Fantasy Nation (Bright, 2017)

Bright_PosterNetflix has been focusing hard on original material over the past few years, especially now as they face the future of no Disney films.  Bright is their first foray into high concept, high budget action fantasy.

They brought together notorious Internet personality Max Landis (Screenwriting son of John Landis) and David Ayers (director of End of Watch and Suicide Squad) to present us with Bright.  Bright is a genre mashup, best described as a combination of Ayer’s own End of Watch and the 1988 sci-fi film Alien Nation*. Except, instead of aliens, it involves fantasy creatures.

Set in a version of our world in which elves, orcs, fairies and so on all exist and interacted with humanity for thousands of years, Will Smith plays the human cop Daryl Ward. His partner is the first Orc police officer, Nick Jakoby. Due to an incident where Ward was shot and Nick appeared to have let the perp get away, there is tension.  Nick pays lip service to the equality of the races when talking to his daughter, but he seems to struggle with it himself.

When the two stumble upon a young Elven Bright (a user of magic), they find themselves on the wrong end of gangs (both human and orc), evil elves and corrupt cops.  It is a chase through the city as they try and determine who they can trust and how they can stop the impending threat to the world.

Bright is not a terrible idea.  The film works hard to establish an existing racial hierarchy with it appearing to be Elves and Humans at the top, while Orcs face a lot of discrimination.  The film hints that the Orcs once threw their lot in with a dark lord, and so people generally do not trust them.

But this is also where the film falters. While it is a decent concept, some of the execution just feels lazy.  Smith has a throw away line about an orc being a “Shrek-Looking” thing.  Would Shrek exist in a world like this?  Would pop culture develop in the same trajectory?  Orc music is literally just death metal. Orc culture is basically “L.A. Gang Culture” stereotypes.  Sure, one character refers to having been a bus driver before moving to L.A., but we see no real examples of Orcs in any other life than gangs.

And to make things more frustrating, we never observe what kind of life Jakoby lives outside of being on the police force.  Oh, sure, he talks about how he has wanted to be a police officer since he was a child, and how he files down his tusks to appear less threatening. But we are told this.  And we know nothing beyond what he tells Ward. We see Ward’s home life.  We even know he is trying to sell his home.  We meet his wife and daughter.  Nick is likable in his somewhat teenage-ish exuberance and well intentioned demeanor.  Yet we never experience his life as an audience.  And the film really needs that.  This is where that Alien Nation comparison leaves Bright wanting. Alien Nation creates a real feel of the Newcomers trying to assimilate into the world around them. There are rich businessmen, street punks, teachers, prostitutes and most any profession out there. We are given important information through both show and tell. And it feels organic.  In Bright, it is all given through dialog.  There is some attempts to give us visual queue, mostly in the beginning where Ward and Jakoby are driving to work. This is mostly done through graffiti and Smith getting upset when they cut through Elven territory.

The villains are either stock characters (the humans and the orcs) or severely undefined.  While the film references the Dark Lord, the evil magic using elves seem to have very vague notions other than service to this Dark Lord.

This is not to say it is all bad.  I mean, the visual effects are nice.  The Orcs are appropriately brutish looking and the elves are both creepy and ethereal. The action sequences are exciting to watch.  But as much as I wanted to like this film, it just does not live up to it’s potential, especially when similar territory has done it so much better.

*I cannot take credit for this, the first person I saw make the reference was the talented comic book artist Jamal Igle. But this is by far the most accurate comparison.

Suicidal Tendencies (Suicide Squad, 2016)

suicide_squad_2016_posterAfter the cool reception to Batman V Superman from critics and fans alike (It has it’s supporters) DC and Warner Brother started providing hype for Suicide Squad to divert attention.  Set to classic hard rock music the trailers screamed “This will be fun and exciting!”

Suicide Squad, for the uninitiated was a DC Comic written by John Ostrander (he actually was reviving an earlier comic, but the Suicide Squad as it is known now was Ostrander’s baby).  It was a government task force that forced some of DC’s baddest villains to take high risk jobs for our government in return for reduced sentences.  Of course, nobody was expected to survive long enough to get to take advantage of their reward.  Not a bad idea.

The film always seemed out of place for the DC Cinematic Universe.  We are actually meeting some of the enemies of heroes we have barely met.  Including Suicide Squad?  We have about two minutes of Flash time.  I am including that Justice League trailer from SDCC.  And this is actually one of the big problems with the film.  They are trying to fill in so much information, we are bogged down with tons of background.  The cast is pretty large, causing more than one character to get little to do.  Killer Croc has a few moments, but gets little to do until the very end of the film.

I wondered how the Kitana character would fit in (she is not a villain in the comics).  Here she is pretty much a baby-sitter until the final act.  It feels more like they put her in the film in case they wanted to use her in the future and she would already be established.

The emphasis on the Joker and Harley Quinn relationship is that it…well, polishes up their relationship.  We do get a moment that makes it clear that the Joker tortures Harley Quinn before she takes on the identity.  The film apparently cut a lot of bit that really suggested the relationship was abusive.  It could have been an interesting opportunity to have her standing against the Joker, but instead, she keeps running back to him.  Harley Quinn is also often forced into the position of eye candy.  The character has always had a sense of being…innocent.  Like she just thinks she is being wacky and funny.  Like when little kids insult grown up and are “only teasing”.  One scene has her dressing in public, looking around and realize everyone is staring and then just asking “what?”  Had Robbie not been stuck in outfits putting her on display throughout the film, that might have been more effectively funny.

Jared Leto’s Joker has been the source of much criticism and concern for many fans.  I have run into many fans who were tired of him long before the film saw release.  And I did feel like he was one of the weaker links of the film.  Not because the performance was terrible…but rather the performance was inconsistent.  He has an effective scary laugh which is barely used in the film.  Sometimes he seems bored, but other times he is very menacing.

And yet, in spite of these things?  I enjoyed the film quite a bit.  I felt it worked far better than Man of Steel or Batman V Superman.  Smith’s Deadshot is an interesting character who on the one hand is a deadly sharpshooter and a doting father.  While not a wholly original dichotomy, it works pretty well here.  Harley Quinn’s big focus is as the Joker’s Girlfriend.  In spite of this, Robbie really captures the core of the character.  She seems carefree, but yet dangerous.  Almost sickeningly sweet, all while being thrilled by mayhem.  Robbie is endlessly engaging.  Viola Davis brought Amanda Waller to life in an amazing way.  She was every bit as frightening as she should have been.

The big surprise for me was Diablo.  I went in knowing next to nothing about him other than he was the fire guy.  His character is a pacifist refusing to use his power for fear he will lose control and kill people.

The action is pretty easy to follow as it unfolds on the screen, and aside from the obligatory slow motion shot towards the end, is exciting to watch.  The fact that you really have a bunch of characters that want nothing more to walk away makes a “Let’s Do this” speech entering into the final act really tough.  Yet, somehow, the group choosing to act as a team works.

The rumor is that a lot of the humor was from re-shoots demanded by Warner Brothers.  If that is the case, good call from Warner Brothers.  The film peppers humor through out the film that works effectively at keeping the characters likeable.  I know that there have been some real rough reviews…but I avoided reading them so far because I wanted to see the film without pre-set expectations of terribleness.  And I walked out entertained.  I am not saying it is a great film.  Of the Super-hero films we have had this year?  I still give it to Captain America: Civil War.  But I had fun, and that can be hard to say with DC films as of late.

David Ayers and Iconography

Margot Robbie went to David Ayers expressing discomfort with her Harley Quinn outfit in Suicide Squad.  He shot this down, arguing that they needed to show fidelity to Harley’s costume iconography.

Here are other characters where Ayer’s showed his fidelity to the comics iconography:

Captain Boomerang:

Captain-Boomerang-ComicsCaptain-Boomerang-Movie

Slipknot:

Slipknot-ComicsSlipknot_Movie

Enchantress:

enchantress-comicssuicide-squad-poster-enchantress

Blog at WordPress.com.

Up ↑