Comics Are Rotten (Creepshow, 1982)

Creepshow_Poster

The Horror anthology has always been risky.  There are few true classics.  Mostly what you get are movies with a couple good tales among some duds. George Romero and Stephen King teamed up to create Creepshow.

The five stories included here are all pretty strong.  The first is Fathers Day, the story of a somewhat rotten family gathering to celebrate the birthday of the late patriarch.  This year, he intends to get his birthday cake.

The second story is the Lonesome Death of Jordy Verrill is about a simple-minded farmer who discovers a meteor on his land. After touching the meteor, Jordy finds frass growing uncontrollably, consuming his body.

Something to Tide You over features an adulterous couple who are discovered by the woman’s husband.  He seeks to take revenge trapping them on the beach (so to speak).

The Crate follows an older professor who is constantly belittled by his alcoholic gossip wife.  His respite is his fellow professor, Dexter.  Dexter is called to the school by a janitor who finds a mysterious crate tucked away.  The crate seems to be decades old…but to also contain something still alive.  And hungry.

Finally, They’re Creeping Up on You is about an old man obsessed with cleanliness finding his home seems to be under siege by cockroaches.

The film is framed as a comic book, with art by Jack Kamen (an E.C. comics artist, which is the inspiration for Creepshow).  As each story begins and ends, we see comic book art that fades into the live image (or Vice Versa).  The art is great and provides a unique look to the film.  The film also has an extra framing device of a story about a young boy (Played by King’s real-life son Joe) whose father (played by veteran character actor Tom Atkins) is angry when he finds him reading a horror comic book.

Tom Savini provides a great series of effects, with visuals that mimic the color of comics. The gruesome visuals are not interested in realism, rather in being lush and colorful.

The cast is really terrific.  You have veterans like E.G. Marshall and Hal Holbrook along with upcoming stars like Ed Harris and Ted Danson.

Most of the film has a tone of cartoonish horror.  The Lonesome Death of Jordy Verrill struggles the most in this regard because at times it gets absurdly comical.  But overall, Creepshow is still one of Romero’s straight up most fun works.

Just Need to Take a Ride (Knightriders, 1981)

Knightriders_PosterI never really had any idea what this movie was about, based on the cover in the video store. s thought it was maybe about time traveling bikers in medieval times or a post apocalyptic future.  It turns out…it is about Ren Fair bikers who get super popular.

Billy leads a traveling show where everyone dresses as knights and other medieval citizenry, with the one different being they ride motor cycles rather than horses.  Most treat it as a fun business, but Billy seems to have really bought into the notion that there is a certain reality to his kingdom.  He starts to really have a crisis when he discovers a magazine write up about his crew that starts to cause fractures. It starts to get minds within the group to be tempted by dreams of fame and stardom.

Eventually, Morgan (Tom Savini) walk away to take a lucrative sounding offer of commercialization.  And while it is exciting at first, they start to become disillusioned, missing what they had with Billy.

It is interesting to see how they have framed various members of the Arthurian court.  Merlin is more of a hippie than magician…but he seems able to reach Billy in a fashion others cannot.

The film focuses on themes of being true to yourself and your ideals, an not caving to compromise.  And that can feel a bit goofy in a film about guy jousting on motorcycles for fun.

The jousting sequences are fun to watch and really, the cast does a good job of bringing it all to life convincingly.  If the film has one major flaw, it is quite simply that at two and a half hours? It is a bit to long.  But still, this is such an odd man out of the Romero catalogue, it has some real charms.

The Devil and the Deep Blue Sea Part3 (The Abyss, 1989)

the_abyss_posterBefore Terminator 2, James Cameron made the Abyss.  As with almost every film he makes, he introduced revolutionary technology.  Without the Abyss (and it’s now simple “Water Tentacle”, we may not have seen any of the other revolutions in digital effects that followed).

But it is not the effects that make this film a joy to watch.  It is the storytelling.  Ed Harris and Mary Elizabeth Mastrantonio play estranged husband and wife Virgil (nicknamed Bud) and Lindsey Brigman.  They seem to be on the outs, but it is clear throughout the film, neither is truly ready to give up on the other.  They run an underwater mining rig and their crew is a raggedy band.They joke, argue and love each other like a weird mismatched family.  They are asked by the government to help Navy Seals get access to a nuclear sub that has crashed in mysterious circumstances.

In addition, the crew starts to experience strange phenomena, such as bright pink lights in the water and strange water formations indicating a greater intelligence at work.    They end up discovering something amazing, but at great personal risk.

Harris and Mastrantonio are superb in their roles and really sell a great and deep love between each other.  Michael Beihn’s performance as a Navy Seal struggling with serious paranoia issues adds the real element of danger.  Cameron manages to give us a film with relationships that feel worn and very real.  The story has both grit and beautiful wonder.  It is tense at time, romantic at other and inspiring and hopeful.

Now, the theatrical version leaves out some big stuff, and so I recommend checking out the longer Director’s Cut which gives a bit more heft to the end of the film.  This is one of Cameron’s gems, even if it got kind of lost in the collection of films.  Why the Blu-Ray release is so delayed is genuinely confounding to me.

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