Rom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.
Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.
So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously. After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.
Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.
The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.
At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie. Josh gets the most development as a character, at least enough to get why she likes him. And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.
Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development. It is not as genre busting as it sets out to be, but it has its moments.
Twenty Years between sequels is a long time. There has been longer, but twenty years is nothing to sneeze at. The reviews that proceed me have been harsh, many suggesting that this is the worst film of the summer. But honestly? It’s an OK film. There are some decent quips. The effects are good. Goldblum slips into his role pretty seamlessly. Spiner pops back up and gets a beefed up role. Bill Pullman is the tortured Ex-President. Sela Ward is thr tough current president. Replacing Will Smith’s Captain Steven Hiller is his son Dylan Hiller (Jessie T. Usher). He is apparently annoyed with Jake (Liam Hemsworth) for almost killing him (accidentally) a few years before. Jake is the hotshot risk taker who saves the moon base (but getting no thanks for it). He is also engaged to President Whitmore’s now grown daughter Patricia (Maika Monroe), who works for the current President and is a former pilot. Then there is Floyd (Nicholas Wright, also one of the writers). He is in love with Rain Lao (Angelababy) the top Chinese pilot. Towards the beginning of the film, we are also introduced to Warlord Dikembi Umbutu (Deobia Oparei) and the standard sparring love interest for Goldblum, Catherine Marceaux (Charlotte Gainsbourg). If this seems like a long introductory paragraph? It is a lot longer in the film.
Tripping Through Gateways 