The first film was successful enough that they made a sequel. I don’t think that it would be accurate to call this a remake of The Hills Have Eyes Part 2.
This time around we have a script from Wes Craven and his son Jonathan. A new Director was also brought in. Largely a music video Director, Martin Weisz took over for Aja. Music video directors seem to have been a them for horror remakes.
Instead of following the survivors of the previous film, we get an entirely new cast of victims. Centering the threat around a military research camp exploring the crater established in the first film, we see the base get attacked and all its occupants slaughtered. A group of soldiers are sent out to check in, with no idea of what has happened. So when they arrive, they find an abandoned base.
As the soldiers start exploring the surrounding areas they find themselves under assault from an unseen enemy. Eventually, of course, the mutants reveal themselves and it becomes a fight for the soldiers to survive.
The film is pretty intense and exciting, but does add one explanation that was in the original Part Two as well, but more graphically. The mutants refresh their population by capturing women and raping them. This is actually established right at the beginning of the film. Honestly, this is such an uncomfortable thing to show.
The soldiers are mostly a genre mish mash of stereotypes. There is the passive guy, the tough guys, the tough girls, the tough Sergeant (Conveniently nicknamed Sarge). There is a some good interactions between the characters, and honestly, some of them make smart decisions, often being overrode by the tough guys.
This is an okay sequel/remake…and a whole lot more enjoyable than the Hills Have Eyes Part 2.
Oh yeah…by the way…this film has one of the all time great teaser trailers.

After the second film, the Predator series went dormant. The alien hunters only saw the screen in the “team up” Alien vs Predator films. It was not until about 2009 Predator was announced as getting it’s own new film. It was spearheaded by Robert Rodriguez (Desperado, From Dusk Til Dawn, Sin City) and was referred to often as a reboot. The problem with the tendency to treat every film as a remake or reboot is that it is not always clear what a particular entry is. These days, people tend to refer to a new film in a franchise as a reboot, even when it is in continuity. Admittedly, it is a little unclear here. Nothing discounts the previous two films, but they are not really acknowledge in reference (# 2 made reference to the first film).
