Clearing House (Jurassic World: Fallen Kingdom, 2018)

Jurassic_World_Fallen_Kingdom_PosterWell, after the debacle at the end of the last film, the Jurassic World Park was closed down. Now, the island is about to explode, because it is actually a dormant volcano.

There is controversy about people who want to save the dinosaurs on the island and those who think we should let them die.  But of course, there are those with darker plans.

Claire, the icy business woman from the previous film who learned the importance of getting a guy and having kids over a career from her nephews is now campaigning to save the dinosaurs. She is no longer involved with Owen, the cool sexist seventies throwback from the first film. She is hired by an estranged associate of the late John Hammond to go and save as many dinosaurs as possible to set them loose on a private island reserve. They bring Owen so they can save Blue (the good velociraptor from the last film). Things go awry, because this is a film in the Jurassic Park series.

The dinosaurs look great and I find both Owen and Claire far more likable in this adventure. The mystery behind the one kid in the film is kind of an interesting twist on the film’s themes, though it seems like it was played up as being a much…bigger deal than it really is.

The film continues the ideas began in the last film of militarized dinosaurs. And this film pretty much takes the perspective that the dinosaurs are the heroes now. But I am actually very intrigued by the way the chose to end the film.  Other films in the franchise hinted at this…but the next film could be quite interesting.

While the film is violent, it tends to be about as gory as any of the entries. Most of the kills are either offscreen or obscured. For the most part, I enjoyed Fallen Kingdom and felt that, for the most part, the story works and the film is pretty entertaining. And honestly? That is really all I want from a movie about genetically created dinosaurs.

Bombshells (Atomic Blonde, 2017)

Atomic_Blonde_PosterBased on the graphic novel the Coldest City is a spy thriller set days before the fall of the Berlin Wall.  Lorraine Broughton is a highly skilled British spy on a mission to collect a dossier that could expose countless deep undercover spies.  The problem is, determining who she can trust.  Her contact in East Berlin, David Percival, has “gone native” in the punk scene.  He is working to get a Russian nicknamed Spyglass to freedom in exchange for the information.

Told in a flashback format, we have Lorraine presenting her story to her MI6 boss and a CIA Representative (John Goodman).  The film gives you a warning of the fight ahead of Lorraine by introducing us to her after her mission is over…she is severely bruised and covered in cuts.  And this is an important thing to understand…

The promotional material would have you think this is just a kick ass action hero type of film.  There have been comparisons to James Bond, but this is a very surface comparison.  Atomic Blonde is far grittier and the action much more brutal.  This is an action packed espionage film, not an action movie.

This is not a criticism of the film, it is quite a good espionage film with plenty of uncertainty as to how certain aspects will play out.  Theron’s Broughton is tough and blunt, refusing to quit.  Along with the cast, the film’s 80’s soundtrack is very much a character in this film.  Chase and fight sequences are set to the likes of Bowie, New Order and Siouxsie & the Banshees with great effectiveness.

Atomic Blonde is a strong and dark thriller full of twists and turns.

In From the Cold (Captain America: The Winter Soldier, 2014)

TCaptain_America_Winter_Soldier_Posterhe success of both the first film and the Avengers, Captain America was bound to return.  While the First Avenger had a straight forward black and white approach (not to hard when your villains are Nazis) the Winter Soldier is about how far the world has fallen.  Steve’s values are clashing with even the good guys.  He is starting to doubt his missions and his teammates.

The one bright spot is his meeting Sam Wilson, who works with vets in dealing with their experiences and return to civilian life.  Steve is also trying to keep the trust with Natasha (Black Widow).  Meanwhile, Nick Fury seems to be hiding secrets from Cap and the government to boot.

When Alexander Peirce calls for Captain America to be arrested for Treason, the movie shifts into hero on the run trying expose a conspiracy.

This film shakes up the status quo of the Marvel Cinematic Universe* with it’s deep dark conspiracy based plot line.  The primary heme is “Who can you trust?”  And overall it it is handled pretty well.  There are some spectacular action sequences, especially the close quarters of an elevator.  The film has a lot of humor, considering the plot.

The cast is full of charm.  Anthony Mackie’s Falcon is a blast (and off-screen comments indicate Mackie has had a blast playing the character).  Of course, Chris Evans makes a noble and heroic man out of time.  As Black Widow, Johansson is getting a change to build on the role from the Avengers.  Robert Redford brings a  certain gravitas of an elder statesman.

This is a strong and exciting entry in the franchise, and is a nice companion to the First Avenger.

*well, it did for ten minutes.  Agents of S.H.I.E.L.D. pretty much put S.H.I.E.L.D. back in play.

Marvel Begins (Captain America: The First Avenger, 2011)

Captain-America-First-Avenger-PosterCaptain America was a hotly debated character for the Marvel Films.  Could a character so tied to American Nationalism be a hero the world loved?  Joe Johnston (who directed Disney’s fun comic book movie the Rocketeer 20 years earlier) was brought in and found a way to make that answer be yes.  Among the choices made were to set the film in World War 2, rather than begin in Present day.  Chris Evans was hired on to play Steve Rogers.  This was not his first foray into a Marvel Property, He was Johnny Storm (the Human Torch) in the 2005 and 2007 Fantastic Four Films.  He was also one of the Evil Exes in Edgar Wright’s adaption of Bryan Lee O’Malley’s Scott Pilgrim graphic novels.

The film quickly establishes Steve Rogers as heroic, in spite of his physical weakness.  He will take a beating.  Standing up for him is his buddy ‘Bucky’ Barnes.  This is one of the film’s biggest deviations.  In the comics, Bucky was a teen sidekick to Captain America.  The filmmakers (rightly) realized that may not play so well.  And there is a twist to having Bucky go from Steve’s savior to needing saving by Steve.  Steve’s multiple rejections by the military catch the attention of a part of our military that is looking for someone to be a part of an experiment.  While many try, scrawny Steve Rogers keeps managing to stand out, not by his physical prowess, but by ingenuity.  This catches the eye of British officer Peggy Carter.

One of the things the movie does so well is that they avoid tropes.  Peggy and Steve are smitten before his transformation.  She is impressed by who he is, not what he is.  It would have been easy to make her yet another obstacle for her to notice only after he is physically altered.  And yet, due to a terror incident that destroys the remaining Super Soldier serum, Steve is still unable to see combat.  Instead, he is reduced to a promoter of War Bonds and propaganda.

Evans really sells Roger’s frustration and even feelings of humiliation.  But while on a USO tour, he ends up making a big save, convincing the military they need him.  This leads to crossing paths with the Red Skull, who is determined to rule the world through Hydra.  Hydra begins as an arm of the Nazis, but has it’s own goals.

The film ultimately hangs on Evans to sell the character of Captain America, and boy does he sell it.  He comes off as kind, dedicated to justice and most of all, simply heroic.  He is supported but a great cast of actors.  Tommy Lee Jones is perfectly cast as Colonel Phillips.  Hugo Weaving got one of the better villain roles, since he gets to simply be Nazi Evil Incarnate.  The movie makes the choice to introduce the Howling Commandos (Sans Nick Fury) as the team that works with Cap.  They are an entertaining bunch.

But the standout is Haley Atwell.  She is more than Cap’s love interest.  She is a tough and clever military officer.  But at the same time?  She and Evans have a real solid chemistry, and when the film reaches it’s inevitable conclusion, their exchange (certain Steve is heading to his death) is heartbreaking.

Johnston gives us a terrific film that stands on it’s own, even if part of it’s purpose is to set up the first Avengers film.

Blog at WordPress.com.

Up ↑