Making Memories All Over Again (Overboard, 2018)

I suppose it was inevitable that somebody was going to go and remake Garry Marshall’s beloved Overboard. This time around, they try to counter the creepy factor by switching the roles. Leonardo is a rich Spanish playboy who has never worked a day in his life. He has no respect for his employees, and when single mom and nursing student Kate arrives to clean the carpet of his yacht, things go south. Kate gets in a fight with Leonardo who then throws her (and her equipment) overboard.

One night, Leonardo falls overboard and gets amnesia. Kate decides she wants revenge and concocts a plan to convince Leonardo and the authorities that they are married.

She brings the confused Leonardo home and then uses him to take care of the house to allow her to focus on school. Her best friend’s husband gives him a construction job. What follows is nearly a point by point remake.

I found it harder to ignore the creepy factor, since Kate is bringing a strange man into his house with her three daughters. Eugenio Derbeznever comes off as creepy with the daughters though. Instead, he does a pretty good job as Leo grows to care deeply for the girls. In fact, one scene that I thought worked far better in this film than the original is the moment he has regained his memory and is leaving the family. The three young girls chase after him, desperate for him to stay. The youngest, who he taught to ride a bike races her bike as fast as she can screaming out for Leo as she falls farther and farther back from the limo.

Anna Faris is certainly funny and has a real sweetness (though she really is playing a character similar to her character Christie on the show Mom). Then there is Eva Longoria and Mel Rodriguez the husband and wife that are Kate’s moral support. They are an enjoyable couple.

This is not nearly as good as the original, but has a good cast that makes the film watchable.

August 21, 2018 0

Making Memories (Overboard, 1987)

The self absorbed and rich Joanna hires carpenter Dean Profitt. She is obnoxious and genuinely mean. But after an accident leaves her with amnesia, single parent Dean convinces her they are married and she is the mother to his four boys.

Wow. This sounds criminal and positively creepy. So why is Overboard remembered so fondly by people? Why is Dean a lovable scamp, rather than a disturbed monster for so many viewers? Weeeeeelll…

As one of those people who really does like this film, a whole lot of it is on the shoulders of Goldie Hawn and Kurt Russell. They do the heavy lifting to make this palatable here. Joanna is purely unpleasant, but Hawn gives her a hint of humanity when, long after Proffitt has been left behind (without being paid for his work) she is bothered by his commentary on her life. Russell plays Dean as a guy who is clearly kind of lost and refuses to be a parent to his boys. He simply wants to be a pal.

The film acknowledges from the start that Dean’s deception is wrong. And in the beginning? Russell puts a lot of charm into his being selfish. But as time progresses, Joanna starts to adjust to her life and her belief that this is her family. She starts to stand up for the boys and push back.

The entire cast of the film is great, and there are some genuinely great moments between Hawn and Roddy McDowell who plays Joanna’s long suffering servant. Especially a scene where Joanna realizes how terrible she has treated him, and yet he has done nothing but work to meet her every need. Hawn is very convincing in her change as Joanna realizes she no longer feels at home in her own world. Upon her apology, McDowell (who has a look of genuine compassion for her in that moment) gives advice noting that she has had a very rare privilege to see life from a perspective beyond the one she was born to.

It is the performances that elevate the film above a creepy plot device. And it really is enjoyable. Hawn and Russell have a solid onscreen chemistry (no doubt due to their offscreen relationship) and both have real comedic chops that keep you focused on the characters rather than the situation. So why does a creepy premise not tank the film? Honestly? Um…just because…?

August 20, 2018 0

The Mother Daughter Bond (Snatched, 2017)

When I first saw announcements for the Amy Schumer and Goldie Hawn vehicle Snatched…I cringed. Kidnapping for laughs is kind of a weird one. And one that has been pretty done to death. Kidnapping for comedy films are, of course, very divorced from the realities of the crime of kidnapping. And some are better than others.

So, I walked into this film a bit hesitant. I had certainly laughed at bits in trailers, and I like Hawn and Schumer. Thankfully, for me the film worked pretty well. A lot of the weight for this falls on Schumer and Hawn, with some terrific backup by Wanda Sykes and (an entirely silent) Joan Cusack.

Goldie has a long career in comedy and knows her trade. This is a real benefit for Schumer since they have a nice chemistry together. Schumer is basically playing a common character for her. The aimless and awkward loser. Hawn plays her over protective and cat loving mother.

Emily (Schumer) gets dumped by her boyfriend (an entertaining but brief appearance by Fresh Off the Boat’s Randall Park) and drags her mother along with her on a non-refundable trip to Ecuador. Once there, they become tricked by a handsome stranger who delivers them to kidnappers who plan to ransom them. What follows is Emily and her mother on the run from a vicious Ecuadorian warlord and trying to get to the nearest American Embassy.

As noted, Schumer and Hawn have a good chemistry, and the film is populated by great character actors. The jokes often hit their target and are entertaining enough to not be distracted by a pretty conventional story about parent and child realizing how much they love each other.

Also, it was really nice watching a comedy and not getting bored because scenes went on to long. Seriously, the most common complaint I hear people make about comedies is “Should have been a half an hour shorter.” Snatched does not overstay it’s welcome, clocking in at a nice hour and a half.

Snatched does not break any new comedy ground, but it was a fun film with a good cast and funny jokes.

May 13, 2017 0

Funny and Beautiful, But Most Importantly Beautiful

so Michael Eisner was part of a panel and made the following comment:

During an onstage conversation with Goldie Hawn, he theorized on why she’d been so successful: “From my position, the hardest artist to find is a beautiful, funny woman. By far. They usually—boy am I going to get in trouble, I know this goes online—but usually, unbelievably beautiful women, you being an exception, are not funny.”

The first thing that stood out to me was Eisner knew he was going to get in trouble. Now, someone pointed out to me that these incidences can lead to discussion and learning. But I am, admittedly, unsure that Eisner is going to listen. Often, when people tell you they know they will get in trouble for what they are about to say they see themselves as imparting some tough truth. Maybe Eisner is open to realizing what a dumb statement he made.

And truthfully, my first instinct was to start listing funny very beautiful women in Hollywood. Lots of people certainly presented evidence to refute Eisner.

But I am thinking my first instinct is part of the problem. Why should beautiful be the primary criteria here? Especially for comedy? Comedy has a long history of overweight, less than handsome male leads. They are often paired with gorgeous leading ladies.

Yet, when women are the lead, they have to be gorgeous above all.

And that is the real problem. Talent, wit and timing are important comedic skills…and in the minds of far to many, hold second to…”Is she gorgeous?” And that criteria needs to go.

July 5, 2015 0