Twice Upon a Terminator (Terminator 2: Judgement Day, 1991)

Terminator_2_PosterAfter the Terminator, James Cameron proved it was not a fluke with the sequel to Alien, Aliens, and the Abyss.  Cameron determined his idea for a sequel to the Terminator was a technical possibility.

Picking up ten years after the first film, we find that Sarah Conner is locked up in an asylum and John Conner is now in the foster care system.  John is a bit of a delinquent, using the skills his mother taught him before they were torn apart by the government.

One evening, two men appear…one a sleek killer and the other a familiar face. We find the threatening villain of the first film is now a Terminator sent back to protect John from a more advanced Terminator.

John quickly establishes some rules for his new protector when it almost kills two men who think John is in trouble and come to his rescue. Particularly, John commands the Terminator to never kill a human. These commands lead to several moments where the Terminator carefully shoots people with non-lethal precision (at one point telling John, “He’ll live”).

They break Sarah out of the asylum just as the T-1000 arrives, so there is an exciting escape sequence.  As the trio run from the T-1000, Sarah picks the Terminator’s files to find out how Skynet still came to pass, and determining she must kill the man who creates Skynet.

From here on out, I will use the popular moniker T2.  Cameron loves to push technical limits and this sequel is no different in that way.  Expanding on the morphing tech used in the Abyss for the water tentacles and created the liquid metal T-1000.  Able to form bladed weapons and imitate various people it comes in contact with. When combined with a cold inhuman performance from Robert Patrick, the T-1000 is menacing.

The T-800 is more of a quippy action hero, but it really works here.  The film spends a fair amount of time building the relationship between John and his Terminator, so that by the end both John and Sarah feel a real connection to the machine, who seems to also have genuine concern for John.

The film also plays around with the premise of who is worse.  Sarah becomes determined to kill Miles Dyson to prevent the creation of Skynet. When she nearly succeeds, she finds herself facing his young son begging her not to kill him, Sarah freezes, as she realizes she was being more like a Terminator than a human. The evolution of Sarah from the frightened waitress of the first film to a hardcore warrior barely holding on to her humanity is effectively done.

While the film tries to end on an open note, it really throws off the perfect loop of the first film.  That criticism is made of later films and the television regarding the timeline is pretty much a problem the minute you make a sequel. Still, this is a fun and exciting flick with some solid humor and emotion.  My preferred version is Cameron’s extended cut, which includes some great little touches, such as the reveal that near the end, the T-1000 is glitching. T2 is well loved because it is great at what it is trying to be. The action is intense, the drama effective and the effects pretty amazing.

A Wrench In Time (The Terminator, 1984)

The_Terminator_PosterIn 1984, James Cameron was a genre vet, but not quite the guy we think of.  He had no mega-hits…yet. Cameron came up out of the Corman school and made his names with technical and special effects….especially stretching the low budget effects.

His one theatrical film before the Terminator is Piranha II: the Spawning, and then his next film is…

In 1984 a mysterious massive stranger appears in a crackle of lightning in an alley.  He has a singular aim and will.

Elsewhere, another man appears in an alley (less gracefully). Disoriented he asked when he is. He, like the more ominous stranger has a goal…in fact they are both here to locate Sarah Conner, a young woman of immense importance to the future.

Both men are from the future, one where there is a war between man and machine. When the machines realize they are about to lose, they send back a Terminator, a large massive robot covered in human flesh to allow them to infiltrate human encampments and kill a target. The Terminator’s target is the mother of the man who will rally humanity together to defeat the robot oppressors.

Kyle Reese has been sent back to protect young Sarah Conner from the Terminator.

The Terminator is a shockingly good second film, showing that Cameron had a real vision as he made the film.  It is a sci-fi horror film that keeps everything simple.  By the team it ends, we have a perfect circle of time, so it is not confusing or asking you to make any bigger stretch than accepting time travel.

Cameron is as committed to his characters as much as effects and action.  Sarah is believable and sympathetic as an everyman finding herself in an impossible situation and rising to occasion.  Considering the biggest ask is that we believe she falls in love with Reese overnight, and Hamilton and Biehn have enough chemistry to make it work.

Arnold Schwarzenegger had already made a mark as Conan, but this time he has a real menacing charisma that sells the notion that a massive cyborg is walking the city.

The effects remain an outstanding achievement. Sure, you can see the stop motion models and the rubber heads…but they are such well crafted effects, you do not mind and they are downright pleasing to watch.

The Terminator is a film that has withstood the test of time and such an incredibly impressive effort for someone’s second film.

In Their Prime (Tombstone, 1993)

Tombstone_Movie_PosterWyatt Earp arrives with his wife Mattie in the town of Tombstone during the silver boom.  He meets with his brothers Virgil and Morgan and their wives.  Shortly after taking over work in the local saloon running the poker table, his friend Doc Holliday shows up.

The town has an uneasy relationship with the gang known as the Cowboys.  Things escalate when Cowboy leader Curly Bill shoots the Sheriff Fred White.  As much as Wyatt pushes against going back into the law business, he gives in when Virgil and Morgan feel they just cannot turn their backs on the town.  In fact, Virgil feels that making money off a fearful and oppressed citizenry is pretty awful.

Things mount between the Earps and the Cowboys, culminating in a bloody ride.

Tombstone has a stellar cast.  I mean, if you tell me you have a movie with Kurt Russell, Sam Elliot and Bill Paxton, I am ready to hand you my money.  But this film has Val Kilmer, Powers Booth and Terry O’Quinn.  It features early performances from Billy Bob Thorton, Stephen Lang and Michael Rooker.

Although credited to George P. Cosmatos (Leviathan, Cobra) as director, the majority of the film was directed by Russell after writer and original director Kevin Jarre was fired. This is, of course, according to Russell. If this is the end result, one wonders why Russell has not tried his hand at directing since.

Now, Tombstone is not a historical document.  The film ignores Earp’s legal troubles, and glosses over the fact that his wife Josephine and he were not star crossed lovers (she having a gambling problem and he having affairs).  The film also ignore aspects of Mattie’s history, only noting that she eventually died of a drug overdose.

But Tombstone is, admittedly, much more a love letter to the traditional western than Unforgiven only a year before.  While violence begets violence here, it is made to feel far more justified.  In real life, Curly Bill was not merely freed on a technicality. He claimed it was accidental and Earp even testified to this. So, in the film, it seems to lean more towards flat out murder by Curly Bill. The good guys are good, through and through. The bad guys are largely unredeemable.  But if you are able to look past the loose play with history, Tombstone is full of rewards.

The Hunter or the Hunted? Pt 2 (Aliens, 1986)

Aliens_PosterAbout seven years after Alien, hotshot director James Cameron brought the franchise roaring back to life.  Rather than make a generic sequel, Cameron made a bold choice.  The first film was a haunted house movie, Cameron opted to make a war movie.

Ripley is awakened 50 years after the first film to find everything she knew is gone.  On top of that she is plagued by nightmares of the alien creature.  Ripley joins a mission at the request of the corporation to check on a colony that is on the same planet they found the eggs with the alien xenomorph.  It is promised to Ripley this is a search and destroy mission.

She is joined by a platoon of Space Marines.  They don’t believe her claims of an alien monster, but of course, they soon find out she is neither crazy nor a liar.  And then things get bad.  And then?  They get worse.

Aliens is one of those rare sequels that manages to rival it’s predecessor.  Ripley is angry and aimless at the film’s beginning.  When she discovers a young girl named Newt hiding in the remains of the colony she starts to see beyond merely destroying the aliens.  In the extended cut of the film, it is revealed that Ripley had a daughter on earth who grew up and died in the time Ripley floated through space.  This gives an added dimension to Ripley and her dedication to Newt throughout the film.

The marines are a hearty and confident lot.  Their banter feels natural as they trade insults and yet fight to protect each other when it all comes crashing down.  They are a compelling group.  And then there is Bishop.  A synthetic or android, Ripley does not trust him, due to the fact that the android on her ship tried to murder her.  Bishop represents the other side of that coin.  He is kind and polite.  He is also willing to risk himself.  At one point, after volunteering for a risky mission he states, “Believe me, I’d prefer not to. I may be synthetic, but I’m not stupid.”  How much of this is programming that compels him, versus a certain human quality is unclear.  He notes his programming prevents him from causing harm to a person, but does that programming extend to risking himself to save a person from outside threat?

This is a near perfect action film, with thrills and twists and turns.  It manages to expand upon the mythology of the first film’s animal without being a tired retread of information.  The performances are compelling and the visual effects have withstood the test of time.  On top of that, in spite of being a sequel, you could go into Aliens never having seen Ridley Scott’s film and follow the story with few, if any, questions.

 

The Devil and the Deep Blue Sea Part3 (The Abyss, 1989)

the_abyss_posterBefore Terminator 2, James Cameron made the Abyss.  As with almost every film he makes, he introduced revolutionary technology.  Without the Abyss (and it’s now simple “Water Tentacle”, we may not have seen any of the other revolutions in digital effects that followed).

But it is not the effects that make this film a joy to watch.  It is the storytelling.  Ed Harris and Mary Elizabeth Mastrantonio play estranged husband and wife Virgil (nicknamed Bud) and Lindsey Brigman.  They seem to be on the outs, but it is clear throughout the film, neither is truly ready to give up on the other.  They run an underwater mining rig and their crew is a raggedy band.They joke, argue and love each other like a weird mismatched family.  They are asked by the government to help Navy Seals get access to a nuclear sub that has crashed in mysterious circumstances.

In addition, the crew starts to experience strange phenomena, such as bright pink lights in the water and strange water formations indicating a greater intelligence at work.    They end up discovering something amazing, but at great personal risk.

Harris and Mastrantonio are superb in their roles and really sell a great and deep love between each other.  Michael Beihn’s performance as a Navy Seal struggling with serious paranoia issues adds the real element of danger.  Cameron manages to give us a film with relationships that feel worn and very real.  The story has both grit and beautiful wonder.  It is tense at time, romantic at other and inspiring and hopeful.

Now, the theatrical version leaves out some big stuff, and so I recommend checking out the longer Director’s Cut which gives a bit more heft to the end of the film.  This is one of Cameron’s gems, even if it got kind of lost in the collection of films.  Why the Blu-Ray release is so delayed is genuinely confounding to me.

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