Revisiting the Hills Pt 1 (The Hills Have Eyes, 2006)

In the early part of the aughts, studios started to remake Wes Craven’s films. To a certain extent, this was, I believe, an attempt to give Craven more financial benefit from his work. He was tangentially involved in these films as a producer, they were all written and directed by different people.

The Hills Have Eyes was probably a good place to start. It is a film known mainly to fans of Wes Craven and horror. However, a lot of people in the mainstream are likely to have simply heard the name.

Bringing in Alexandre Aja to write and direct. He had made a real impression with 2003’s High Tension, and honestly, was probably a strong choice. High Tension was part of the French Extreme trend in horror where stories could be messy and plot twists do not make sense. Here, the extreme violence of his work really is at home.

The core story is there. A family is on vacation in their RV. They go on a detour to shorten their drive time and the car appears to break down. They discover there are other people hiding in the hills and those people attack them and kidnap their baby. And then the family must fight back.

The original film is about a family from civilization versus the feral family. The film plays up the family divisions, with Big Bob’s tough Republican versus Doug’s “weak Democrat” played up big time. In fact a lot of the film is devoted to Doug becoming a violent badass. This is not an exaggeration. Doug goes from a guy barely able to think of using a gun to hand to hand violent killer. The film is pretty good at manipulating the viewer, because Doug is trying to save his baby.

The remake’s biggest alteration is that the feral family are ravaged by radiation. They are basically mutant monsters. Visually, this is really effective, though it loses something to make the Jupiter family outright inhuman monsters.

This is a decent remake and I think gorehounds will find it enjoyable.

October 24, 2020 0

Choke On Em! (Day of the Dead, 1985)

Day of the Dead begins with the films heroes landing a helicopter at the edge of a city. They are calling out as the camera explores a desolate empty world seemingly only occupied by animals. But then we see a shadow and the camera pans up to the mutilated face of a zombie.

Day of the Dead shows us a world over run by zombies. There are few members of the living. In fact, our heroes are part of a secret base of scientists and soldiers who are starting to wonder if they are all alone on the world. Set on a small island in an underground base, tensions between the civilian staff and military men are running high.

Captain Rhodes and his men are starting to become more aggressive, believing the scientists work unimportant. The military men just want to find another outpost and leave. But the lead scientist Logan is obsessed with the idea that he can “domesticate” zombies. His best example is the zombie Bub (which he explains is a nickname of his father). Bub seems to remember things like tools, books, phones. He mainly is mimicking what other people do (he simply thumbs through a Stephen King book, runs a disposable razor down his cheek, etc). But Logan believes it is more, and the end of the film does suggest that Bub is not as mindless as he seems.

Eventually, it all explodes, the scientists plan an escape, while Rhodes and his men plan to leave the island and the scientists behind. You might be surprised to find that not everything goes as planned.

A new theme enters Romero’s films with Day of the dead…one of…”Who is worse?” Not unlike Ripley telling Burke you don’t see the aliens “f***ing each other over for a percentage”, Rhodes and his men may be more terrifying as they bully and abuse the scientists. It has been said that as the movies have gone on, George Romero started to side with the zombies. Day of the Dead is the seeds of that.

It is not just the callous obsession of Logan or the cruelty of Captain Rhodes. It is, ultimately, Bub. Bub, who barely says a word is remarkably sympathetic. Sherman Howard packs a lot of emotion into his performance, and it is no surprise that Bub is a popular character.

Truthfully, Day of the Dead is my favorite Romero zombie movie. I like and admire the previous two films, but Day is my unabashed favorite. Being set beyond the zombie outbreak allows an exploration of that world based in something other than confusion and desperation. It asks the most intriguing questions about human nature and our desire to control situations that may be far from our grasp.

October 9, 2017 0

Crypt Keepin’ Carpenter (Body Bags, 1993)

An attempt by Showtime to create a Horror Anthology to compete with HBO’s Tales From the Crypt, Body Bags both starred and featured direction from John Carpenter. Showtime killed the series but released the three shorts set against bookend segments hosted by Carpenter as a creepy coroner. His assistant was Tobe Hooper, director of the Texas Chainsaw Massacre. Both directed a segment as well.

Just like the Crypt Keeper, the Coroner makes schlocky jokes, before introducing the story. It is not entirely certain each bookend was meant for the story that followed.

The first tale, the Gas Station, is about a young woman on her first night working at a gas station on a lonely stretch of road. After a parade of weirdos, she discovers she is being stalked by a serial killer. It is not a unique story, but it is well done, with a nice little twist. Wes Craven has an amusing cameo as a creepy drunk who hits on the young woman.

The second segment, Hair, is about a man who is obsessed with his thinning hair. In spite of his girlfriend’s insistence that it does not matter to her, he cannot stop fearing losing his hair. Everywhere he looks he sees luxurious heads of hair. He drives his girlfriend away because he won’t accept himself. One night, he discovers a clinic that promise actual regrowth of lost hair. Richard runs to the clinic for their service. He is stunned when they try and talk him out of it, but he wants hair. But in the end, he finds the hair wants him just as much as he wants it. This is an entertaining story with and entertaining performance from Stacy Keach. This is also the most humorous of the stories.

The best segment is the Eye, starring Mark Hamill as a minor league baseball player whose career is cut short when he loses an eye. He is offered a chance at a new experimental surgery that gives him a donor eye. But with the eye comes dark and depraved visions. Are they his own or the previous owner of the eye? Hamill gives a strong performance. Of the three tales, this is the best of the bunch.

As with all anthologies, some installments are better than others. But thankfully, in the case of Body Bags, all three are ranging from decent to very good. While the first two segments are directed by John Carpenter, the Eye is directed by Tobe Hooper. This is an enjoyable film. And for those curious…you get to see Luke Skywalker’s bare butt.

October 17, 2016 0