Star Trek: the Motion Picture – Page 2 – Tripping Through Gateways

So, as Leonard Nimoy grew older, he had a desire to direct. He set forth to get the option to direct the third film, and bring Spock back to the family.

Now, the Wrath of Khan ended with Spock sacrificing himself to save the crew of the Enterprise. They shot his casket to a nearby lifeless planet with the Genesis project.

Back on Earth, they discover that McCoy is… not himself. It is discovered that Spock actually transferred his soul into the body of Bones. The crew of the Enterprise steal their ship to head to the Genesis Planet and see what became of Spock’s body.

Meanwhile, Klingon Commander Kruge is convinced that Project Genesis was a federation weapon with the aims of destroying the Klingon Empire and he is determined to get ahold of the weapon.

Mr. Saavik and David are exploring the planet surface, noticing many anomalies. But then they discover a Vulcan child. They realize this is the body of Spock…and he is aging rapidly. The source of this is that he is connected to the planet itself, and the planet is coming apart at the seams.

It is interesting that while Klingon’s were always a threat, other than their brief appearance in the motion picture, this film is the one that sets them up as a bigger focus of hate for Kirk. Christopher Lloyd is great as our main villain, Commander Kruge. I am always amused that when they got movie budgets, the franchise remade the Klingon race. This has lead to all sorts of retcons (the most fun being the Deep Space 9 Tribble episode where Worf basically tells Sisko that the Klingon’s do not talk about it).

This one aims to be a bit smaller in scale, but it is exciting and a solid feature film debut for Nimoy as a director. DeForest Kelley is really entertaining as Bones, who is struggling with the second person occupying his body.

I feel bad for Nichelle Nichols, because at first she has a decent sized presence, but then she disappears after they take the Enterprise and shows up “at the rendezvous point” on Vulcan at the end.

I always remembered the Search for Spock as being a bit weaker than it actually is. And it certainly got treated as such with the old adage that the even numbered films are “the good ones”. But this is entertaining, and has some neat moments. And also begins the Star Trek trope of “We gotta blow up or crash the Enterprise!” But I like this entry.

After the slower first film, the creators sought to look back to the original series for inspiration. The came back to the first season episode Space Seed. In that episode, the Enterprise comes across a 20th Century ship adrift in space, the SS Botany Bay. The crew of the ship are revived and it is discovered they were genetically engineered super people led by Khan. Khan attempts mutiny, but after failing is left on a remote habitable planet with his followers.

Picking up just about fifteen years later, Chekov (now a Commander) is part of a team searching for a lifeless planet to be a part of an experiment known as the Genesis Project. The goal being instant terraforming that takes a lifeless planet or moon and makes it a living planet teeming with plant life. When Chekov and the Captain of the USS Reliant beam down to Ceti Alpha VI to verify if the life readings are correct. They find a lifeless planet of sand storms and…housing.

As they investigate, Chekov discovers that this is the remnants of the crew of the Botany Bay. But before they can get out and back to the ship, they discover that Khan is alive and well…and fueled by rage against James T. Kirk.

And so Khan sets in motion plans to use Chekov, Captain Terrell and the scientists they are working with to set a trap too torment and destroy Kirk.

The Wrath of Khan focuses on the aging cast dealing with personal fears of obsolescence and weaves it together with a revenge action story. Montalban returns to the role of Khan Noonien Singh and he seems to relish the opportunity to approach the character from a new perspective. No longer simply an arrogant leader impressed with his own “perfection”, he is now engulfed in the flames of anger and hatred singularly directed at the man who insulted his ego the most. This is a terrific performance.

The reveal that Kirk has a son, a son who hate the militaristic Federation and has no trust for them (believing they will take the Genesis Project and make it into a weapon) no less, forces a new look at Kirk. This seems like a big ret-con, but at the same time it works well here, as Kirk reveals he promised Carol, the mother of his son, to stay away. So David knows who Kirk is, and hates him. But he has no idea that Kirk is also his father.

The film also takes a heavy focus on the trio of Kirk, Spock and Bones. This really pays off in the end with a powerful sacrifice that carries the weight of over a dozen years. And while the film clearly hints the story is not over for these friends, it still hits with a heavy heart.

Nicholas Meyer manages to weave the personal stories in with the action with great skill. This film manages to tie with the TV series and have a sense of being an epic, yet keep it on a very personal level. The Wrath of Khan is the high water mark for Star Trek.

Tag: Star Trek: the Motion Picture

Boldly Going Pt III (Star Trek III: the Search for Spock, 1984)

Boldly Going Pt 2 (Star Trek II: The Wrath of Khan, 1982)