To Save a Life (Silence, 2016)

Silence_PosterMartin Scorsese is most known for his gritty portrayals of the American underworld. But something that has often come up in his career is references to his Catholicism.  This comes to life in Silence, the story of two seventeen century Catholic Missionaries who go to Japan to find their missing mentor.  There are reports he has apostatized, which the two young men reject.  They see it as impossible that the man that trained them in faith would reject that same faith himself.

They get help entering Japan from a tormented soul who turns is a Christian who denied his faith to save his life, while the rest of his village refused to renounce and were burned alive. He introduces them to Japanese Christians, which begins their  harrowing experience.  The film focuses heavily on Father Rodrigues (Andrew Garfield) trying to hold on to his faith as he is tormented by the Inquisitor who is dedicated to convincing Rodrigues to renounce his faith and convictions.

What makes this story so harrowing is the brutality of the torture.  For Rodrigues, it is entirely psychological. The Inquisitor uses the suffering of others to try and drive the wedge between Rodrigues and his Christ.

Silence is a powerful and tremendous film.  The sound design largely eschews music, with the exceptions of Christians singing and music played by the Inquisitor’s people. Otherwise, it is the sounds of nature that envelope the viewer’s ears.

Garfield and Driver are compelling in their performances, and of course Liam Neeson brings his trademark calm as the missing Ferreira.  Issei Ogata is strangely both cruelly wicked and almost like a kindly grandparent.  It is a testament to his performance that I could not totally hate the character. Yôsuke Kubozuka role as the troubled Kichijiro is such a frustrating and heartbreaking performance. Tadanobu Asano’s Interpreter is one who almost can convince you that the choice to apostatize is the only right choice.  You almost believe his pleading with Rodrigues is out of heartfelt sympathy to save lives.

Scorsese’s Silence is a gut wrenching exploration of faith in the face of tribulation.

Oh Oh It’s Magic PT 7 uh PT 2 (Harry Potter and the Deathly Hallows: Part 2, 2011)

Harry_Potter_008_PosterTen years of film-making culminates with Harry Potter and the Deathly Hallows Part 2.  After managing to destroy a couple of the Horacruxes and escaping the clutches of Bellatrix Lestrange, the trio realizes they need to return to Hogwarts.  But this is not so simple.  Snape is now Headmaster, Dementors patrol the grounds and Death Eaters are on the watch for Harry Potter.

They find themselves seeking the help of Dumbledore’s brother Aberforth. They were never aware of a brother, and he seems embittered towards his brother.  In the Trio’s absence, Neville Longbottom has rallied their fellow students to be ready for war against Voldemort.  Harry realizes what the final Horacruxes are.  He seeks one, while Hermione and Ron work on a plan to destroy the other. There is a large battle at the school, which Voldemort brings a halt to.  He promises to let everyone go if they only turn over Harry Potter.

But Harry realizes he must face Voldemort on his own.  This leads to a rather touching moment with our three heroes as it is clear, this may be the last time they ever see each other.

Part two, while a logical progression from the dark part one, is far more exciting and even fun.  The drama is more hopeful. The funny thing is, taken as a whole, both films work quite well. Part one feels less oppressive when directly followed up by part two (as opposed to the theatrical releases which were several months apart).

Part two brings the series to a close with a sense of hope and optimism.  There are many moments that are thoughtful next to the exciting battles. And yet, even split among two films, you feel like we don’t get enough of some of those favorite characters (such as Remus and Tonks). I enjoy the series and feel this film brings it all to a close quite nicely.

Social Justice Warriors (Justice League, 2017)

Justice_League_PosterWhen it comes to the movies?  DC has been struggling to  keep up with Marvel.  Part of this is really that DC did not lay out a plan from the start. While Marvel Released films with an aim toward the Avengers, DC was trying to figure out where to start.  The Nolan Batman films were a critical success, but also very much their own universe.  When they made Green Lantern, most attempts to build a larger never made it out of the script.

There was talk for several years starting off the DC Movie Universe with a Justice League film to be be directed by George Miller. This never came to pass, and when Zack Snyder and Christopher Nolan began their work on Man of Steel it was decided this could be the start.  They did not do a ton, only lightly seeding references to a larger DC Cinematic Universe.

DC decided on following up Man of Steel not with Wonder Woman or Batman, but Batman V Superman.  Like Man of Steel, the reaction was mixed.  I am not a real big fan of either film, primarily because I feel like they are doing a rush job.  The films try and tackle big notions….but they have not earned it. Suicide Squad followed (troubling that we are meeting villains before the connected heroes). I did not mind Suicide Squad, I found it generally entertaining…but not as solid as Deadpool (whose success they were clearly aiming for).

The DC Cinematic Universe was desperate for an outright hit.  Luckily, Patty Jenkins and Gal Gadot delivered that with last summer’s Wonder Woman.  And so, for me, I had a little bit of hope they might look at this success and decide to use it as a template to right the ship.  Earlier this year, Zack Snyder announced he was stepping down for family reasons (His family was dealing with a tragic suicide of one of his children). It was announced that former Marvel architect Joss Whedon was brought in.  Whedon punched up the film with new dialog and reshoots.  And what is the end result?

Superman is still dead. The world is in chaos. Bruce Wayne is actively trying to bring a team together to protect the world from the larger threats. The threat here is from Steppenwolf…he came to earth once before in an attempt to destroy the planet, but was fought off by the Amazons, Atlanteans and human kind. His weapon, three items call Mother Boxes were split among the three groups and hidden away.

Batman also has a plan to bring Superman back, which Wonder Woman is uncomfortable with, but finally agrees to. And so, the team unites and takes on Steppenwolf.

So….is this redemption for DC?  Is this the second most awesome DC Cinematic Universe flick?  The answer is “Yes”. Buuuuuut….

Okay, so, the film opens with a nice little video, kids talking to Superman with there cell phone right after he has saved some people. And then we get Batman stopping a petty crook, except that it is a ruse to catch a creature called a para-demon.  The thief asks Batman if things are getting worse because they know Superman is dead.  This is followed by the film showing the world falling into despair, set to a haunted version of Leonard Cohen’s Everybody Knows. This is all quite nice.

We also get a rather fun action sequence with Wonder Woman stopping a terror group.  This really is not a plot enhancing moment.  It is just a lot of fun to watch.   And the film has a lot of these.  There is a lot of fun action moments.  Ezra Miller and Jason Momoa clearly are having more fun than Ben Affleck.  Barry Allen has the same backstory of the the TV show (Dad in prison for murder of mom)…this is fine of course.  But it is not a storyline that really leads anywhere. I like the general characterization here though.  Barry is awkward with people in part because how time feels for him.  Admittedly, this is very similar to the comic book version of Marvel’s Quicksilver in which time moves so slow for him, he describes every minute of every day as being like waiting in line at the DMV.  Except, instead of being a jerk, Barry just struggles to slow down his thinking enough to not sound like he has severe ADD.

Aquaman has always been a sore spot of a character for DC.  He tends to get mocked endlessly for being able to “talk to fish”.  Here the film compensates a bit by making him a tough and jovial guy.  At one point he looks to Batman, smirks and says, “Dressed as a bat, I dig it.”

Cyborg is in kind of a thankless role.  He fills in the technology blanks. Ray Fischer is really likable in the role.  It just is that he feels like things just happen randomly to him.  At one point, his suit takes over and starts shooting at the newly resurrected Superman.  The idea that the mechanics are in control in such a fashion is interesting, but we do not really get an indication earlier that the mechanical part can go rogue, beyond it apparently making regular upgrades.

Gadot is spot on in her Wonder Woman boots.  The character is again a high point.  Digital mustache issues aside, Cavill is finally getting to be a Superman who likes himself. Superman seems to be more earthling than Kryptonian here.  And this is something that corrects the previous two films.  I understand the arguments about Superman and a connection for people who fall into the category of “Other”.  But Superman’s other status in the films were relegated to him acting like a life he never had was more his identity than the planet on which he grew up.  There are ways to portray the identity of “Other” without sacrificing important parts of the Superman mythos.  In this film, he no longer speaks about “on my planet”.  No, Earth is his home.  Lois is his home. Martha Kent is his home.

The action is pretty solid.  And the humor is there.  The film has bright colors! So, why did I add a “buuuuuuuuut”?

At one point, Aquaman says to the Flash, “So you were struck by lightning?”  Flash responds “Yeah, well that is the condensed version.”  And that is how the movie feels.  Apparently there was a mandate to keep the film at about two hours.  And boy is that apparent.

So many scenes feel cut short, so many conversations feel truncated.  At times, the film moves at “fan montage Youtube video” fast. We get brief glimpses of characters we want more of…and admittedly, Commissioner Gordon and Lois Lane will probably be far more prominent in the Batman and Superman follow-ups.

And then there is Steppenwolf.  A rather uninteresting character.  Remember Ronin from the first Guardians of the Galaxy?  Steppenwolf has the same goal…but without the nuance. The film is incredibly unclear about why this is…but it also does not hint at the notion there is someone behind Steppenwolf. He is a remarkably boring villain. And when you compare unfavorable to a weaker Marvel movie villain?  That has to hurt.

So, what we are left with is a film that is better than Man of Steel, Batman V Superman and Suicide Squad…but nowhere near as strong as Wonder Woman.  But that said? I had a lot of fun watching Justice League.

Summon the Spirit (Ghost Rider: Spirit of Vengeance, 2011)

ghost-rider-sov-posterIt was a little surprising that Ghost Rider got a sequel.  Or is it a reboot.  The film is never really clear.  It simply ignores the previous film, yet stars Nicolas Cage again.  This time it is directed by the guys behind Crank.  The trailer showed Ghost Rider pissing fire.  Which just seems so crazy that it sets high expectations for hilariously absurd action.

Considering the movie has gun toting monks protecting the son of Satan from Satan, it seem like the film will be all kinds of crazy.

And yet…for being a movie from the the guys who made Crank and Crank 2?  It is remarkably tame.  Oh, there are things about the film that work.   There are jokes that land, action scenes that are exciting to watch.

The story is not very complex, a young mother is trying to keep her son out of the hands of his father…the devil.  The kid could be the Anti-Christ, so along with the help of some monks, she is keeping him hidden.  But the devil’s henchmen are closing in, until Johnny Blaze shows up.  He gets into all sorts of battles with the henchman and starts to bond with the kid.  Idris Elba shows up to be bad-ass with the promise of curing Blaze of his curse.  Guess what happens when he is cured?

If you suggested he realized it was a mistake and gets his power back…you would be right.

The effects are good and there is even some creative uses of the Ghost Rider’s abilities.  The Ghost Rider actually looks really cool in the film.  As I said, there are jokes that land, for example, the devil resurrects a henchman, but gives him the power to cause things he touches to decay.  Which becomes a problem when he tries to eat food…until he finds a Twinkie.

And yet, the film gets too slow at times, and the characters are very stock types.  The story is not compelling enough to give you concern for where it is going.  There are no real points where the film gives us a surprise, it is in fact quite a by the books tale with no twists or turns.

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