Following In Their Footsteps (Behind the Mask: The Rise of Leslie Vernon, 2006)

BHtM_PosterFreddy. Jason. Michael. Pinhead. Leslie.  You’ve heard of Leslie right? No?  Well, of course you haven’t…yet.

The conceit of Behind the Mask is that all the slasher villains are real land live in one big old extended universe. A news team with the hopes of making a name for themselves have connected with Leslie Vernon, an aspiring slasher villain.

Leslie’s back story is that he committed some evil acts as a child, a mob threw him off of a bridge and now a couple decades later, he has returned to seek vengeance. His plan revolved around teens going to have a party at his old family farmhouse.

The movie plays with the tropes of the slasher, such as when Leslie explains to the reporter and her crew that his training is important…because while everyone is running as fast as they can…he has to keep up while making it appear that he is walking. Then there is the obsessed psychiatrist who is in dogged pursuit of Leslie, Doc Halloran. In a brilliant bit of stunt casting, the Doc is played by Robert Englund.

Part of what works so well is how you have these human moments between Leslie and the news crew. For instance, they have dinner with a retired slasher Eugene (played by the late Scott Wilson) and his wife. It is this regular setting as Eugene cooks dinner, but is reminiscing about killing and then getting philosophical about how guys like Freddy and Jason totally changed the game.

The filmmakers have a lot of fun with their premise, and it is clearly made by people who have a love for horror. This is one of those films that seemed like it might make a splash…but it seems like I don’t hear people talk about it much anymore.  Which is to bad, it is a lot of fun and makes the most of its high concept.

Careless in Suburbia (Poltergeist, 1982)

Poltergeist_PosterThe Freeling family have a good life.  Steve and Diane have three children.  One evening they are awakened by their youngest, Carol Anne, who is talking to the TV.

As days go by they notice unusual phenomena and not just Carol Anne watching static on the television.  The dog responds to something nobody can see, the son is sure the tree outside his window is alive.

After a traumatic night which results in Carol Anne being taken by the spirits she has been communicating with.  When paranormal researches come in, they are floored by what they find.  It is decided they need the help of an exorcist to try and get Carol Anne back.

There are two things people likely recall most vividly.  Cute little Carol Anne turning to the camera to say (eerily) “They’re Heeeeere” and Zelda Rubinstein as Exorcist Tangina.  Her most famous line has been quoted in many films and TV shows…”This house is clean.”

Rubinstein is memorable in both appearance and performance.  A small older woman, she brings an otherworldly vibe, and at times, her purposes almost seem at odds with the Freelings.

The effects still stand up, with only a few exceptions.  The most obvious being a sequence with a character clawing his face off and it is obviously a dummy head.  But otherwise, the ghost effects still work very well.

There is a longstanding belief that Spielberg is the director of Poltergeist, and it appears he was on set, though so was Hooper.  He was filming E.T. the Extra-Terrestrial at the same time (a movie he offered to Hooper to direct).  Hooper is the only credited director, but according to at least some individuals who were there, it was primarily Spielberg. It sounds like this was not one of those situations where Hooper was being replaced, and he had some creative input.  It would appear they got along fine and Hooper was providing Spielberg cover in regards to contractual rules with E.T.

Regardless of who directed it, Poltergeist is an entertaining and somewhat unique horror film with a terrific cast.

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