All By Myself (Solo: A Star Wars Story, 2018)

Solo_PosterIf you have ever wondered why the Millennium Falcon looks like tuning fork or how Han Solo got the name Han Solo? Solo a Star Wars Story will leave you giddy.

Han Solo is a young man enslaved by a brutal crime lord and in love with fellow slave Qi’ra. When their escape attempt goes awry, and they are separated, Han joins the Empire.  Not to good at it, sees an opportunity with Beckett and his crew.  They find themselves forced to pull off a dangerous heist to get back in the graces of the crime syndicate Crimson Dawn.

It probably sounds at this point like I really disliked Solo. But actually, I had a lot of fun.  When the film focuses on the *story* (in other words, the heists) it is a whole lot of fun. But when it starts doing the whole “gotta show this thing the original trilogy referenced” it tends to feel forced into the story. And yeah, if you are making a Han Solo movie, you need Chewbacca.

The performances are largely quite good.  I mean, Bettany’s Voss actually kind of made me curious about his background. Woody Harrelson gives a dependable performance as a weary smuggler, hoping to retire.  Of course, Glover is a standout.  He manages to channel the swagger of Billy Dee Williams without merely imitating him.  The droid L3-37 is highly entertaining as a snarky co-pilot for Lando and a droids rights activist (When Lando asks if L3-37 needs anything, she responds “Equal rights?”).

Alden Ehrenreich is not bad in the role…but he does not quite have the self assured cockiness of Ford’s portrayal. The film plays Han as more of a “good guy optimist” who is on the path to the self centered cynic of a New Hope.

And while the film features many double and triple crosses, very little  of these come as a surprise.  The film tries to make you think you should be surprised…but stuff is telegraphed from afar.

I would say this is my least favorite of the New Star Wars films, but I still had a good time with it overall.

Swing High (Spider-Man: Homecoming, 2017)

Spider-Man-Homecoming-PosterSpider-Man has the distinction of having been rebooted three times in the last fifteen years.  Both the Raimi Films and the Marc Webb films have good points.  Raimi’s Spider-Man 2 is a high point for super-hero themed films.  But they also never quite fully got Spider-Man as a character.  Maguire’s Peter Parker could be to goofy, while Garfield’s Peter was to moody and mopey.

Sony hit some hard times, made all the worse by a major hack that exposed all sorts of internal issues.  One thing it revealed?  Sony had talked with Marvel about a deal that would allow Spider-Man to be a part of the Marvel Cinematic Universe.  The talks fell apart before the hack.  But this brought them back to life.

Sony decided to let Marvel bring a heavy creative hand in.  In exchange, Sony got to include MCU characters in their Spider-Films.  The MCU introduced Spider-Man into their world via Captain America: Civil War.  Spider-Man was a highlight of that film.  And rather than try to retrofit Peter Parker in, as if Spider-Man had been there all along… they stepped into his career early, so he is new on the scene.

Homecoming picks up roughly eight months after Civil War, with Peter enjoying using his Stark supplied super-suit and anxiously awaiting his next big Avengers mission.  Which seems to never come along.  Instead, Peter races around trying to get better by fighting street crime and helping lost old ladies.  His day to day life has, of course, been tougher since Tony Stark has come into his life, and he starts to withdraw to make more time.  He dreams of beautiful classmate Liz and hangs out with his closest friend Gan-uh-Ned.  Of course, he makes a major discovery, the adults don’t listen and Peter over-confidently decides to take on guys who may be out of his league.

One of the refreshing story points is that this is not about Peter learning about “with Great Power comes Great Responsibility”…at this point, he has learned that lesson.  We only get vague reference to Uncle Ben’s death.  In fact, the origin of Spider-Man is tossed out in a two second exchange.

Holland’s Peter Parker is sweet and awkward…his Spider-Man is quippy, but still learning.  He is not yet the confident Peter Parker, he practices lines, tries to get into a good pose before alerting bad guys to his presence.  But of the previous film versions, this is easily the strongest portrayal of Peter.  He may be in-experienced, but there are just so many things that make this version…well Spider-Man.

The rest of the cast of characters are updated in some interesting ways.  Ned Leeds is really Ganke from the Miles Morales Spider-Man comics, and he is a very fun character.  This is largely due to the comic timing and enthusiasm of actor Jacob Batalon.  I was most hesitant about Marisa Tomei as Aunt May…not because of her acting ability…but because she is only a few years older than me…and she feels more youthful and vibrant than traditional portrayals of Aunt May.  But I ended up really liking her in the role.

Michael Keaton’s Vulture is a terrific improvement on the character.  I never really cared for the comic version…he never seemed like he was all that much of a threat.  And the green suit did not help.  Keaton’s performance is solid and menacing…yet his motives are understandable.  He is a guy who wants to provide for his family, and saw secret government agencies undercutting his business.  He turns to crime to make up for that.  The Vulture look is a nice combination of modern with hints of his original look.  It works very well.

The action scenes are all nice and effective.  Sometimes these films can get confusing during busy action scenes.  Homecoming makes the action easy to follow.  And the film is infused with humor.  While theses were not absent from the previous versions, it is much more present here.  And yet, the humor is not at the expense of Peter’s character.  He feels the heavy weight of responsibility, regardless of his experience.

Admittedly, the film does not break new ground for Spider-Man…but I think it may be the best of the Spider-Man films so far.  Or, at worst, a close second to Raimi’s second Spider-Man film.  This is a fun film, and fun should be part of (a lot more) super-hero films.  Being overseen by Marvel, there are plenty of easter eggs…but what Marvel is usually really good about is that the easter eggs are a bonus for fans who love the comics…and if you have not read the comics, you won’t feel like you are missing something.

Honestly, I recommend seeing Spider-Man: Homecoming in the theater.  It benefits from being seen with an audience.

Being the Alien (The Martian, 2015)

The_Martian_posterFor being a comedy, (thanks People’s Choice Awards) The Martian feels pretty serious.

That does not mean it is devoid of humor.  Really, most any solid drama with have humor to break tension.  And considering the situation Mark Watley (Matt Damon) finds himself in?  Tension needs to break.  After an accident leaved Watley left behind on Mars, (believed dead) he finds himself struggling to find a way to last until the next mission to Mars can pick him up…in about four years.

The Martian is a thrilling account of survival that manages to be filled with concern and joy.  Ridley Scott likes his epics, but this is very low key in that regard.  Instead, it is a focus on character and endurance.  We get a window into Watley’s thoughts by way of his video recording everything he is doing as a journal.  On the one hand, this could have felt like weighty exposition, and some might wonder why the filmmakers did not opt for the near silence of the first half of Castaway.

Damon’s delivery is light and accessible, rather than clunky, and it is easy to connect with the character.  One of the film’s strengths is how it manages to give us insight to our characters very quickly, especially the crew.  We meet them mere moments before the storm that separates Watley.  And yet, you get a feel for the relationship of this crew and the dedication they have to each other in those few minutes.

The cast is very strong, everybody turning in enjoyable performances.  The visuals are solid, considering it is a lot of reddish sand and rock.  Scott really seems to like films set on barren planets.

The Martian is an engaging sci-fi drama well worth viewing.

Scientists Shouldn’t Play With Dead Things (Lazarus Effect, 2015)

lazarus-effectIf there is one story line that horror authors love to tell it is the one about the dangers of Scientific Hubris.  Part of this is that the stories pretty much write themselves.

In the case of the Lazarus Effect, the scientists in question are trying to conquer death.  After they succeed in resurrecting a dog, they lose their research to Big Pharma.  So they break in to attempt to recreate the success and one of the scientists (Olivia Wilde) is accidentally killed.  We can all see where this is going.

Upon being returned to life, her behavior becomes creepier and creepier and then progressively more violent.  The turn is quite quick, it happens overnight.

The film is visually interesting, but the philosophical questions are treated in a way that feels pretty pedestrian.  There is the scientist who has remnants of her religious upbringing causing her to wonder if what they are doing is very wrong (Wilde) and the scientist who thinks there is no spiritual afterlife, so only sees the potential (Mark Duplass).

The film never really asks big questions, and it never really addresses what it is that Zoe (Wilde) has become, or what her goal or purpose is, other than to be mean and cause mayhem.  The Lazarus Effect is an interesting idea that seems lazily executed.

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