You Can Never Have Too Much Spider-Man (Spider-Man: Into the Spider-Verse, 2018)

Spider-Man_Into_PosterA few years ago, after the big Sony hack, Sony and Marvel resumed the failed talks about  Spider-Man films. It resulted in the very fun Spider-Man: Homecoming, pretty much run by Marvel. But Sony still holds the rights to do with the Spider-Man characters what they want.  And so…that gives us this animated feature.

Miles Morales lives with his mom and dad, but is starting life at a new school. After a frustrating week, he goes to see his uncle Aaron, who takes him to a hidden place where he can do some street art. Miles gets bit by a Spider-Man. When he witnesses a tragedy and finds himself having to make a promise to Spider-Man moments before he is killed…with no idea how to do it. Until he stumbles across Peter Parker…Spider-Man???

They discover that whatever the Spider-Man of Mile’s Morales’ world was trying to thwart has actually brought several Spider People into Miles’ world. But the world may end and so they have to team up to send everyone home and stop the destruction of the Spider-Verse.

And you know what? This only sounds confusing.  Because the movie manages to make everything pretty darn simple. Our focus is on Miles, and even the Spider-Man we meet in the beginning is a celebrity. We don’t get to know him. We just get glimpses, enough to know he was a real hero.

The film also gives us intros to each character that are a whole lot of fun. Each Spider-Man has a unique look and artistic style. And it even impacts how they interact with the world they are in. Spider-Man Noir speaks in dark pulpy fashion and is always in black and white. And he is perplexed by color.

Jake Johnson’s Spider-Man is one whose life went a bit off track compared to the Spider-Man of Mile’s world.  Spider-Gwen is keeping the world at bay, avoiding really connecting to people. And Spider-Ham is just hilarious.

This movie has a lot of heart, there are genuinely touching moments. Moments between Miles and his father, Peter and the life he has left in his universe (wondering if it is even worth going back to). Miles and Gwen, Miles and Peter….

But the film is also ridiculously funny.  I mean, seriously funny. And part of that is in how the movie makes use of its medium. I cannot recall another animated film that took such grand opportunity to put it’s possibilities on full display.

In my book? This has been the best of all the Spider-Man movies. I want more with these characters. I want more movies with this version of Miles and his family and all the other Spider-People. This was a genuinely fun movie and I recommend checking it out. Sony raised the bar here…And I did not expect that.  But Marvel better pay attention.

 

Manic Monday (Venom, 2018)

Venom_PosterBefore Sony worked out a deal with Marvel Studios to bring Peter Parker into the MCU, they had planned a Spider-Man Cinematic Universe. This included a Sinister Six film, Black Cat and Venom.

But the Marvel Deal does not include any of those ideas…and so Sony is trying to develop the properties sans Spider-Man. In the case of Venom though? It make some sense. Spider-Man 3 had condensed the Venom story and did it pretty poorly. This does not change the idea that a Spider-Manless Spider-Verse is a bad idea. Spider-Man and his villains are pretty tightly tied together.  Venom does keep a lot of the core ideas of the character. A gooey alien symbiote with violent tendencies attaches to Eddie Brock as a host.
Eddie is a reporter who ruins his life when he cannot hold back his disdain and accuses Carlton Drake of ruthlessly killing the desperate and poor to achieve his scientific success.

When he is smuggled into Drake’s compound he gets infected by a parasite that calls himself Venom. Eddie and Venom need each other, as a Symbiote cannot survive long in an oxygen rich environment without a host, and Eddie needs Venom to survive as he is hunted by Drake’s men.

I am…not entirely how I feel at this point about the film. Venom has a great cast, and I liked Hardy’s manic performance.  I really liked the idea of making Eddie some sort of VICE styled journalist.  It makes for an interesting approach, rather than a guy being driven by jealousy.

On the other hand, the film takes some time to get going, because there is a lot of setup. And while the film has some laughs, it is not as darkly funny as it could have been.

I guess, I would say that Venom is…not terrible. It is watchable with decent effects and a great cast. I will say…the post credit scene kind of makes me want to see a sequel.

 

Lost to An Alternate Universe?

So, the day Sony and Disney drop the new Spider-Man: Homecoming trailer (which was met with a pretty positive response) producer Amy Pascal drops the bomb.

One of the things that I think is so amazing about this experience is that you don’t have studios deciding to work together to make a film very often.

In fact, it may never happen again–after we do the sequel.

It appears Sony is hoping to pull Peter back into their fold-out of the Marvel  Cinematic Universe.  We probably should have seen this coming, after Sony announced plans for their own Spider-Verse, starting with an ‘R’ rated Venom movie.  Sony and Pascal seem to be misreading this situation.

Sony had some success in 2002 and 2004 with the Spider-Man franchise when it was headed by Sam Raimi.  But after the mess of Spider-Man 3 and then a somewhat lackluster reboot…Sony was floundering.  They made the deal with Disney after the big hack two years ago humiliated the studio.

Marvel Studios, on the other hand, won praise for Peter Parker’s appearance in Captain America: Civil War.  The previous incarnations of Spider-Man tended to get aspects right, but Marvel’s team pretty much got it all right.

And I suspect that everything that looks so good about Spider-Man: Homecoming is from the Marvel Studio’s side.  Backing out and taking him out after the next sequel and Avengers: Infinity War would be a mistake.  Sony will, no doubt, mess up their progress.  To remove him from the MCU just to start their own Marvel Universe?  Not a wise decision.

If Sony insists on starting their own Spider-Verse.  I propose the following…

Leave Peter Parker in the Marvel Cinematic Universe proper.  Let Marvel continue to handle him.  Instead, create your Sony MCU around Miles Morales from Ultimate Spider-Man.  Sony can double their money and have their alternate Spider-Man themed MCU.  And fans get to see Spider-Man remain in the MCU.

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