Scream and Scream Again (Scream 3, 2000)

Unlike Scream 2, this follow up took three years. And was it worth the wait?

Set a few years after the second film, Sydney lives in a remote location and is employed as a crisis hotline worker. But when murders start occurring the set of the latest Stab film (the movie series within the series based on the events of the series), Gail, Dewey and Sydney find themselves pulled into the plot of a possible trilogy.

Bringing everyone together for this one is a bit more convoluted. Dewey has been hired by the actress playing Gale (Parker Posey who is terrific and plays off against Cox really well). Gale is there to investigate after the killing of Cotton Weary. And Sydney is there… because? Like I said…convoluted. And while the film makes an effort to be clever…it just feels tired.

The twists and reveals are downright tortured as the film reveals a mastermind who was behind the other two films.

While there are some fun things in the film, and it is not unbearable…you can tell this was not written by Kevin Williamson who was too busy with Dawson’s Creek to return. And so only hal;f the magic is there. Craven does what he can, but Scream 3 feels like a true stumble for the franchise, especially for one to end on.

Back At It (Scream 2, 1997)

Scream was a massive success, and a sequel was green-lit and put out right away. Like, barely a year later. And for a lot of horror films, that can be a bad sign. So is Scream 2 a rush to cash in on success?

Picking up one year after the first film, Sydney is at college trying to make a new life. The past keeps haunting her though. The exonerated Cotton Weary (accused of killing Sydney’s mother) is insisting on Sydney participating in an interview with Gail Weathers. But the killings begin again, this time on the campus. Conveniently, Sydney and Randy decided to go to the same college, so Randy can explain the rules of a slasher sequel. THERE ARE RULES, PEOPLE.

Deputy Dewey shows up so that we can have some romantic conflict with he and Gail and the four survivors can investigate the killings on campus.

Scream 2 is written by Williamson and directed by Craven…and this is more of a case of striking while the iron is hot. The return of Campbell, Cox, Arquette and Kennedy makes for a lot of fun. They all have a real chemistry together. The new additions are a cast of solid talent… even in smaller roles (Timothy Olyfant and Liev Schreiber are guys who can carry films as leads).

The writing does not cheat, even the repeating of incidents from the first film are deliberate call backs. Craven’s direction is on still strong. Scream 2 is one of those rare sequels that feels like it compares to the original favorably. It is clear that Williamson and Craven had a vision for a continuation of Sydney’s story. And I think what helps here is that Scream is not about its killer. It is about Sydney Prescott and her friends. This makes Scream 2 an admirable follow up.

You Can Never Have Too Much Spider-Man (Spider-Man: Into the Spider-Verse, 2018)

Spider-Man_Into_PosterA few years ago, after the big Sony hack, Sony and Marvel resumed the failed talks about  Spider-Man films. It resulted in the very fun Spider-Man: Homecoming, pretty much run by Marvel. But Sony still holds the rights to do with the Spider-Man characters what they want.  And so…that gives us this animated feature.

Miles Morales lives with his mom and dad, but is starting life at a new school. After a frustrating week, he goes to see his uncle Aaron, who takes him to a hidden place where he can do some street art. Miles gets bit by a Spider-Man. When he witnesses a tragedy and finds himself having to make a promise to Spider-Man moments before he is killed…with no idea how to do it. Until he stumbles across Peter Parker…Spider-Man???

They discover that whatever the Spider-Man of Mile’s Morales’ world was trying to thwart has actually brought several Spider People into Miles’ world. But the world may end and so they have to team up to send everyone home and stop the destruction of the Spider-Verse.

And you know what? This only sounds confusing.  Because the movie manages to make everything pretty darn simple. Our focus is on Miles, and even the Spider-Man we meet in the beginning is a celebrity. We don’t get to know him. We just get glimpses, enough to know he was a real hero.

The film also gives us intros to each character that are a whole lot of fun. Each Spider-Man has a unique look and artistic style. And it even impacts how they interact with the world they are in. Spider-Man Noir speaks in dark pulpy fashion and is always in black and white. And he is perplexed by color.

Jake Johnson’s Spider-Man is one whose life went a bit off track compared to the Spider-Man of Mile’s world.  Spider-Gwen is keeping the world at bay, avoiding really connecting to people. And Spider-Ham is just hilarious.

This movie has a lot of heart, there are genuinely touching moments. Moments between Miles and his father, Peter and the life he has left in his universe (wondering if it is even worth going back to). Miles and Gwen, Miles and Peter….

But the film is also ridiculously funny.  I mean, seriously funny. And part of that is in how the movie makes use of its medium. I cannot recall another animated film that took such grand opportunity to put it’s possibilities on full display.

In my book? This has been the best of all the Spider-Man movies. I want more with these characters. I want more movies with this version of Miles and his family and all the other Spider-People. This was a genuinely fun movie and I recommend checking it out. Sony raised the bar here…And I did not expect that.  But Marvel better pay attention.

 

The Do-Over (The Omen 666, 2006)

the_Omen_2006_PosterWell…someone decided they needed to get a remake out by June 6th, 2006. In a weird twist, screenwriter of the original film returned to write this remake. I call it a weird twist because in a documentary about the original four films, Seltzer did not write the sequels because he does not do sequels.

The result is an almost shot for shot remake of the original.  Not like Gus Van Zandt’s Psycho remake. There are slight differences here and there.

Mia Farrow’s performance as the nanny seems sweeter throughout the film, which make the sequence where she enters the hospital where Julie Style’s Katherine Thorn is being cared for really ominous.

The original film had a child in the role that was cherubic…adorable. You knew he was bad, but you could not help but sympathize. Seamus Davey-Fitzpatrick is made to look creepy in every shot.  He is a scary kid.

The film is full of stylistic flourish, but it just feels like an imitation, trying to up the horrors of the original, but oddly falling short.

 

Lil’ Wolverine (X-Men Origins: Wolverine,2009)

x_men_origins_wolverine_posterNo doubt, the fan favorite of of the X-Men films was the comics fan favorite Wolverine.  Hugh Jackman held his own with some top talent in those first two films… a solo Wolverine film was kind of a no-brainer.  And putting it in the hands of the director of the stunning Tsotsi, Gavin Hood seemed like a terrific idea.  Then casting started to leak… Ryan Reynolds as Deadpool (what a good choice), Liev Schreiber as Sabertooth-wait…what?  In the first X-Men Movie, Sabertooth was played by wrestler Tyler Mane.  Now, the change in actors is no big deal,  It happens.  But the first movie played off the characters as unfamiliar with each other.  Wolverine’s memory loss is his easy defense…Sabertooth’s?  Don’t know.

Borrowing heavily from the comic series Origin the film establishes Wolverine and Sabertooth to by half brothers.  Big plot point to miss.  The opening credits feature a really nice montage of the young men growing to adult hood as soldiers in a series of wars, world war one, two and so on…finally settling on Vietnam …Jame’s brother Victor goes ballistic and kills civilians, as James tries to stop him…they end up being court marshaled.  They are recruited by Stryker (Danny Huston) who is putting together a special ops team comprised of mutants.  After a mission snafu, James, now called Wolverine walks.

Wolverine hides out in the wilds of Canada where he meets a beautiful young woman named Kayla Silverfox (Lynn Collins).  They fall in love and live in a cabin.  After she is killed (as super-hero girlfriends are prone to do) by Sabertooth, Wolverine seeks revenge.  Wolverine is approached by Stryker with an offer to make him stronger to be able to take revenge.  It is no surprise they try and double  cross Wolverine.

He escapes and meets up with surviving members of Stryker’s crew, discovering that Stryker has a secret plan to build the ultimate mutant soldier that he can control.  Wolverine finds out that Stryker is kidnapping young mutants and using his brother to do the deed.  Wolverine runs off to the secret base with the help of Gambit (who doesn’t do much beyond fly Wolverine there and wish him luck.

A final confrontation results in Wolverine and Sabertooth fight Deadpool to the kind of death, Wolverine losing his memory via a magic Adamantium bullet and Kayla’s death-but not before sending Stryker for a long walk, and a digital Professor X who needs no chair.

The truth is, this film is what you call a major mess.  By setting it in a vague “the 70’s” you start forcing the films into a specific timeline.  The first three X-Men films all took place in “the near future”.  The film features a high school age Psyclops.  Making him in his mid to late 40s.  Actor James Marsten was about 27 at the release of the first X-Men.  And there are the confusing aspects of why nobody seems to remember this moment of history.  It is hard to believe that Professor X knew where to pick up all those kids and yet is oblivious to Wolverine.  And good grief did they muck up Deadpool, nearly killing the plans to spin Deadpool off.

The real positives of the films are the strong casting choices (Lost’s Kevin Durant is great as the Blob…Danny Huston, Liev Schreiber and Ryan Reynolds are strokes of genius).  Jackman shows why he owns the character on screen again.  The performances are mostly good…but they are in a story that seems overly convoluted and needlessly confusing-even by comic book standards.  It has a nice beginning, but it falls apart quickly.  It has some very goofy action set pieces and some legit humor going for it.  It is so busy packing the film with so many characters and killing several of them off and making sure to fill in all the missing blanks of the original trilogy (How did Wolverine get his metal skeleton? How did he lose his memory?) that it becomes bloated.  And it is under two hours.  The fan service is very careless.  We meet young Emma Frost, we meet Gambit, we meet…oh, it goes on.

There were plans for a series of X-Men Origins and the next film was going to be Magneto…but this film ended those plans.  And no small wonder…in spite of excellent casting and a talented director, this film fails hard.

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