Crime Time (Ocean’s 8, 2018)

Oceans_8_posterWe have not seen an Ocean’s followed by a digit movie in eleven years.  And that has been okay. I really enjoyed the first and third films of the series led by the husband of Amal Clooney and Angelina Jolie’s ex-husband. But I had not really given much thought over the years to another installment.

Set shortly after the apparent death of Danny Ocean, his sister Debbie gets paroled. She promises the parole board she just wants a quiet life. But you do not have much of a movie if she weren’t lying. It turns out that Debbie has been working out a big heist the entire time she was in prison. She joins up with her former partner in crime Lou. Lou is a semi legit nightclub owner with a shady past of working scams with Debbie.

They assemble a team of “the best at what they do” ladies. There is jeweler Amita, hacker Nine Ball, pick pocket Constance, disgraced Fashion designer Rose and fencer Tammy. They set out to steal a very rare necklace that almost never sees the light of day at the yearly Met Gala.

There is not a lot of depth to the characters, they exist more for their skills than anything. But that is to be expected in a heist film in general and a larger ensemble one even more.  Heist films are about the heist, the characters just need to have some unique flavor. And thankfully, they do.  Each character has a distinct personality from the others. This may seem like I am contradicting myself, but being a loose sketch that does not go to deep does not mean characters are not memorable or distinctive from other characters in the story.

When it comes down to it, a heist movie should be fun. You should be trying to work it out, see if you can find the flaws and if the plan actually covered it. If the final reveal is satisfying, you have done good.  And Ocean’s 8 is quite a bit of fun. The choice to make the heist crew all female makes for a bit of a twist on the Ocean Franchise giving all sorts of creative costume and fashion changes (as I imagine guys would all end up in tuxes). The Met Gala setting also allows for fun interferences.

Ocean’s 8 is a fun heist movie. I enjoyed the performances, the set up and the results. When the film was announced, I recall some negative responses of “Who asked for this”? But I honestly find that a dumb question. Most movies were not “asked” for. Nobody was saying “I need a movie about Oscar Schindler…but Speilberg made a powerful film anyways. Was I asking for another Ocean’s heist film? No. But we got one and I had a lot of fun watching it.

Future Love Pt 2 (Valerian and the City of a Thousand Planets, 2017)

Valerian_PosterDirector of the Fifth Element, Luc Besson, returns to Science Fiction with Valerian and the City of a Thousand Planets.  Based on the french comics Valerian and Laureline, this is a visual science fiction feast.  An early sequence indulges in a beautiful ocean planet that seems to be just ocean and beaches.  The alien species are tall slender humanoids of grace and beauty. But it is disrupted by falling ships, which incinerate the planet.  We are then introduced to Major Valarian and Sergeant Laureline, who seem to be enjoying a pleasant day at the beach.  This is revealed to be a hologram, and they are actually on their way to a special covert mission.  And so begins the continuous roller coaster of a story.

Valerian is a playboy special agent, a space James Bond if you will.  He is trying to pursue romance with Laureline, who repeatedly shoots down his attempts…mainly on the grounds of his apparent commitment issues.  As they go from adventure to adventure, taking risk upon risk, they eventually find themselves uncovering a deep governmental cover-up.

The action scenes are many and exciting.  The film is vibrant and colorful, filled with exotic creatures and life forms.  Besson indulges fanciful aliens and hungry beasts.  But at the core, what matters to this story is love.  Love plays a huge part of the resolution.  Not just romantic love, but a larger love based in trust and faith.

And yet?  The film is a bit of a disappointment.  The story comes second to the amazing visuals, the barest of plots to justify the beauty of a distant future filled with wonder and threat.

While the film desires to feel like it is about something exciting and big, the characters are light and barely caricatures.  Valerian is the rakish rogue with a good heart.  Laureline the smart and capable better half.  This leads to characters filling in by the numbers stereotypes. The Commander seeking to hide a dark secret.  The unknowing Defense Minister who must help uncover the secret, unaware of the danger this puts him in.  And so on and so on.  There are no surprises to the story.

Valarian and the City of a Thousand Planets is satisfying only in it’s visual aesthetic, not it’s story.

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