Michael Crichton – Tripping Through Gateways

The Success of Jurassic Park made a sequel pretty inevitable, but Spielberg took time to craft a new adventure, rather than rush out something that just met the obligatory requirements of a sequel.

This film focuses on a second island…the real labs of InGen. When the park went out of business, so did site B. And the dinosaurs thrived. Hammond fought to leave the island alone and let the dinosaurs live in piece. To help his agenda, he has sent a team to simply observe and report about life on the island.

He requests the help of Ian Malcolm, who refuses, until he finds out his girlfriend Sarah is already on the island. His hope is to bring her right back. In the meantime, his daughter Kelly is upset by Ian dumping her off with a family friend. She stows away to follow her dad to the island.

Team Ian soon discover they are not the only ones on the island. The company wants to push Hammond out and capitalize on the dinosaurs. They bring a crew to capture dinosaurs to be returned to the States for a small scale version of the Park in San Diego.

The general idea of there being no park is a somewhat interesting change. Goldblum is highly entertaining here. Pete Postlethwaite plays a variation on the first film’s Muldoon. He is a big Game hunter who is there for very mercenary reasons, but is providing professional guidance. The effects are excellent, with some exciting new dinosaurs not seen in the prior film. The primary villain is more in the vein of the original book. A Corporate raider looking to exploit, Peter Ludlow is the example of corporate hubris believing it can control what others could not.

The film’s big finish is a T-Rex chase through San Diego. It is a bit of a shame that they squander such a great notion as “dinosaurs loose in a city” in a brief twenty minute sequence. I also really found the whole “daughter” subplot more annoying. The inclusion of kids in the first film actually made sense, here it seems forced and unneeded.

But when you get down to it, Spielberg can make most anything work, and the Lost World is a lot of fun.

John Hammond has built an amazing and elaborate theme park. One like no other, and he has spared no expense. But as they prepare to go a live, there is a deadly accident. His investors demand professionals endorse the safety of the park.

Hammond enlists Paleontologist Alan Grant and Paleobotanist Ellie Sattler, while the corporate lawyer brings in the “Chaotician” Ian Malcolm. At first, they are not fully sure what their presence is required for…until they discover that Jurassic Park is no ordinary vacation place. Hammond’s company has perfected cloning to the point that they are able to use DNA to create new dinosaurs.

While at first awed by what they see, the three scientists start to question the decision to bring dinosaurs back into our world. The lawyer, meanwhile, is seduced by visions of money (“And we can charge anything we want, $2,000 a day, $10,000 a day…and people will pay it”).

Along with his grandchildren (Hammond’s target audience), Hammond sends everyone on the tour. The crew has left for the weekend, leaving a very small staff. Pretty much just Hammond, Ray Arnold (who runs the control room), Dennis Nedry (His IT guy) and Muldoon. Muldoon is a groundskeeper of sorts. An experienced big game hunter, he is also security in regards to things dinosaur related.

However, as one would expect…most anything that can go wrong does and our characters find themselves trying to regroup and get off the island without getting eaten.

As you would expect from a Spielberg adventure film, Jurassic Park is an exciting film full of great performances. Jeff Goldblum’s Malcolm is especially entertaining in his over the top personality.

The film walks the line of challenging capitalism and corporate greed, without going all out for it. The lawyer represents the villainous corporate world, not Hammond. Hammond is the kindly grandfather with grand dreams of sharing his creation with the world. This is a change from the book, where Hammond is a much darker character who has a rather gruesome fate.

The film’s effects were groundbreaking for the time…and while it is a bit clearer now to see where the dinosaurs switch from digital to practical effects, the visuals in the film are still good enough to not be all that distracting today. It is easy to get lost in the excitement and danger of Jurassic Park.

Tag: Michael Crichton

Rules of Survival (The Lost World: Jurassic Park, 1997)

Parks and Wreck (Jurassic Park, 1993)