How Are We Alive (Toy Story 4, 2019)

Toy_Story_4_PosterHonestly, the Toy Story films are something rare.  Never feeling like a cash grab when you actually watch them, they stand together in a way other animated franchises rarely do….even from Pixar.

Each film finds some new approach to its characters, new and thoughtful hopes and fears. And this time it is no different.  Though, the big questions are…well bigger.

Before the story begins proper, the film addresses why we did not see Bo Peep in the third film.  Granted, Bo is mentioned in a moment of that film as having been given to a new home, but here we get an action packed opener set several years ago, when the toys were still Andy’s.  Unlike the previous two films, which showed us Andy’s imagination, this sequence is the toys trying to save another toy in danger of being lost in a storm. This sets Bo up as being a bit more action oriented, since in earlier films, she is never given a lot to do, other than be the presumed love interest of Woody.

Everyone is shocked to find Bo is being given away, as Molly (Andy’s little sister) no longer is interested her. Bo tells Woody it will be okay and then the film picks up present time, with young Bonnie terrified of her first day at Kindergarten.  Against everyone’s recommendations, Woody stows away with Bonnie. At school, she creates a little friend she nicknames Forky.  When Woody sees how much joy he brings Bonnie, he becomes convinced he must protect Forky at all costs.

When the family takes a road trip, Woody and Forky become separated, they run into several obstacles when trying to get back to the family.

And honestly, the film works most of the time.  What happens to lost toys? Well, here we see a whole tribe under the loose care of Bo Peep.  I liked this adventuresome Bo Peep who represents a possibility that has never occurred to Woody.

There are also a lot of fun new characters, such as Duke Caboom and Giggle McDimples.

The biggest problem of the film is its central conflict character. Gabby Gabby is set up right away as a dark character.  We eventually learn the reasons why, and unlike Lotso in part three, she is offered a redemptive arc. Unfortunately, it is so rushed that it makes things very problematic.  I was not sure initially if it bothered me…but how it plays out could have been done in such a better way.

However, largely, this film is very entertaining and many times managed to tug at my heart strings more than once.  I liked the characters and had a good time overall.  This is not a quartet of near perfect films due to a few issues with Toy Story 4, but it is a pretty solid set of films. Toy Story 4 could have used another pass, but it is a strongly entertaining film.

Rom Cooking (Always Be My Maybe, 2019)

Always_Be_My_Maybe_PosterAlways Be My Maybe is the story of Sasha and Marcus, lifelong friends whose lives are dealt a painful blow that causes them to lose contact for over a decade. Sasha grows up to be a world famous Chef, while Marcus lives with his father and has a band that has never left the block he lives on.

They are brought back together and struggle to get their friendship back on track. Of course, there are several impediments towards rekindling their romantic feelings.

And, honestly? Always Be My Maybe feels like it should be a real lackluster affair.  It crosses every “t” and dots every “i” of the Rom Com formula.  It never really holds any surprises….and yet?

Always Be My Maybe succeeds.  A lot of this is due to the cast.  Park and Wong have a real chemistry (no doubt from a longstanding friendship).  They feel like they have been long time friends.  And their supporting cast is great.  James Saito is heartwarming and kind as the father to Park’s Marcus.  Michelle Buteau is the assistant to Wong’s Sasha (and an old friend of Marcus’ as well) who is both warmly friendly and a bit of attitude, without tipping into Sassy Friend stereotypes.

And Keanu Reeves… well, he is great.

The film does have some pacing issues, but nothing that really overwhelmed the film for me.

Always Be My Maybe rises up to make a solid and enjoyable Rom Com.

I Hate Mondays Chapter 3 (John Wick 3: Parabellum, 2019)

John_Wick_3_Parabellum_PosterJohn Wick was one of those suprirse franchises.  I went into the first film with low expectations…and had a great time with a basic revenge action film.  I was sure that John Wick Chapter 2 would be the failed follow up and instead it turned out to be even a little better than the first.

So, does John Wick 3: Parabellum keep the momentum?

For the most part? A big yes.

Picking up directly on the heels of Chapter 2, there is a bounty put on Wick’s head and he is essentially excommunicated from the elite assassin community he had originally sought to get out of in the first place.  But now it is a matter of survival.  And Wick plans to go to the top. But his situation now means he cannot get any help from the support network he has had access to previously.  This puts him in a situation where he spends much of the first act without guns.

But then, this is the trick of John Wick.  Anything is a weapon in the hands of John Wick…anything. Take away the simplest and most obvious weapons?  He will figure it out.

The weakest part of the film is that the film does not expand on the existing mythology in a way that is terribly interesting.  The auditor who arrives to hold everyone who has helped Wick to account is okay, but I found the people above her less impressive.

On the other hand, the assassin fights are a lot of fun.  And Mark Dacascos is highly entertaining as Wick’s direct opponent during the third act. The action choreography is a wild watch, especially some of the earliest confrontations.

The casting of these films is impressive.  Every character, even the most minor, feel like the actor was cast with a serious intent. And the new additions, such as Halle Barry, are great.

One of the things that make the Wick films so enjoyable is that the action is pretty easy to follow.  The fact that all three films were directed by Chad  Stahelski is a strong argument for keeping a single visionary at the helm for a franchise.  While not quite as good as John Wick Chapter 2, this film is a strong follow up that means the franchise has yet to truly falter.

The Devil You Know (The Devil’s Advocate, 1997)

The_Devils_Advocate_PosterKevin Lomax is a hotshot lawyer in a small Florida town. He has never lost a cost, until it seems, he finds himself unable to defend a school teacher accused of molesting young girls. He manages to undermine and humiliate the accuser and win the case after all. This brings him to the attention of a large New York firm.

Skeptical at first, Kevin and Mary Ann Lomax are soon swept away by the lavish lifestyle afforded them. But the more time passes, the more Kevin’s ambition starts causing him to turn a blind eye to the darker aspects of this world.

At the same time, Mary Ann is drowning in this new world, her confidence constantly being undermined by supposed friend Jackie.

It all leads to the discovery that…well, the head of the law firm is Satan. And Satan has big plans for Kevin.

The film is not a metaphor, I mean, Al Pacino’s John Milton (subtle) is definitely the devil, there is all sorts of supernatural moments…Kevin is the young man tempted by his own lusts for achievement.  At one point, when Mary Ann is seemingly lost, Milton offers Kevin an opportunity to step back, devote time to helping his wife work back to health. But Kevin justifies not doing so out of “concern” that if she got better, he would resent her for it.

I have always had a soft spot for this film. I think Pacino has a lot of fun, and some great over the top dialog.  It has a really solid cast (Craig T. Nelson plays an obvious trump analog).

It can, however, be a bit ham-fisted, and it can be really hard to want Kevin to succeed in the film watching him constantly make the most awful choices. And what is really annoying? The cheat of the end of the film. It makes almost the entire story feel like there were no lessons to be learned. There is also some really terrible digital compositing…in scenes where there should not have been that big of a challenge (the cityscape behind Reeves and Connie Nielsen in one scene where they are on a balcony is just…embarrassingly bad, especially post Jurassic Park).

But, again, Pacino is fun to watch (his massive speech at the end is a pretty fair indictment of humanity, all done with that Pacino flair) and this is one of those Keanu roles where he is kind of clueless, which seems to allow him to deliver some of his best performances. Charlize Theron is sweet and sympathetic pretty much all through the film, and her descent into the mouth of madness is heartbreaking.  The Devil’s Advocate is a mostly fun watch with even a few moments of insight.

I Hate Mondays Chapter 2 (John Wick Chapter 2, 2017)

john_wick_2_posterWhen we last left John Wick…he was still working to get his car back.  And after a very crazy and intense fight to do so, he heads home.  He buries his weapons, planning to quietly slip back into retirement.  But instead, his actions have come to the attention of Santino D’Antonio, to whom Wick owes a favor…and seeing how John left retirement, he is determined to cash it in.

John refuses and Santino handles it badly.  A visit to Winston lets John know he has to honor the debt…but after the debt? John is in the clear to get back at Santino.  And so John goes off to Italy to complete the mission…and…well, let’s just say his day goes from bad to severely life threatening.

John Wick Chapter 2 picks right up and never lets up.  Even the quiet moments feel like they are a build up to something intense.  As hit men rain down on Wick, he is constantly on guard.  Every corner reveals a new threat.  This gets amusing, such as one scene where Wick and Cassian (played by rapper and actor Common) are walking through a train station, from a distance trying to shoot each other (but carefully missing the people around them).

Many of the hit men are brief roles, yet the film gives them each unique and personal styles suggesting a backstory (we will never get).  Director Chad Stahelski returns with the second installment and it pays off.  John Wick Chapter 2 takes the best parts of the first film and amplifies them.

As before, the action is extremely well choreographed and the story kept very tight.  Rather than start to give the film to much more background, as sequels are prone to do, it follows the rule of “Keep It Simple”.  This really works in Chapter 2’s favor.

And finally, the film is clearly set for a Chapter 3…and the final moments of Chapter 2 hint that it will be quite a thrill ride.

I Hate Mondays Chapter 1 (John Wick, 2014)

John_Wick_PosterJohn Wick is having a bad day.  A really bad one.  This is the gist of the film.  John Wick is mourning the death of his wife.  He is gassing up his car one day when some punks express interest his car.  That night, they break in, assault John, hurt his dog and steal his car.

One little thing…John Wick is a notorious hitman.  He is the boogeyman hitmen tell each other about.  Wick had retired, but now he has a mission.  That mission is to get his car back…but that means a whole lot of people are going to meet untimely ends.

John Wick is an action film with no aspirations to be anything else.  Wick is a very simple character in a post-Taken world.  He has a very special skill set and connections to a very dangerous community. This works in the film’s favor, as it makes it pretty easy to go along with the outlandish action sequences.

I have long argued that the key to a good Keanu Reeve performance is a character who might be smart, but is generally clueless about the plot.  And admit it…most of his most memorable performances involve kind of clueless characters.

Not John Wick.  Wick knows who he is, what he wants and how to do it.  And it is pretty exciting to see him do it.  The fights are tightly choreographed and eye catching.  Reeves maintains a strong presence considering the fact that there is not much to the character.  This is a lean action film full of characters with no real complexity.  Each character has a specific role and they play it well.  The film does not give you a lot of background to many characters…instead it allows the actors to bring a certain amount of their own presence.  Ian McShane gives the “Overlord” Winston instant gravitas, while Lance Reddick’s Charon carries a real weight of quiet authority.

This is director Chad Stahelski’s directorial debut.  He was primarily a stunt coordinator/choreographer who has done some assistant director work…but for a debut film, Stahelski does a pretty solid job.  Probably the biggest knock against the film is the choice to view the entire film through a blue tint, which can get annoying at times.

John Wick is a strong debut for a first time director and a good start to what has become a franchise.

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