Boat Trip (Jason and the Argonauts, 1963)

jason_and_the_argonaughts_poster.jpgKing Aristo has been killed and his throne taken by Pelias.  But it is revealed that there is a prophecy that one of Aristo’s sons (wearing one sandal) would bring the downfall of Pelias.  But before Pelias strikes the child down, he is told that killing the infant will mean his own death.

Years later, a young man wearing a single sandal saves Pelias from drowning.  The young man, named Jason explains (not realizing who he has saved) that he is undertaking a journey to find the legendary Golden Fleece to rally the citizens against Pelias.  Seeing an opportunity, Pelias suggests this is a wise plan and encourages Jason, even offering him resources and a crew.  Men come and compete to join Jason on his ship the Argos.  Among the crew are Hercules and Acastus (son of Pelias and there to help hasten Jason’s death if necessary).

The film is full of trials and dangers.  When the crew is dangerously low on any rations and  out in the middle of the sea, Hera leads them to the Isle of Bronze. There, when Hercules disobeys a rule about only taking provisions, they face a giant murderous bronze warrior.  In another sequence they seek the wisdom of a blind man who is cursed to be beset by Harpies who eat his food and leave him only scraps for every meal.

Jason has assistance from Hera, but Zeus has made a provision that she has only five opportunities to intervene for Jason when he asks it.  Like the myths of old, Jason and other mortals are mere pieces of a game.  The gods here are a bit more jovial than in the old stories, where their jealousies and lusts were powerful driving factors within their relationships to each other and man.

This film is full of grand visuals, from a giant Poseidon parting cliffs to allow the Argos to pass and a multitude of amazing monsters, such as the Hydra and the famous skeleton fight scene.  Of course, the special effects are the work of the legendary wizard Ray Harryhausen.

My one criticism here is (and it is admittedly a big one) how the movie just kind of “ends”.  The actual story is not resolved.  Pelias is still king.  I don’t know if there was an expectation that there was be a second film…but it makes it feel like an incomplete epic.

Culture Clash (Clash of the Titans, 1981)

Clash_Of_The_Titans_1981_PosterGreek myths are some of the original action stories.  Filled with god, heroes, and monsters, they still capture the imagination thousands of years after their originators have passed.

In 1981 we got one of the most memorable of the “recent” forays into Greek storytelling.

The king of Argos has locked away his daughter in fear of a prophecy that if she bore a son, that son would kill him.  But Zeus falls in love with the lovely Danae and impregnates her. He has Danae and her son Perseus entombed and thrown into the sea.  But Zeus is angered and has Poseidon release the remaining Titan the Kraken upon Argos, destroying it. Instead of dying, Danae and Perseus wash ashore.

Zeus watches over Perseus, causing strife with his wife Hera and Thetic, a sea goddess.  This comes to a head when Zeus becomes angry with her son Calibos.  He is a handsome young man destined to marry the beautiful Princess Andromeda, daughter of Queen Cassiopeia. Zeus is angered by Calibos’ cruelty and disrespect, citing his having hunted and killed all but one of the winged horses Zeus had created.  He turns Calibos into a misshapen cloven-hoofed monster, left to rule in a swamp.  Thetis curses Andromeda, requiring that each man who comes to pursue her must answer a riddle.  If they fail, they are put to death.

Hero help Thetis set in motion a revenge plan, in which Calibos might end the life of Perseus.  But Zeus provides him with special weapons that allow him to best Calibos and find the answer to the riddle.  Perseus and Andromeda are to be wed, but when Cassiopeia oversteps and proclaims Andromeda more beautiful than Thetis herself, Thetis demands that Andromeda is to be given as a virgin sacrifice to the Kraken.  Zeus reluctantly agrees, but Perseus is determined to save her and seeks to find something that will allow him to stop the sacrifice.

The final film to feature the stop-motion grandeur of Ray Harryhausen, Clash of the Titans is an exciting adventure.  While there is no reality to them in comparison to modern model and cgi work, they have a unique and enjoyable charm to watch.  There is a physicality to the visuals.

Medusa is the true highlight of the monsters in the film, her scary visage and every movement to inspire fear.

While the characterization of Zeus is a bit kinder than the actual myths, the overall pettiness of the gods is still at play. The actors also bring a regalness, from Laurence Olivier to Maggie Smith.Harry Hamlin has a chiseled from clay look (and super pouty lips) and Judi Bowker is luminous as Andromeda.

Clash of the Titans was not the last of these types of films (There were two Lou Ferrigno Hercules films), but it feels like it closes an era.  But Clash of the Titans is a minor classic of fantasy films.

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