Choke On Em! (Day of the Dead, 1985)

Day_of_the_Dead_PosterDay of the Dead begins with the films heroes landing a helicopter at the edge of a city. They are calling out as the camera explores a desolate empty world seemingly only occupied by animals.  But then we see a shadow and the camera pans up to the mutilated face of a zombie.

Day of the Dead shows us a world over run by zombies.  There are few members of the living.  In fact, our heroes are part of a secret base of scientists and soldiers who are starting to wonder if they are all alone on the world.  Set on a small island in an underground base, tensions between the civilian staff and military men are running high.

Captain Rhodes and his men are starting to become more aggressive, believing the scientists work unimportant.  The military men just want to find another outpost and leave.  But the lead scientist Logan is obsessed with the idea that he can “domesticate” zombies.  His best example is the zombie Bub (which he explains is a nickname of his father).  Bub seems to remember things like tools, books, phones.  He mainly is mimicking what other people do (he simply thumbs through a Stephen King book, runs a disposable razor down his cheek, etc).  But Logan believes it is more, and the end of the film does suggest that Bub is not as mindless as he seems.

Eventually, it all explodes, the scientists plan an escape, while Rhodes and his men plan to leave the island and the scientists behind.  You might be surprised to find that not everything goes as planned.

A new theme enters Romero’s films with Day of the dead…one of…”Who is worse?”  Not unlike Ripley telling Burke you don’t see the aliens “f***ing each other over for a percentage”, Rhodes and his men may be more terrifying as they bully and abuse the scientists.  It has been said that as the movies have gone on, George Romero started to side with the zombies.  Day of the Dead is the seeds of that.

It is not just the callous obsession of Logan or the cruelty of Captain Rhodes.  It is, ultimately, Bub.  Bub, who barely says a word is remarkably sympathetic.  Sherman Howard packs a lot of emotion into his performance, and it is no surprise that Bub is a popular character.

Truthfully, Day of the Dead is my favorite Romero zombie movie.  I like and admire the previous two films, but Day is my unabashed favorite.  Being set beyond the zombie outbreak allows an exploration of that world based in something other than confusion and desperation.  It asks the most intriguing questions about human nature and our desire to control situations that may be far from our grasp.

Just Need to Take a Ride (Knightriders, 1981)

Knightriders_PosterI never really had any idea what this movie was about, based on the cover in the video store. s thought it was maybe about time traveling bikers in medieval times or a post apocalyptic future.  It turns out…it is about Ren Fair bikers who get super popular.

Billy leads a traveling show where everyone dresses as knights and other medieval citizenry, with the one different being they ride motor cycles rather than horses.  Most treat it as a fun business, but Billy seems to have really bought into the notion that there is a certain reality to his kingdom.  He starts to really have a crisis when he discovers a magazine write up about his crew that starts to cause fractures. It starts to get minds within the group to be tempted by dreams of fame and stardom.

Eventually, Morgan (Tom Savini) walk away to take a lucrative sounding offer of commercialization.  And while it is exciting at first, they start to become disillusioned, missing what they had with Billy.

It is interesting to see how they have framed various members of the Arthurian court.  Merlin is more of a hippie than magician…but he seems able to reach Billy in a fashion others cannot.

The film focuses on themes of being true to yourself and your ideals, an not caving to compromise.  And that can feel a bit goofy in a film about guy jousting on motorcycles for fun.

The jousting sequences are fun to watch and really, the cast does a good job of bringing it all to life convincingly.  If the film has one major flaw, it is quite simply that at two and a half hours? It is a bit to long.  But still, this is such an odd man out of the Romero catalogue, it has some real charms.

It’s Only a Costume (Martin, 1976)

Martin_PosterMartin is one of the more interesting vampire films of the 70’s.  Martin believes himself to be a vampire.  It does not help that his family feeds this belief.  He has faced exorcisms and now is being sent to live with his cousin Cuda.  Cuda calls Martin Nosferatu and has filled his house garlic and crosses. Cuda’s daughter is less impressed with the family’s old world beliefs.

As he approaches his first victim in the film, he gets flashes in black and white that show his perception.  He envisions entering a room and being welcomed by a beautiful woman in lingerie.  The reality is she is wearing face cream and in a mundane robe.  And rather than reach out to him, she is understandably horrified.  There are flashbacks to his past as well (also in black and white).  These are very effective ways of bringing the viewer into the mind of Martin.

Martin is also haunted by the voice of a relative who was believed by the family to be a vampire as well, and had committed suicide.  Presenting a evidence for the viewer that Martin is not a supernatural being is his lack of fangs.  He attains his blood not through entrancing his victims, but drugging them.  He has no fangs, rather uses a razor blade to draw blood.  Martin claims he is 84 years old, but there is no evidence to back this up. He has no physical reaction to the traditional weapons of garlic or crucifixes.

Cuda represents the old school, classic vampire film, but he is trapped in a modern and faithless world of vampires. The final act of the film is Martin discussing his vampirism with a talk radio host using the name “The Count”.  This is juxtaposed with Martin’s mundane life, as he laments how hard it is to choose a victim.

The film ends both tragically and ambiguously, with voices on the radio asking what has happened to the Count.  Martin is a strong entry into the world of Vampire Cinema.  Romero explores the vampire myth through skeptical eyes, which really works in the film’s favor,

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