There Will Be Bloodshot (Bloodshot, 2020)

Back in 1987, Jim Shooter was fired from Marvel Comics. He had a tumultuous tenure as the Editor in Chief which saw a lot of success, but also a lot of enemies made. Two years later he fought his way back into comics with Valiant Comics. Valiant had made a splash and built a following. However, they never managed to get a share of the greater public recognition of companies like Marvel, DC or Image. The company has gone in and out of business, moving from owner to owner. In 2018 the majority owner DMG fully purchased the company and apparently focused on pushing their characters beyond comics. The first of a possible shared universe would be Bloodshot starring Vin Diesel. To be honest…I have one Bloodshot comic book from 1993 and I cannot remember the story at all. I know just enough…he is a super soldier full of nanotech.

We are introduced to Ray Garrison, top soldier who is killed along with his wife after a mission. He wakes up later, told he is the first successful Super Soldier project of his nature. He is introduced to team mate who have high tech enhancements to compensate for lost limbs or sight, or in the case of KT, a specialized breather that both allows her to breath and to be able to breathe gasses and even underwater. When he regains his memory of the murder of his wife, he goes rogue to kill the man who murdered her.

But after accomplishing this, it is revealed that the memories are manipulated by the people responsible for his nano tech. When a mission goes wrong, he learns the depths of the manipulation and is determined to get his life back.

Bloodshot is a very simple tale, and does not really add any new beats. The bad guys are bad, the good guys are fighting against the odds. Guy Pearce does a good job of coming across as possibly a good guy losing control of his work during act one, but clearly a dark and greedy villain once it is all revealed. Eiza González is sympathetic as KT, trapped by her desire to, you know, not die.

Vin Diesel is good in the role, as it kind of plays to his strengths.

David Wilson is a visual effects guy making his feature debut, and he gives us a pretty solid action movie. The effects look good, and I genuinely liked the visuals showing Bloodshot’s powers at work.

The film ends open wide for sequels, but does not hint at a bigger universe, so I am not sure what the future holds for Valiant. But Bloodshot is a fun super soldier action film that makes for light entertainment.

May 11, 2020 1

Just Because… (Warcraft, 2016)

So…apparently, a horde of angry and evil Orcs travel through a portal to take over the world of Azeroth. Some of the Orcs side with the humans, because “Not All Orcs” or some such.

To be honest? I watched this movie based on the popular Blizzard Entertainment open world game twice. I know people got super immersed in the game. I have never played it and do not know much beyond it is kind of like D&D…? And after two viewings, I remember very little about it. My last viewing was actually less than 24 hours from when I am typing this. And I absolutely have no strong memory about the film. Which is disappointing.

I remember it had Jesse Custer and Tulip from Preacher in it. And Ben Foster. And a sexy orc woman. Kind of a taller, more muscular Orion Slave Girl from Star Trek. Some magic powered guy talked about how he renounced his vows and wants to still help the kingdom fight the evil orcs. Lots of fights that did not make a whole lot of overall sense. Or rather the plot seemed remarkably inconsequential.

I kind of hate writing these types of reviews. I actually don’t like spending a tremendous amount of time tearing movies down. Certainly, so movies are so ridiculous that they inspire hilarity. And that can be a bit fun to write.

But Warcraft? It is a competently made film. It has a perfectly good cast. And this is from Duncan Jones, a director who I think is quite talented. And yet, it just was…painfully forgettable. Not a good sign since, according to IMDB, the title is actually Warcraft: The Beginning.

December 3, 2017 0

Culture Wrath (Wrath of the Titans, 2012)

Wrath of the Titans tries to rectify the one thing missing from Clash of the Titans. Titans. In the original Clash, the Kraken was a Titan, but in the 2010 film, this was a bit clear. Wrath opens with the story of how Zeus, Poseidon, and Hades defeated their father Kronos and imprisoned him in the underworld. It also reminds us that Zeus and Poseidon had conned Hades by binding him to the Underworld.

Perseus and Io were living the quiet life in a fishermans’ village. Io bore them a son, Helius and then died before the movie started. Gemma Arterton was unable to return to the film and so she was killed off. This would seem at least understandable until you find that they recast Andromeda with the blonde Rosamund Pike. But anyways, Helius desires to be a warrior, a life which Perseus is aggressively trying to keep him from.

Zeus reveals that he visits Helius in the boy’s dreams, but wishes Perseus would be more open to accepting their status as demigods. Meanwhile, Hades and Ares are conspiring against the other gods, tempted by Kronos. They get the jump on Poseidon and Zeus, stealing Zeus’ lightning bolt. Poseidon is mortally wounded, but escapes and passes his trident to Perseus. He tells Perseus to find his son, the demigod Agenor. He finds Andromeda, who is now a warrior Queen leading her army. They are aware things are afoot, as monsters have started to burst forth from the ground. They also have Agenor (who is basically the Greek god equivalent of Russell Brand) as a prisoner.

The three take some warriors with them to go on a mission to rescue Zeus and stop Hades from freeing Kronos. To do this, they travel to find Hephaestus for a way into the underworld. After a fight with Hades, Perseus, Andromeda, and Agenor escape into the ever-shifting labyrinth that will lead to the Underworld.

This film muddles it’s the previous stand against the gods, with Perseus having appeared to soften his feelings towards them. The film is full of nods to Greek myths, such as the Minotaur in the Labyrinth, chimera and so on. It also has easter eggs like the mechanical owl Bubo in a cameo (which occurred in the 2010 film as well) who is quickly laughed off. But everything feels so randomly chosen and leaves out some great character concepts from the original myths. And if the gods were largely missing in the original film, this one makes it all the worse by having the majority of the gods killed off-screen.

In fact, the film seems dedicated to destroying any further franchise potential by basically erasing the gods from existence. I would say this film is not a worthy successor to the 2010 Clash of the Titans, but then, that film was not impressive either.

The truth is, I wanted both of these films to be great, but they are so largely cynical of their source material, they lack the joy a good fantasy film can contain. They are all about the big effects, leaving little room for actual character. Sure, they try for heft in the notion of Hades and Zeus mending their relationship. And then there is Perseus finding love with Andromeda. Yet, these plotlines feel forced and a bit hollow.

November 8, 2017 0

The Bigger They Come (Kong: Skull Island, 2017)

King Kong and variations on the Giant Ape concept are older than even Godzilla. Kong: Skull Island has opted to not re-tell the story of King Kong. Instead, this is a new story. Not new in the sense of it completely new territory. You have the mismatched band of explorers arriving on Skull Island, encountering monsters and natives.

The film opens in 1944 where an American and Japanese pilot crash land on Skull Island. They fight until they stumble on a frightening sight that changes everything for them. The film jumps to 1973, with soldiers about to leave Vietnam. They are brought in by the mysterious Monarch company as a military escort on a top secret mission to visit and explore a newly discovered island. The company has also brought along an award winning anti-war photojournalist and a tracker to help then go through the wilderness.

Of course, the mission goes very wrong. Hope that does not spoil anything.

Really, the film sets everything up at a fast pace. They give you what you need to know without giving the film a chance to get boring. And unlike previous Kong film outings, the filmmakers introduce us to Kong very quickly. No hiding him, just Kong smashing helicopters.

The characters are engaging to various degrees, though John C. Reilly is the strongest and most memorable. Samuel L. Jackson is…well, Samuel L. Jackson. I found myself liking Hiddleston’s James Conrad and Brie Larson’s Mason Weaver…but I must admit, most of what separates the characters is who is performing them. You also know which soldiers are “important” because they get a lot of set up, while most of the soldiers are just “people to die”. Of course, they also give Jackson his motive for wanting to destroy King Kong.

But the truth is, I found Kong Skull Island a lot of fun. Yes, the post credit scene confirms that Legendary has plans of a “Giant Monster-verse”…and Kong Skull Island serves the purpose, in part, to set it all up (It is supposedly connected to 2014’s Godzilla film as well, with the tie being the Monarch organization). But I did a far better job of still telling it’s own story than some other attempts to create a shared universe franchise.

Really, Kong Skull Island is no game changer, but it is a lot of fun. Visually, it is good, and the digital monsters look great. The cast is great and make for an overall very entertaining film.

March 11, 2017 0