Boldly Going Pt 13 (Star Trek Beyond, 2016)

Star_Trek_Beyond_PosterAfter Into Darkness, Trek lost Abrams to Wars. Simon Pegg stepped up as a screenwriter with Doug Jung to try and get the Kelvin timeline back on track.  The studio also decided to try out an action director, Justin Lin, who had success with the Fast and the Furious franchise.

I have already reviewed this, and one of my early criticisms was that the film is a bit slow going at the open. But after repeat viewings, I found that I really am not sure what I would do to speed things up.

After a fun little bit that sets up the film’s macguffin, the film focuses on where the characters are at.  They pick up about half way through their five year mission, which finds Kirk feeling lost and unsure.  In a clever bit of dialog, he comments that their mission has begun to feel “episodic”. Spock receives word of the passing of his future self (as Nimoy had passed away by this point) and questions whether he should stay with Starfleet or focus on the survival of the Vulcan race.

But after a mysterious pilot arrives at the space station where the Enterprise is docked, the Enterprise and her crew head to help the pilot’s disabled ship on the other side of a nebula.  After they are attacked and the Enterprise is destroyed (the second time in this timeline!) Kirk and the team find themselves trapped on a planet with aggressive aliens bent on getting the piece of a weapon that the Enterprise had.

Beyond is pretty much a 180 degree turn from Into Darkness.  It is fun, Elba plays a solid villain with a twist.  Sophia Boutella is a highly entertaining character named Jaylah who is befriended by Scotty and Kirk.  There is some solid character stuff with McCoy and Spock.

This is an action packed film that I find myself enjoying more each time I watch it.  It makes me wish a follow-up in the Kelvin timeline were a lock instead of so uncertain.  Of the timeline, I have really enjoyed two of the films, so I am definitely open to more.

 

Where the Bad Guys Go (Hotel Artemis, 2018)

hotel_artemis_posterIn some vague near future, slightly more advanced than where we are now in a society that is collapsing in on itself, two brothers are trying to complete a heist.  Wounded, they seek the Hotel Artemis.  It is a private hospital created specifically for the criminal element.  It is run by the Nurse and her assistant Everest (he is fixit man, security and policy reminder).  If you do not have membership, you cannot get in.

Things get tough for the brothers when a wounded Gangster they just stole from shows up needing medical intervention.  Will anyone get out alive? Is there a setup that was able to bypass the security of the Hotel Artemis?

First time director Drew Pearce delivers a simple and straight forward action film.  It almost feels like a John Wick spin-off. It is full of crazy action scenes, unique characters and a lead you root for in Sterling K. Brown.

Foster gives a great “world weary” performance, a woman who took the pieces of her shattered life and put them back together as best she could. Dave Bautista as Everest is remarkably engaging. Jeff Goldblum, well, this is Jeff Goldblum.

Hotel Artemis does not reinvent the wheel. But it is a whole lot of fun.

Mumms the Word (The Mummy, 2017)

The_Mummy_PosterEverybody wants a shared Universe these days.  Granted, this is not an entirely new concept.  And Universal used to cross over their monsters all the time.  Dracula Untold was supposed to kick off the “Dark Universe” and then got “removed from Canon” and this latest incarnation of the Mummy was the new starting point.

Nick Morton and Chris Vail are fortune hunting soldiers.  They stumble on a bizarre discovery in Iraq…the tomb of the Egyptian princess Ahmanet.  They search the tomb with archeologist Jenny Halsey, ultimately taking the coffin of Ahmanet. Nick finds himself selected to be the cursed Princess’s beloved, and also the host for the god Set. After an event that results in the death of Chris and Nick, Nick awakens in the morgue.  He now finds himself haunted by Chris (think Griffin Dunne in An American Werewolf in London) and hunted by Ahmanet.  After she is captured by a mysterious organization headed by Henry Jekyll, Nick is filled in on the history of the monster hunting organization and the plans for Nick.

The film largely is about Nick trying to escape from his unwanted destiny.  There is an ill-fitted romance between Nick and Jenny.  The design sense of the film is kind of pedestrian, except for the mummy herself.  The look seems to be inspired by the Enchantress from last year’s Suicide Squad.

Clearly, a lot went into the mythology of this mummy, but the film itself seems unsure of its identity.  Are they trying to be scary?  It just is never chilling.  Is it an adventure?  It is certainly a dour one if it really is one at all.  This film lacks both the dark bite of earlier films and the gleeful fun of the 1999 predecessor.

Bombshells (Atomic Blonde, 2017)

Atomic_Blonde_PosterBased on the graphic novel the Coldest City is a spy thriller set days before the fall of the Berlin Wall.  Lorraine Broughton is a highly skilled British spy on a mission to collect a dossier that could expose countless deep undercover spies.  The problem is, determining who she can trust.  Her contact in East Berlin, David Percival, has “gone native” in the punk scene.  He is working to get a Russian nicknamed Spyglass to freedom in exchange for the information.

Told in a flashback format, we have Lorraine presenting her story to her MI6 boss and a CIA Representative (John Goodman).  The film gives you a warning of the fight ahead of Lorraine by introducing us to her after her mission is over…she is severely bruised and covered in cuts.  And this is an important thing to understand…

The promotional material would have you think this is just a kick ass action hero type of film.  There have been comparisons to James Bond, but this is a very surface comparison.  Atomic Blonde is far grittier and the action much more brutal.  This is an action packed espionage film, not an action movie.

This is not a criticism of the film, it is quite a good espionage film with plenty of uncertainty as to how certain aspects will play out.  Theron’s Broughton is tough and blunt, refusing to quit.  Along with the cast, the film’s 80’s soundtrack is very much a character in this film.  Chase and fight sequences are set to the likes of Bowie, New Order and Siouxsie & the Banshees with great effectiveness.

Atomic Blonde is a strong and dark thriller full of twists and turns.

To Infinity And… (Star Trek Beyond, 2016)

Star-Trek-Beyond-PosterIn the third film since J.J. Abrams rebooted the Star Trek Universe, we get an original story.  And really? It is quite a bit of fun.  It begins a bit shaky with attempts to give us brief character moments that are not entirely effective.  It is nice to see McCoy taking a bigger role then the last film, and more of a focus on the friendship of he and Jim.  And hey, they are actually in the midst of their five year mission of exploration!  The previous two films were set before that.

We find James T. Kirk having lost his way in the far reaches of space.  Not literally, but spiritually.  He is not alone, Spock is having a personal crisis regarding his role on the enterprise versus feeling of obligation to his fellow Vulcans.  While visiting a space station, they are contacted by an unfamiliar species, a captain who begs for help for her stranded ship.  The Enterprise takes her out only to be attacked and (in the long standing tradition of Trek) destroyed.  To be honest, this sequence gets a little boring as it seems endless and kind of confusing.  But when the crew lands and is dispersed on a nearby planet, the film kicks into gear.

I was skeptical of bringing a director of the Fast and Furious (admittedly director of some of the best films in the franchise) in to direct.  But Justin Lin shows a lot of skill at making an energetic sci-fi film.  The villain’s full motives are mysterious at first, but when revealed it all falls into place.

Everyone’s performances are true to form and this feels like an action packed version of the original crew.  It is not that much deeper than the previous two installments, but it is far more effective in it’s story telling.  Personally, I found the interaction between Spock and McCoy tremendously enjoyable.  they had nice moments of expression of concern and admiration as well as some entertaining banter.  Kirk’s “ladies man” persona is downplayed in this film, he never even hits on Jaylah, the pretty alien girl.

If ranking the Altered Timeline films, I would say Beyond is easily the best as it hits it’s marks.  The villain is a strong and compelling threat (something the previous entries suffered at) and the villains plan at least makes sense and is not entirely dependent on complete coincidence.  Okay, maybe a slight coincidence.  But I enjoyed Star Trek Beyond, and enjoyed it very much.

A Bond By Any Other Name… (Kingsman: The Secret Service, 2015)

kingsman-the-secret-service-posterLike Matthew Vaughn’s previous Mark Millar adaption (Kick Ass), Kingsman: The Secret Service promises to be a bold and irreverent take on it’s genre.  Kick Ass poked fun at super-heroes through excessive violence and profanity.  Kingsman follows through.  It is irreverent, extremely violent at times and full of profanity.

And yet, it seems to be a bit more loving of it’s target.  It is as much homage to the classic spy films of the past.  Colin Firth’s Galahad is older, handsome and stylish.  He seems proper and speaks of manners even in a fist fight.  Eggsy (Taron Egerton) is a rough hooligan lacking a sense of manners.

But when we first meet Eggsy, his father has died, and the promising future is dashed.  His father was a secret agent, a member of the Kingsman organization.  Heartbroken, his mother appeared to have never recovered from that loss.  Eggsy gets in trouble with the police, only to meet Galahad who invites him to join the Kingsman Organization.

Unsurprisingly the other recruits are high society kids.  The film focuses heavily on Eggsy going through each test, and building his friendship with Galahad.  The central villain is a flamboyant tech genius named Valentine (Samuel L. Jackson).  His goal is to wipe out a massive number of the human population to save the world from global warning.  One of his more interesting quirks is that he does not take pleasure or joy in the actual death, but he is certain that it is a worthy end.

The film is comically violent (there are at least two scenes of massive carnage) far more than any Bond film ever managed.  But the film manages to be entertaining.  There is good humor, and the cast has great chemistry together.  I especially liked how the three women are characters, not love interests. One of his competitors, Roxy (Sophie Cookson) is his equal, and he supports her not because he wants to date her, but because they are friends.

Eggsy is a troubled guy, but he is decent, a supportive friend, cares deeply for his mother and baby sister…he has solid qualities that Galahad seeks to steer towards a greater good.

The film is, all in all, quite a bit of fun.  The characters are likable, the cast is solid through and through.  It is an effective action movie, even if some of the beats are somewhat predictable.  The film embraces it’s super-spy inspirations and follows the conventions.  It does it with fun style (Valentine’s henchwoman is pure old school Bond).

While there are moments that seem to relish the crass violence, overall this film is an effective adventure that left me smiling.

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