Ted Levine – Tripping Through Gateways

In the early part of the aughts, studios started to remake Wes Craven’s films. To a certain extent, this was, I believe, an attempt to give Craven more financial benefit from his work. He was tangentially involved in these films as a producer, they were all written and directed by different people.

The Hills Have Eyes was probably a good place to start. It is a film known mainly to fans of Wes Craven and horror. However, a lot of people in the mainstream are likely to have simply heard the name.

Bringing in Alexandre Aja to write and direct. He had made a real impression with 2003’s High Tension, and honestly, was probably a strong choice. High Tension was part of the French Extreme trend in horror where stories could be messy and plot twists do not make sense. Here, the extreme violence of his work really is at home.

The core story is there. A family is on vacation in their RV. They go on a detour to shorten their drive time and the car appears to break down. They discover there are other people hiding in the hills and those people attack them and kidnap their baby. And then the family must fight back.

The original film is about a family from civilization versus the feral family. The film plays up the family divisions, with Big Bob’s tough Republican versus Doug’s “weak Democrat” played up big time. In fact a lot of the film is devoted to Doug becoming a violent badass. This is not an exaggeration. Doug goes from a guy barely able to think of using a gun to hand to hand violent killer. The film is pretty good at manipulating the viewer, because Doug is trying to save his baby.

The remake’s biggest alteration is that the feral family are ravaged by radiation. They are basically mutant monsters. Visually, this is really effective, though it loses something to make the Jupiter family outright inhuman monsters.

This is a decent remake and I think gorehounds will find it enjoyable.

Well, after the debacle at the end of the last film, the Jurassic World Park was closed down. Now, the island is about to explode, because it is actually a dormant volcano.

There is controversy about people who want to save the dinosaurs on the island and those who think we should let them die. But of course, there are those with darker plans.

Claire, the icy business woman from the previous film who learned the importance of getting a guy and having kids over a career from her nephews is now campaigning to save the dinosaurs. She is no longer involved with Owen, the cool sexist seventies throwback from the first film. She is hired by an estranged associate of the late John Hammond to go and save as many dinosaurs as possible to set them loose on a private island reserve. They bring Owen so they can save Blue (the good velociraptor from the last film). Things go awry, because this is a film in the Jurassic Park series.

The dinosaurs look great and I find both Owen and Claire far more likable in this adventure. The mystery behind the one kid in the film is kind of an interesting twist on the film’s themes, though it seems like it was played up as being a much…bigger deal than it really is.

The film continues the ideas began in the last film of militarized dinosaurs. And this film pretty much takes the perspective that the dinosaurs are the heroes now. But I am actually very intrigued by the way the chose to end the film. Other films in the franchise hinted at this…but the next film could be quite interesting.

While the film is violent, it tends to be about as gory as any of the entries. Most of the kills are either offscreen or obscured. For the most part, I enjoyed Fallen Kingdom and felt that, for the most part, the story works and the film is pretty entertaining. And honestly? That is really all I want from a movie about genetically created dinosaurs.

This is…a weird film. Englund is back for another round with Hooper and he is clearly having a blast this time around.After a tragic accident with an old and giant folding machine at the local laundry, Detective John Hunton finds himself drawn into a dark and supernatural world.

Based on a ten page Stephen King short story, the Mangler is a folding machine possessed by a demon that is served by the elderly Bill Gartley. Hunton, with help from a spiritualist friend and elderly photographer/mortician he uncovers a dark history of human sacrifice and works to save Gartley’s young niece Sherry.

Among the odd choices in the film are having the mortician be played by a young man in old man make-up. Jeremy Crutchley turns in a good performance, but the make-up is so obvious it is distracting when he is on screen. There is an exorcism of an old fridge. Most of the characters are largely unpleasant or annoying. Of course, it gets downright hilarious when the giant machine starts running after the leads in the factory like a wild animal. As mentioned, the short story is pretty short, so they add a lot of stuff…but funny enough? The machine chasing people? Not one of them. In the story, it runs around town killing people. Oh, Stevie.

Truthfully, this is really only good for a bunch of friends to watch and laugh together. It is also worth noting that although Hooper is the credited director, he was actually replaced after having filmed the majority of the film.

Tag: Ted Levine

Revisiting the Hills Pt 1 (The Hills Have Eyes, 2006)

Clearing House (Jurassic World: Fallen Kingdom, 2018)

It’s Alive! (The Mangler, 1995)