You Gotta Go

It is a very common movie tactic to have the couple whose relationship has collapsed. One has moved on, and one, usually our main character, has not. They are frustrated, even bitter, about how things have turned out. But it really about regrets. They still love their ex and would be back with them in a flash. But of course, the person who moved on is now in a relationship. And so screenwriters have a problem…how to get the person out of the way before the stories end. And outside of romantic comedies, the solution can often be…um..drastic.

I am about to spoil the crap out of the movie San Andreas.

In San Andreas, Dwayne Johnson’s Ray Gaines and his wife fell apart after the death of one of their daughters. This has led to Carla Cugino’s Emma having moved on with Ioan Gruffudd’s Daniel Riddick. And of course, their daughter Blake (Alexandra Daddario) is caught in between. You know that the film wants to get Ray and Emma back together. But they do not have time for the two to have a mature discussion and then an amicable breakup with Daniel. Instead, the film knows what must be done. Daniel must die.

This happens repeatedly in films. Bait. 2012. The Fate of the Furious (sort of). This is a quick and easy way to resolve the problem. Now, in some cases, such as Bait, the person killed gets to be heroic. Which, I guess is nice.

But it is just as likely to be rather unceremonious. In the aforementioned San Andreas, Daniel is with Blake when a massive earthquake collapses a beam on their car. Blake is trapped and Daniel promises he will get help. Except, he basically runs off screaming. In fact, Daniel is repeatedly shown to be cruel and cowardly right up until his death. Up until the point he leaves Blake, he had come across as a pretty decent and nice guy. He was kind to Blake and was clearly into having a good relationship with Emma.

But here is the thing. He is a romantic rival. And he is physically positioned in an opposition to the Rock. While Johnson is large and muscular, Gruffudd is a slighter frame. He works in an office, he is not physically imposing or tough. And this is kind of coded to suggest he is a weak opposition who needs to be swept aside. Making him a vile coward who leaves her daughter to die, while she rushes to find Blake with Ray allows for her to first be angry and then forget about Daniel entirely.

This type of flourish tends to be unnecessary. In the case of San Andreas, you could have made a far better dramatic moment of Daniel running to the door, calling for help and the Ben and Ollie characters seeing him. They race to the door and Daniel returns to the car to start trying to get Blake out. Daniel, Ben, and Ollie work to get Blake’s leg’s free. As they are getting her out, Daniel realizes that for her to successfully get free, he will have to stay in a position that will result in his death. Saving Blake is what he sees as important, and to the horror of the other three, Daniel allows himself to be crushed for their survival.

The fact is, none of Daniel’s later scenes add anything to the film. So you do not lose anything. And he is an entirely unnecessary villain. Natural Disaster stories do not inherently require a human villain.

It seems like the main reason such choices are made are that a romantic rival is made to be not just an impediment to the hero’s romantic situation, but a threat to (most often) their masculinity. And this is where things get to be troubling. The need to make a villain out of the rival to the extent that they are a legit villain before they are killed is a troubling attitude to perpetuate. Killing off a character to make a romatic connection happen is pretty lazy story telling.

September 19, 2017 0

Surf the Skies (Fantastic Four: Rise of the Silver Surfer, 2007)

I think people were a little surprised that the Fantastic Four got a sequel. And you gotta admit, doing the Silver Surfer/Galactus saga is a grand idea. Then they get Doug Jones for the physical body and Laurence Fishburne as the voice of the Silver Surfer (this was not actually a great idea in retrospect). Things are looking good! Man, who will they cast a Galactus, right?! Will he be totally CGI or what?!

So, we start off with Galactus eating a planet. Actually, we get a planet sized version of the Smoke Creature from Lost. Not kidding. Maybe Galactus is inside the cloud, right?! Then the Silver Surfer heads towards earth… where we find Sue totally freaking out about her pending nuptials. Seriously, how freaky must an invisible Bridezilla be?! But the Surfer ruins their first wedding attempt.

Johnny chases after the Surfer and ends up being dragged nearly into out space. He has trouble as he falls to earth. We find out that this is due to the effects of the cosmic energy that the Silver Surfer gives off. The Surfer continues gliding across the globe-his magic (so to speak) starts to impact the atmosphere and even frees Dr. Doom from his statue state.

Reed discovers Johnny can now switch powers with his team mates. This allows for another “Sue Caught Naked In Public” scene. It also gives an amusing moment when Johnny becomes Thing-i-fied and Ben returns to normal and has fire powers. The team has to try and save people from the effects of the Surfer’s travels, and find it harder than usual as they keep switching powers every time Johnny bumps into someone.

Reed soon discovers a pattern by tracing the Silver Surfer’s path through the cosmos. All the planets he has visited have been destroyed. So he starts formulating a plan to catch the Surfer. Both the Military and Dr. Doom join in. Of course, the audience knows he has an ulterior motive. Sue, meanwhile contributes about whining about not getting married yet. Eventually, they catch the Surfer (partially because he is enamored by Sue). This is when Doom strikes, stealing the Surfer’s tubular board-the apparent source of his power.

Dr. Doom plans to rule the world-while the giant cloud of smoke threatens to destroy it. The Fantastic Four tries to fight Cosmic Doom, but instead, he hits Sue with a fatal shot. Johnny takes everyone’s powers and beats the crap out of Doom, gets the Surfer his board back. The Surfer uses his magic to heal Sue and he flies into space to take on Galactus. So, now we finally get to see the real Galactus!!! AWESOME!!!! Oh wait…it actually is just a big cloud.

The Surfer seems to sacrifice himself to save the earth (except we find out he survived for a potential spin off). Reed and Sue get married and everyone is totally happy.

Well, except the viewer. The first film stumbled a lot, and the folks behind the this one (the same team as the first, pretty much) seemed to indicate they learned their lesson. But from character design to strange choices… Sue is once again reduced to offering little in the way of being a strong heroine, as she spends the whole film whining about getting married. It gets so bad that she chastises Reed both for having fun dancing in a club and also trying to protect the world instead of focusing on getting married. Because…why save the world, y’know?

While the power switching issue is an interesting concept, it never quite gels. And frankly, a Fantastic Four movie where three members sit out the final battle and one member pummels the bad guy? It kind of misses the point of calling them the Fantastic Four.

Galactus seems so secondary as a threat… Doctor Doom and his scheme to get the Surfer’s power. Once he has that power? He does not run off to stop Galactus from destroying the planet he wants to rule. No, he just goes around flaunting his power. This is a terrible lapse in logic and reduces one of the great complex comic book villains to Bad Guy with No Real Plan.

And let’s look at Galactus. I’ve commented on this before, but it bears repeating. A giant cloud is not awe inspiring. I get that folks involved might have thought the traditional appearance of the character would look goofy. But the cloud has no identity. What, a large (twelve feet or so) guy in a ship that is his life support machine was impossible to create? Make the ship in the shape of the helmet from the comics as a tip to fans. Done.

I will say that I found Ioan Gruffud far more engaging this time around. McMahon less so. Evans and Chiklis were terrific…and Alba? Well, god bless her, she tries to make a thankless role work… but they really give her two jobs… pout and be pretty. And yet again, the second film finds a way to get a sequence where she is naked in public. Oi. Kerry Washington is back as Alicia Masters…she does fine, but the role is pretty much there to show that the only person who could love Ben Grimm is a person unable to see him. Granted, that is part of the character in the comics as well…but still.

I will say the effects are pretty solid, and the Silver Surfer looks terrific. And Doug Jones is a top notch performer. I had the opportunity to speak with Jones last year and he noted he had actually been recording a really unique voice for the Surfer, which makes it a shame they over dubbed him, even if it was Laurence Fishburne.

Instead of stepping up and blowing it’s predecessor out of the water, the second film feels even more lackluster, and screws up a great comic story that should have been pretty easy to pull off.

September 13, 2016 0

The Four (Fantastic Four, 2005)

Oh…the controversy. The first Fantastic Four film was coming up after the successes of X2 and Spider-Man. The time seemed ripe to bring forth Marvel’s first family. This is not the first attempt. Roger Corman made an absolutely terrible film simply to retain the film rights in the early 90’s. The film was available on the convention circuit, but was never officially released.

Created by Stan Lee and Jack Kirby, the Fantastic Four ushered in the age of Marvel comics. Spider-Man and the X-Men may have gotten to the big screen first, but the First Family? Well…they were…uh…first. Lee and Kirby produced 102 issues of grand cosmic adventures.

The 2000’s seemed like an ideal time to adapt the film, because effects allowed the possibility of the characters not looking quite so ridiculous. And both X2 and Spider-Man 2 had proven what you could do with a comic book movie.

Marvel hired Tim Story, who at that time had Barbershop and Taxi as the big films under his belt. Writers Mark Frost and Michael France had long histories (Frost wrote for Twin Peaks and a lot of television since then, while France contributed to several Marvel films). The announcement of Story was surprising, as this was a big event movie. But one of the reasons Marvel brought him on board was to have the focus be on the family dynamic of the Fantastic Four. This is important, because it is that family dynamic that makes the Fantastic Four work. They are not simply four team members. They are a family unit and operate as such.

The first big controversy was the announcement of Jessica Alba. Specifically, former Fantastic Four writer/artist John Byrne declared Hispanic women who dye their hair blonde look like prostitutes. He’s all class.

The film begins with Reed Richards (Ioan Gruffud) and Ben Grimm (Michael Chiklis) making a pitch to Victor Von Doom (Julian McMahon), Science Based Industrialist. He has the money, while Reed is on hard times. Agreeing to do a test involving a cosmic cloud that will pass by Earth, the crew-comprised of Reed, Ben, Victor, Sue Storm (Alba) and hot Hamish Linklatershot pilot (and Sue’s Brother) Johnny Storm (Chris Evans).

Due to a miscalculation, the storm hits earlier than expected. When the crew comes to on back on earth, they find themselves quarantined in a very fancy mountaintop chalet. They start to notice changes. Sue starts to fade, Reed can stretch like rubber, Johnny can generate fire and Ben? He gains weight. Well, that and turns into an orange rock monster.

In a moment of desperation, Ben unintentionally causes an accident, and then goes about trying to save people. The other three jump in and help. After successfully averting a fatal disaster, they find themselves to be celebrities. Reed discovers that their space suits now work in conjunction with their powers. Reed begins a search to cure the four. However, Johnny is enjoying his powers. While showing off, he gives them all code names-The Invisible Girl (to which Sue bristles), Mr. Fantastic, the Human Torch and the Thing.

Meanwhile, Doom is having troubles of his own. He is apparently mutating, and his board of directors is taking him company out from under him. Doom is growing more and more paranoid. He soon discovers he can manipulate electricity. He starts exacting his revenge.

Ben meets a young woman named Alicia (Kerry Washington) who is a blind sculptor. She is instantly smitten, while Ben cannot understand why she would be interested in a monster.

Johnny continues to revel in his popularity, while Reed works to solve the riddle of returning them to normal and re-kindling his romance with Sue. Victor sees his opportunity. Victor helps Ben reverse his condition, but Ben realizes this is mistake, as the Fantastic Four is a family and a team who all bring something to the table with their powers. After Ben gets his powers restored, they have an all out battle with Doom, learning to work together as a team and taking Dr. Doom down.

To be blunt…the film is just not that great. Oh, it has it’s moments. The sequence where they save people on the bridge is thrilling. The resolution of their fight with Doctor Doom is solid. There is a lot of humor and nice touches (Johnny walking along popping popcorn with his hand). But so much of the problem lies in the villain’s motivation. Why is he so keen to kill our heroes? Sure, he’s jealous, and he becomes paranoid…but it feels like there is no real solid reason for Victor getting his hate on.

The casting is troubling as well. Now don’t get me wrong, Chiklis was inspired casting. He plays a perfect Ben Grimm. And Chris Evans is terrific as Johnny Storm. He is brash and excited, loving his powers. He uses his powers for fun as well as heroics. The chemistry between Chiklis and Evans is pretty great, they really capture that spirit of the adversarial friendship from the comics. The adversarial part is played up a little more, but it still makes for some enjoyable exchanges. And Julian McMahon does make a good Doom. He portrays the arrogant pride very well.

But then there is Ioan Gruffud. He has been good in other roles, but for some reason, his Reed Richards is pretty dull. And JessicaAlba. Oh, I get the idea of casting her. At the time she was more of a draw, giving them star power. And they took advantage of the casting (a gag wear Sue disrobes in public and suddenly becomes visible was apparently added after she had read the script). I get it, she’s pretty. But the problem is, Alba comes across as so much younger than everyone else-including her younger brother Johnny. It becomes hard to buy that she and Reed have some sort of broken past that needs mending.

Another big problem is some of the story choices. Specifically as this was meant to kick off a franchise. Curing Ben, albeit temporarily, in the first film is a poor choice. This is a franchise…build on that. Save it for down the road. Let it mean some something to the fans. Let it breathe, rather than be a five minute bit in the film.

This could have been a fun film, and the extended cut they released is a definite improvement. But this film does not rise to the levels of even the first X-Men and Spider-Man films.

September 12, 2016 0

Coasting to the End(Playing It Cool, 2014)

There is a lot about Playing Cool that makes me want to like it. The cast (both lead and supporting) is comprised almost entirely of actors I like a lot. The film has some nice ideas it is playing with. It has some clever visual moments.

But the pacing and the storytelling? That is where it falls flat. And it keeps it from being a movie I truly enjoyed.

That it is a cliched tale of a screenwriter (Chris Evans) who does not believe in love, but then meets that one amazing woman (Michelle Monaghan)…but she has a boyfriend (Ioan Gruffudd). He seeks the advice of his friends and family (well, his grandad, played by Phillip Baker Hall). These characters are fairly well designed. There is the gay best friend Scott (Topher Grace), obligatory art performer girl secretly in love with the lead (Aubrey Plaza), disillusioned married buddy (Luke Wilson) and Oddball Played by Martin Starr.

The film tries to attack these cliches, but rather ineffectively. And there are numerous attempts at big emotional beats. Yet, the film never really earns these. I did not get the draw between the leads, everything was a rough sketch.

What makes this painful is the film has terrific imagery. Whenever Evan’s screenwriter starts getting philosophical, the film gets interesting to watch. There is a terrific scene where the Screenwriter (Evan’s and Monaghan’s characters are simply credited as “Me” and “her”) starts mocking the notion of there being “someone for everyone”. He talks about how there are those people who are such social misfits, there is no way they could find someone…but he is surprised by how many of them do. The picture becomes more colorful and vibrant, except for Evans, who is now black and white. There is an animated sequence where Grandad tells the tale of how he pursued the woman he loved (an outlandish tale of swimming an ocean, riding wild horses and so on). Evans talks about how his heart has let him, and stands in the background chain smoking. And we see Evans off to the side, smoke billowing from every pore, like Humphrey Bogart. The movie is wonderfully expressive at times.

As a said, I like the cast. In a fun bit of casting, Anthony Mackie is Evan’s agent (kind of a business wing-man). The cast is well chosen for their roles…

But the movie takes so any shortcuts, it never earns the big emotional beats and revelations. “Me” realizing who he would spend the rest of his life on a boat with after reading his friend’s (Grace) favorite book? It feels empty…it should be this hopeful and uplifting moment, but the film skips so much it feels rushed…except it somehow manages to slow down to a crawl, especially when focused on Evans and Monaghan. The film is full of ideas, and some pretty lofty intentions. But it jumps past what it needs to invest in. There is no sense of a real life for these characters.

The writers have only two movies (both Chris Evans films) to their writing credit and this is Director Justin Reardon’s first full length feature. I see some genuine potential in all three, but this film is not a ideal final product.

The creative style and cast make me want to like this movie. The cliches and lack of depth make me disappointed that it does not live up to those things.

August 17, 2015 0