Poison in the Well (Dark Waters, 2019)

Dark_Waters_PosterFrankly, companies do not care about you. Amazon does not care about you.  And chemical companies really do not care about you.  And Dark Waters is about the fight to not just expose this to the world, but to hold polluters accountable for the destruction they have caused.

Dark Water is a legal drama that somehow manages to pace itself like some sort of action movie. It does not spend a lot of time establishing Ruffalo’s Rob Bilot. He is a lawyer and has a family, and quickly he finds a farmer, Wilbur Tennant, in his office demanding his help. Wilbur is certain that Dupont chemicals have been destroying the earth and cattle of his farm.

Hesitant at first Bilot does a little research…it does not take long for him to suspect Tennant is on to something. His firm is unsure at first, as they normally defend companies like Dupont.  But as time passes and information comes in that seems more damning, top people in the firm start to share Bilot’s conviction.

One of the most effective aspects of this film is how they sell the paranoia and demoralizing nature that can be part of challenging the status quo. In one scene, a man Bilot believes he could trust tells him he is sending all their research.  It is so many boxes, as they pull away it feels defeating.  It is clear they were inundating Bilot with so much they hoped he would give up or never be able to process it all and therefore miss something.

Dark Waters spans over a decade, and sometimes the time jumps greatly between scenes.  This method of transition lulls the viewer a bit as you kind of expect maybe jumping a couple years here and there…and then around 2006, the screen stays dark as the title card jumps year by year.

Mark Ruffalo gives a great performance and you see the years of not getting justice take their toll, the fear that he and his family are in danger.

Dark Waters got kind of overlooked last year, but it is worth locating and watching.

 

The Process of Grief (Midsommar, 2019)

Midsommar_PosterDani and Christian’s four year relationship is dying out, but neither has the strength  to end things, especially after Dani faces a horrifying tragedy. They are invited by a friend, Pelle, to visit his home land for a unique festival. Christian and Dani are joined by Josh and Mark and the five make their way to Sweden.

What seems to be a fun time of hallucinogenic experiences and communal partying, turns out to be a frightening series of trials.

Midsommar is the second film from Ari Aster. Hereditary was a masterpiece of dread and so the question became…could he manage it a second time?  Well…yeah. Right from the start, this film pummels the viewer with the pain and heartbreak Dani is having to confront.

When we arrive in the small and remote Swedish village, it seems almost mythically wholesome. Everyone is kind and friendly. They want to share their celebration. But as the film progresses, things begin to become unnerving and the film starts build the sense of dread.  The threat is real and horrifying.

The characters are compelling. This is due more to what we experience than what we learn about their background.  Really, the only Dani, Christian and Pelle get much history.  But William Jackson Harper and Will Poulter both turn in performances that allow you to care about what happens to them.

But Florence Pugh really shines as she runs the gamut of broken pain and grief and joys.

Visually, the film is gorgeous.  The setting really draws you in, even when you know something terrible is bound to happen.

Aster really has impressed me with both of his efforts and I look forward to his next exploration in horror.

 

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