Two For the Price of One (Gemini Man, 2019)

Gemini_Man_PosterHenry Brogan is the best sniper there is. He has spent his life  shooting terrorists and those who help them.  But when he retires, he discovers that his most recent target may have been an innocent man, and retiring from the top secret government agency is permanent.

He ends up on the run with help from an old friend and a young agent as they try and piece together the facts.  But the biggest issue is the incredibly skilled young men sent after Henry. As the trailers revealed, Henry has been cloned and it was sent off to kill him. Younger and all his skills give Junior the advantage over Henry.

But Ang Lee is not interested in simply pitting two forces against each other. Instead, Henry is more interested in altering Junior’s path from that of a brutal killer. It helps keep things from getting two formulaic in the action genre. The action scenes are really well choreographed and well edited.  I like the characters, but the story kind of falls apart towards the end.

The big talk around the film is the use of High Frame Rate.  I saw this film in the standard frame rate, and I must confess, I am not sure the film would benefit.  There were outdoor scenes that looked like characters were just in front of green screens, HFR seems like it would make that stand out more.

The film uses cutting edge digital technology to create a digital Will Smith that is imposed over another actor. And it never quite looks natural.  While the digital de-aging Marvel did with Nick Fury in Captain Marvel looked like a younger Samuel Jackson, the digital puppet for Gemini Man looks like an artificial creation.

Gemini Man is an okay film with some good performances and great action, but it is not destined to be a sci-fi classic.

Future Love Pt 2 (Valerian and the City of a Thousand Planets, 2017)

Valerian_PosterDirector of the Fifth Element, Luc Besson, returns to Science Fiction with Valerian and the City of a Thousand Planets.  Based on the french comics Valerian and Laureline, this is a visual science fiction feast.  An early sequence indulges in a beautiful ocean planet that seems to be just ocean and beaches.  The alien species are tall slender humanoids of grace and beauty. But it is disrupted by falling ships, which incinerate the planet.  We are then introduced to Major Valarian and Sergeant Laureline, who seem to be enjoying a pleasant day at the beach.  This is revealed to be a hologram, and they are actually on their way to a special covert mission.  And so begins the continuous roller coaster of a story.

Valerian is a playboy special agent, a space James Bond if you will.  He is trying to pursue romance with Laureline, who repeatedly shoots down his attempts…mainly on the grounds of his apparent commitment issues.  As they go from adventure to adventure, taking risk upon risk, they eventually find themselves uncovering a deep governmental cover-up.

The action scenes are many and exciting.  The film is vibrant and colorful, filled with exotic creatures and life forms.  Besson indulges fanciful aliens and hungry beasts.  But at the core, what matters to this story is love.  Love plays a huge part of the resolution.  Not just romantic love, but a larger love based in trust and faith.

And yet?  The film is a bit of a disappointment.  The story comes second to the amazing visuals, the barest of plots to justify the beauty of a distant future filled with wonder and threat.

While the film desires to feel like it is about something exciting and big, the characters are light and barely caricatures.  Valerian is the rakish rogue with a good heart.  Laureline the smart and capable better half.  This leads to characters filling in by the numbers stereotypes. The Commander seeking to hide a dark secret.  The unknowing Defense Minister who must help uncover the secret, unaware of the danger this puts him in.  And so on and so on.  There are no surprises to the story.

Valarian and the City of a Thousand Planets is satisfying only in it’s visual aesthetic, not it’s story.

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