Spider-Man Swings Past the Origin

The site Collider has a discussion with the writers (though, the actual interview occurred on the Andy Greenwald Podcast) of the rebooted Spider-Man franchise.

comics-spider-man_00426012Much talk has been given about Spider-Man’s second reboot and his entering the the Marvel Cinematic Universe.  The hype is getting so ridiculous that an article appeared in my Facebook feed *confirming* Spider-Man would appear in Civil War.  People are so desperate for angles that they are confirming stories confirmed months ago.

The more interesting part is the address the most common concern people seem to have about the reboot.  Are we getting stuck with another origin story?  The fact that Spider-Man is appearing in Civil War would indicate the answer to be no.  The MCU has been fairly good at not jumping backwards.  The timeline appears as if they will be jumping into a story with an active Spider-Man.

This interview suggests that, currently, they are not writing an origin movie:

“I think that everybody feels like you know he got bit by a spider and you know Uncle Ben died, and we probably don’t need to revisit that.”

“We want to explore the fact that just because you get superpowers doesn’t make you into a really sophisticated, successful adult. He’s still a kid and he’s clumsy and he’s a geek and he’s a bit of an outcast, and in many ways the superpowers amplify that and exacerbate his trying to fit in.”

This is good to see.  Truthfully, the origin movie is rarely needed.  I get that there are all sorts of fun that can occur with someone learning their powers.  But a simple solution is set the story early in the hero’s career.  This allows for amusing and dramatic stumbles  due to inexperience.  You can still set up the rivalries.

affleck_batmanIn that sense, I get the idea that DC is working with.  It seems like Batman v Superman will be introducing characters who are already active.  I am not fully behind the “older Batman” approach…but in a way, I appreciate the way they seem to be avoiding another Batman origin story.  Sure, it appears we will see some flashbacks, but comics have always reflected on characters origins in their storytelling.  But Warner Brothers and DC seem to be realizing they can start the story later in the career of the character.  Really, I think it would have helped Man of Steel to start in his early career, instead of the introduction to his world as fighting a massive and destructive battle with Zod.

To be fair, Marvel has not just given us origin films.  The Incredible Hulk was not an origin tale and really, Thor was an established Asgardian Warrior.  But Marvel really has leaned heavily on origin films.  And it certainly worked for the best with Captain America.  So it is good to see that Marvel and their screenwriters understand that it is just not necessary to retell the Spider-Origin all over again.

Better, But Still Not Quite…There…

So San Diego Comic Con saw the release of a new trailer for next year’s Batman vs Superman and…

Well, I am a little more hopeful…but not yet excited.

The trailer is unclear if Batman has been active for years or if he retired, though there seems to be indications he is returning to his cowl.

While I am a bit bummed that we will not have an established friendship, they are clearly coming at this with the heroes fight, realize they are wrong, join forces model.  This is, certainly, a classic comic book story.  But Superman and Batman have a long history as close friends.  I would hope they can do it as effectively as John Byrne did in 1986’s Man of Steel mini-series.

bats_supesThey cannot, of course, give us a long established relationship, as Man of Steel established the very first time people saw Superman was his battle with Zod.  And the Man of Steel is our introduction to the DC Cinematic Universe.  It is off to a grim start.  I have expressed in discussions with friends that I am bothered by the literal hero worship aspect because I felt it had not yet been earned.  Granted, the film is likely set a few months after the previous film…and I can appreciate that they are trying to address all the destruction in Man of Steel.

So what makes me feel more hopeful?

Lex-LuthorThe Man of Steel Returning cast.  Getting to see Clark Kent active as a reporter.  Eisenberg’s Lex Luthor is intriguing to me right now.  Jeremy Iron’s Alfred seems to nail the idea that Alfred is Batman’s needed conscience.  It looks pretty exciting.  Wonder Woman looks tough.

wonder-woman1So, I am still cautious and not yet at optimistic.

Jor-El Sent His Only Son (Man of Steel, 2013)

Preface: This is a review I wrote two years ago.  I have, however, edited it a bit.

And lo, there was much controversy and arguing. So it was I saw finally got around to seeing the tale Man of Steel.  Zak Snyder, David Goyer and Christopher’s grimmer take on the Superman mythos.

In a lot of ways, this is a response to the toughly reviewed Superman Returns. One of the cries was “more action” and boy do we get it.

man-of-steel-posterFirst, the good. I think Henry Cavill did a solid job as Superman. The film spends it’s time focusing on a Superman who is not working for the Daily Planet, but rather Clark Kent roaming the planet and saving people. It is borrowing an idea from Mark Waid’s terrific Birthright…and while not quite as nicely executed, it makes sense to use it as a reference.

The film opens on Krypton, one like we have not seen in previous film or television adaptions. I am pleased to see they opted to break free of the influence of Donner for this film. It is a Krypton that has evolved to genetic engineering, something scientist Jor-El seeks to set his son free of. This happens in the midst of a military coup by General Zod (Michael Shannon). He and his followers are sent to the Phantom Zone, shortly before the destruction of Krypton.

Amy Adams is a tough and fearless Lois Lane who is on the trail of the mysterious hero. I liked her quite a bit in the role. She was aggressive and dedicated to finding her story. I also felt Zod and Faora were solid characters. As Superman’s parents, Russell Crowe, Ayelet Zurer, Kevin Costner and Diane Lane are all quite strong. Lara’s role is short, but she is strong and full of courage. Crowe is mainly there for exposition, but he makes it work.

The visual effects were great, seeing Superman use his powers was exhilarating. I truly had fun watching him use his powers.

The tougher stuff…while I liked Costner, I had the same problem with Man of Steel as I did with Smallville. Pa Kent is obsessed with “keeping the secret” which extends to “let people die”. This is troubling on a lot of levels. The action in the film is relentless, giving little time to catch our breath. The characters are also given little space to grow, so we get familiar, but new sketches, rather than full blown character moments. And the destruction becomes numbing…it is just to much.

In addition, Superman never appears as Superman until after Zod arrives.  Clark runs around saving people, but once he dons the costume, he saves one person directly, otherwise he is busy fighting Zod and his army.  You might ask why this matters…but if we had Clark appearing in Costume before Zod arrives, saving people and stopping crime, that establishes him.

We as the audience have every reason to see Superman as the good guy.  We get it, we have seen Clark use his powers to help people.  But in the world of the film?  The citizens of the world have no reason to trust Superman over Zod.  Donner’s original Superman film had a great sequence of Superman doing all sorts of heroics.  And it allowed us to see the city of Metropolis becoming excited about Superman.  We have seen from the teasers that in Batman vs  Superman they plan to explore the motif of hero worship.  And this could have set that up.

The other problem was, this feels like Nolan filtered through Snyder.  I like Nolan, I liked his take on Batman…but his Batman was grounded in a fairly real world idea.  There was no room for a Superman or Wonder Woman in the Nolan Bat Universe.  I also liked Watchmen by Snyder.  But between the two, they created a Superman world of darkness and paranoia.  Even the color schemes are digitally washed out and bleak.  This is still slightly better than Stalker Superman.

In the end, I still enjoyed this more than Superman Returns. It is imperfect, but not salvageable for the continuation of Superman.

Blog at WordPress.com.

Up ↑