a longshot. Johnson has given us an unpredictable, interesting film that still reflects it’s predecessors. The Last Jedi is a strong Star Wars film that has me interested in seeing the next chapter of this story.
The Force Awakens, in spite of conflicting reviews had made Disney enough money to feel confident in going forward with their game plan. Disney had set a goal of a Star Wars movie every Christmas.
Since films of the blockbuster nature often can take at least two years of time to assemble, the answer Disney had was to alternate our visits. Star Wars Episodes Seven, Eight and Nine would continue the adventures of the rebels. In the alternating years would be a stand alone story within the Star Wars Universe.
Many ideas were bandied about, from Han Solo to Ben Kenobi to Boba Fett. I suspect that, in part, this is one of the reasons the Extended Universe was declared not canon. They wanted that freedom to play around without any of the constraints of the extended universe material.
The first film announced was Rogue One, the story of how the rebels got the plans for the Death Star that allowed them to destroy it in A New Hope. And so let us take a look…a spoiler filled look…like, do not go any farther if you have not seen the movie and don’t want to have it spoiled.
The film opens on a remote planet as a farmer watches the arrival of Empire ships. He hurries his family away, wanting his wife and daughter to flee. We soon find that the farmer is Galen Erso, an ex-imperial architect to left their employ when he realized what he was building. But he is needed to finish the work, and his former boss is insistent that he and his family return with them. Young Jade Erso witnesses her mother being killed from a distance, She runs to a hidden safe zone. Hours later, left all alone, Jade is found by Saw Gerrera, a friend of her father’s and a well known leader in the growing rebellion.
The film then jumps ahead to a now grown Jade who appears to a regular trouble maker, currently in the custody of the Empire. She is being transported when the transport vehicle is attacked. She is grabbed by a large robot called K 2SO. A droll reprogrammed droid, he is working with Cassian Andor. They are on a covert mission, trying to reach a an imperial pilot named Bodhi who is in the hands of Gerrera. Believing Jade is their ticket to getting Bodhi, they have broken her out.
They arrive on the planet where Gerrera is holed up. Cassian and Jade find themselves in a fire fight between dissidents and Storm Troopers. They are joined by a blind monk Chirrut Îmwe and his protector/companion Baze Malbus. The monk is not a Jedi, but enters fights chanting “The Force is with me and I am with the Force”. Baze on the other hand puts more trust in guns. They are taken to Gerrera by the dissidents.
Gerrera provides information to Jade and allows everyone to leave. They rush from the planet s the Death Star fires on the planet. They have learned where to find Galen, but unbeknownst to Jade, the plan is simply to kill him. Jade learns the truth and unsuccessfully tries to save her father, though he does at the hands of the Empire, rather than Cassian.
Things are looking bleak, but Erso is determined to see that her father’s death is not in vein. While the leadership of the rebellion refuses to back an attack on the planet with the Death Star, Jade convinces Cassian, Chirrut, Baze, Bodhi and several pilots it is a needed mission.
While fighters take to the air, Cassian and Jade lead a team with the goal of stealing the Death Star plans that reveal the flaw her father built directly into the Death Star. We know, of course, that they succeed, because A New Hope already told us that they did.
The first thing one notices in the film is that, unlike previous Star Wars entries, there is no opening scrawl. And the film is simply titled Rogue One on screen, no “A Star Wars Story”. This seems to be an intentional signal regarding a way for the non-episodic stories to be set further apart.
Of course, they do not take a real risk of going to far afield, afterall, Rogue One takes place literally moments right before A New Hope. And truth be told? This was the part that kind of annoyed me. I did not need the film to end at that spot. It was purely the silliest of fan services.
The biggest controversy I heard on this one was how much of a problem people had with the digital Tarkin. I mean, it is an actor playing the role, but like Gollum, there is a digital actor laid over that actor. And, there is a certain…hard to pin unnaturalness to how he looks.
Yet, for my money, the one that just creeped me out was only on screen for a few seconds. Far more awkward to my eyes was the wax museum look of…
I do not get how people were excited by this sequence rather than unnerved by it. There are other little annoying bits of fan service, for instance, Jade and Cassian bump into the aliens that threatened in Luke Episode four in Mos Eisley. It just feels kind of silly, especially when you consider the planet is about to be blasted by the Death Star.
Speaking of which, I notice they do pay a close enough attention to detail to have both times the Death Star is used in the film in a fashion where the planets are devastated, but not obliterated. I note this because Alderaan certainly seems to be implied as the first full on destruction from the Death Star. Though I could be wrong.
For the most part, though, I really do enjoy the film. I mean, they basically decided to make a heist sci-fi film, and it is a pretty tight one. The cast of characters are pretty interesting, though admittedly the standouts are Donnie Yen and Chirrut and Wen Jiang as Baze, along with Alan Tudyk’s K-2SO. Chirrut and Baze have one of those solid movie friendships where they seem somewhat adversarial, but you know there is something stronger and deeper below the surface.
Baze blow’s off Chirrut’s mysticism, crediting himself as the true protector of Chirrut, not the Force (the film features no Jedi or hardcore Force Users). Chirrut is also quite funny in his own right. As the group is captured by Gerrera’s people, bags are being put over their heads and Chirrut incredulously states “Really? I’m BLIND.”
And then there is the droid. K-2SO is kind of an anti- C-3PO. Sarcastic and cynical he lacks 3PO’s refinement, but shares his tendency to appealing to the negative odds. When Cassian gives Jade a gun, he starts to ask if Cassian knows the odds she will not use the gun against the,. “Not very good” he says dryly.
Yet, just as pretty much everyone in Rogue Squadron, K2 gets his moment of glory. But I definitely felt a twinge of disappointment that some of these characters would never make a return. I could totally sit through, say, a TV series about Chirrut and Baze on adventures.
If Rogue One is a sing of things to come for the Star Wars stories, I remain hopeful for that Young Han Solo film.