Kimberly Elise – Tripping Through Gateways

Fifteen years ago, Clifford McBride left earth to find intelligent life in the universe, leaving a wife and son behind. At some point, the mission was lost. McBride’s son has followed in his fathers footsteps and now works as part of a space station/satellite. After he survives a massive accident Roy McBride discovers that his father may yet be alive and that his experiments may be what caused the accident. See, the accident was due to a massive surge from space that has impacted the planet.

Roy is recruited to go on a mission to see if he can convince his father to stop the experiments. Much of the film is focused on Pitt’s Roy McBride’s trip and emotional journey. It is established early on that Roy is in a rather remarkable sense of self control. He is aware that this is detrimental to his relationships and that he is pretty distant from his own life. He even comments that he might be lying to everyone, even himself.

This tends to work really well, as Pitt keeps his performance largely detached and emotionless until you near the end of the film. Only as he sees possible closure do his emotions start to creep to the surface.

The film really rides almost completely on Pitt’s performance, as most characters pass in and out of the story very quickly. But Pitt is up to the task. The film is not terribly deep, it is about fathers and sons and letting go of personal pain. And the film is very much surface level. But I appreciated that the film does not get so lost in meandering philosophy (and it could have) that it feels like a solid resolution and hope for Roy by the closing minutes of the film.

The other thing I appreciated a lot in this film is the atmosphere and the world building. Set in the vague “near future” we have space stations on the moon and Mars, but nothing feels implausible. The tech feels like logical extensions from current tech. The moon is established as a borderless zone, full of tourists and threats. In the safety of America’s Moon-base you have fast food restaurants, families taking their pictures with mascots and hotel chains. but leaving there, you run into human threats.

Ad Astra is thoughtful sci-fi without being too esoteric for mainstream viewers. It is amazing to look at and Pitt gives a simple but interesting performance.

The seventies were a time of unrest and in some parts of America, high crime. Tough Guy Charles Bronson brought to live an everyman pushed to the edge by criminals who attack his wife and daughter. The original Death Wish spawned four sequels. Architect Paul Kersey journeyed through crime ridden neighborhoods to do what police could…or would not…do.

In Eli Roth’s remake, America’s favorite tough guy, Bruce Willis, plays Paul Kersey. In the original franchise he was a mild mannered architect. Here, we find Paul Kersey to be a skilled surgeon in the emergency room. The film shows Kersey to be a decent guy, but also one who backs down in confrontation. It also makes a point in one scene to show that Paul does not own any guns. But when his wife and daughter are attacked, the police start to seem a lot less effective. It eats at Paul and he becomes drawn to a local gun store.

After a couple false starts, Paul manages to foil a car jacking and soon follows it up by killing a noted drug dealer. The media erupts and Paul is nicknamed the Grim Reaper.

Many have noted that it is practically an ad for the NRA. But really, this film is more of a promotion of the fear that certain politicians foist upon us. Fears of rampant crime, violent drug dealers, foreign invaders and so on. And it is not that these things do not exist. But the film overhypes them.

Eli Roth uses his trademark subtlety with this one. The core of the film is revenge because “You touched my stuff!” This may seem harsh, but the daughter spends almost the entire film in a coma and her mother is dead. The women in his life are reduced to being stuff to drive his anger, fear and resentment.

The way the film ties up it’s story is just overly neat and tidy. Implausibly so. Roth plays lip service to the idea that maybe Kersey is in the wrong…but it is set dressing. It is painfully clear that we are to identify with and thrill over his violence and cruelty.

When I took the disk from the player…I really found the movie pretty unremarkable, fading from my memory. It follows the required rules of action movies…but it fails to make the character interesting or complex. This is not John McClane taking on terrorists whose plot he stumbled into. This is a predator going on the hunt, which is a lot harder to root for.

Tag: Kimberly Elise

Working Out Your Issues (Ad Astra, 2019)

Fear And Anger (Death Wish, 2018)