That’s Great, It Starts with… (The Final Conflict: The Omen III, 1981)

the_Omen_3_PosterAt one point, there were as many as six planned sequels for the original Omen film. As time passed, producer Harvey Bernard settled on a trilogy.

Picking up with the now 33 years old Damien as the head of a powerful corporation, he has fully embraced who he is to be. After a horrible tragedy, he is tapped to be the ambassador to Great Britain (the same role as his adoptive father in the first film). Damien is a charismatic star player in politics.

A group of monks are seeking to kill Damien, but he foils them at every turn, with bizarre accidents that escalate in to straight up murder. At the same time, journalist Kate Reynolds and Damien strike up a relationship. The single mother is swayed by his charms.

Part of Damien’s plan is to thwart the second coming of Christ. The Christ child was born again during an alignment of stars and Damien has his assistant Harvey put into action the murder of every infant born on that night. Harvey has a secret and tries to keep Damien from discovering that Harvey’s own son was born on that night.

While the film takes all sorts of liberties (there is no prophetic belief that Jesus will return as an infant) it does some nice references (such as the slaughter of the innocents the evokes the action of the King in the Gospels).

Sam Neil is quite charismatic and yet ominous at the same time. Even as he faces Christ his is defiant.

A lot of what I find makes the trilogy of films work is their sincerity. I know I said this about the Exorcist, but it is just as true here as with those films. It is the dedication to taking the idea of God and Satan at war with each other seriously that overcomes the sillier aspects of the films. Especially how they had to constantly escalate the deaths.

While the sequels do not live up to the original, the original trilogy is still an effective overall tale.

Beat Cops (Alien Nation, 1988)

Alien_Nation_PosterIt is the near future of 1991…three years prior, an alien ship appeared above Los Angeles.  It was full of an alien race we nicknamed the Newcomers.  Genetically bred for adaption, they adapt quickly to life on earth, forming communities, entering our schools and workforce.

In this world, we meet Detective Matt Sykes.  It is quickly established he does not like the Newcomers in any way.  He refers to them by the slur Slags and expresses only disdain for their presence.  Sykes and his partner Bill interfere with a robbery resulting in Bill’s death.  Angry and determined to get back at those responsible, Sykes volunteers to work with the first Newcomer Detective Sam Francisco (Sykes resents the “gag” name and renames Sam as George).  What follows is both a personal journey for Sykes and a professional journey for the two detectives as they uncover a dark conspiracy to exploit the weaknesses of Newcomers for great profit.

Science Fiction has always been a vehicle for exploring the human condition and our moral failings.  Alien Nation tackles bigotry and xenophobia which can be a rather treacherous territory.  Mainly, this is because the aliens are stand ins for…well, not white people.  It has been pointed out that one of the problems with the X-Men as the metaphor for bigotry school of thought is that…well…shooting lasers from your eyes is a legit dangerous and deadly power… having black skin is not.

Alien Nation avoids this by an extremely careful world building.  The Newcomers are, in many ways, no different from humans, both in virtues and vices.  They have some physical differences (two hearts, get drunk on sour milk, cannot process cooked meats and so on) and look different (Newcomers are bald with spotting on the back of their heads)…yet seek to have a better life than the one they left behind.

A lot of what makes the film work beyond the well thought out Newcomer earth based culture is the performances by James Caan and Mandy Patinkin.  Using the “Mismatched Buddy Cop” formula allows the story to move at a quick pace.  This also can make it easier to ignore certain weaknesses in the metaphor.  Sykes overcomes his bigotry in a matter of days, though even at the end, apologizes to George for how awful he will be towards him in the years to come (a moment played for laughs).  Truthfully, this is a shortcoming of the film medium, everything needs to occur quickly, so a nuanced journey from bigotry to goodness is not generally in the cards.

Alien Nation is ambitious and largely hits its mark with thoughtful performances, a well thought out world, and good special effects.  It feels, in some ways, more timely now than it did in 1988.

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