You Know Ethan (Mission: Impossible: Fallout, 2018)

Mission_Impossible_Fallout_PosterThe Mission Impossible franchise is kind of…well, a weird one. I thought the first one was okay…but the second film was a mess. J.J. Abrams streamlined things a bit and made an improvement with the third film.  Brad Bird and Christopher McQuarrie directed the fourth and fifth installments…and these turned out to be the most entertaining films of the franchise.  With the sixth film, Fallout, McQuarrie is the first director to return to the franchise.

The actions of the previous film have had an impact on the world terrorism scene. Ethan, Luthor and Benji lost weapons grade plutonium on a mission, and their attempt at cleanup ends up being overseen by the CIA who assign their top agent and assassin Walker to join the IMF. Angela Bassett’s Erika Sloane states that the IMF is like a scalpel, but she prefers a hammer.

Full of twists and turns, McQuarrie keeps the action going and strives to avoid being to predictable, though some of the tropes of the franchise seem unavoidable. Nobody stops the  secret weapon five minutes before the countdown will end…because where is the drama in that?

Cruise does not show any signs of quitting, and he manages to keep up a convincing performance as an action hero within the franchise. Hunt is portrayed as the guy who has the small picture in mind allowing his higher ups focus on the bigger picture.  Two different characters inform Ethan that he pretty much cares about the individual lives so they don’t have to.

Cruise, Rhames and Pegg have good comedic chemistry and play well together as a team.  He and Rebecca Ferguson have a good tension, but thankfully, Ilsa continues to have an agency beyond a potential love interest.  The film manages to make every character feel pretty important, and saving the day falls on all of their shoulders.

I really enjoyed the film…but here is my one caveat regarding the Mission:Impossible Franchise. I have enjoyed the films…but find them hard to remember. I remember I liked them.  I just do not really remember much about them later. I wonder if Fallout will continue this trend.

Mumms the Word (The Mummy, 2017)

The_Mummy_PosterEverybody wants a shared Universe these days.  Granted, this is not an entirely new concept.  And Universal used to cross over their monsters all the time.  Dracula Untold was supposed to kick off the “Dark Universe” and then got “removed from Canon” and this latest incarnation of the Mummy was the new starting point.

Nick Morton and Chris Vail are fortune hunting soldiers.  They stumble on a bizarre discovery in Iraq…the tomb of the Egyptian princess Ahmanet.  They search the tomb with archeologist Jenny Halsey, ultimately taking the coffin of Ahmanet. Nick finds himself selected to be the cursed Princess’s beloved, and also the host for the god Set. After an event that results in the death of Chris and Nick, Nick awakens in the morgue.  He now finds himself haunted by Chris (think Griffin Dunne in An American Werewolf in London) and hunted by Ahmanet.  After she is captured by a mysterious organization headed by Henry Jekyll, Nick is filled in on the history of the monster hunting organization and the plans for Nick.

The film largely is about Nick trying to escape from his unwanted destiny.  There is an ill-fitted romance between Nick and Jenny.  The design sense of the film is kind of pedestrian, except for the mummy herself.  The look seems to be inspired by the Enchantress from last year’s Suicide Squad.

Clearly, a lot went into the mythology of this mummy, but the film itself seems unsure of its identity.  Are they trying to be scary?  It just is never chilling.  Is it an adventure?  It is certainly a dour one if it really is one at all.  This film lacks both the dark bite of earlier films and the gleeful fun of the 1999 predecessor.

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