Betty Gilpin – Tripping Through Gateways

So, the Hunt was meant to be released last year, but after a mass shooting and leaks about plot specific information led to people declaring this movie should not be released, including a condemnation from the impeached President of the United States. And so the movie was pulled. Although there seemed to be talk at the time of this film just being put on a shelf somewhere…well, it was released to theaters with a modest amount of commercials and it hit a week before movie theaters closed across the nation. Universal took the proactive move to make three of their recent films (the Hunt, Emma and the Invisible Man) available for streaming rentals. Disney has followed suit with Onward. I recommend Onward and the Invisible Man as very worth watching. I have no opinion on Emma yet as I have not gotten to watching it yet.

So…how is the Hunt? Is it a super hateful film celebrating killing Trump supporters? Well, my short answer is as follows.

No. Yes, this film is about a bunch of rich liberals who hunt a bunch of red staters. But the film is not at all sympathetic to its liberal characters. They are all played as awful people, while the film is pretty ambivalent about the Red Staters. Most of those characters get little to no characterization, not even in the sense of being stereotypes. Most of the liberals are stereotypes, with really only Betty Gilpin and Hilary Swank’s characters getting much personality.

Betty Gilpin is actually really good in this. She seems to be in a constant state of shock and on the verge of breaking down. But she also delivers some great action scenes and had a really good show down sequence.

As a genre film, this has a solid and classic hook. This is in the vein of films like Surviving the Game (a personal favorite). Honestly, I think it is hilarious that people assumed this would be a hateful screed against Trump when all the people who do not support Trump are evil cretins. As a lefty, this did not bother me terribly much, Gilpin feels rather a-political and is easy for viewers to root for.

I liked it. It is not the greatest film, but it is pretty effective as a genre thriller.

Kumail Nanjiani is the titular Stu. Stu is a…uh… studious guy. He works to thankless job, and is helping a woman he is in love with start her own business. Meanwhile, Dave Bautista is the reckless and angry cop Vic. Vic is dedicated to catching the cop killing drug dealer Oka Tedjo. But on the day he gets eye surgery, he finds out that he only has hours to find Oka.

This leads to Vic Reluctantly ordered an Uber ride and forcing the driver, Stu, to take him around town tracking the villain down holding the promise of a badly needed Five Star Rating over his head.

The main things to like in the film is that Nanjiani and Bautista. They work well together, Bautista working his “tough guy muscles” and Nanjiani flexing his “nice but downtrodden guy muscles”. That part works really well.

Unfortunately, they are surrounded by a largely predictable and cliched story. They try and lampshade this, making light of the cliches, but the film never feels like it is truly having fun with the action premise as much as it appears they wanted to. I saw every major plot twist coming. And that is too bad…this film has a good cast (the leads are supported by Natalie Morales as the daughter of Vic and Mira Sorvino as Vic’s boss).

I am not saying you should avoid the film…it has it’s moments. It looks good and again, the cast is great. I enjoyed their interactions and performances. The movie is okay as a diversion for an hour and half of your time. I just feel like it could have been…more.

Rom Coms are an often maligned genre. Much like Horror, if a Rom Com is done well, people try and argue it is not really a Rom Com. This is a lot to do with the fact that Rom Coms have a pretty solid formula that has worked for a long time.

Isn’t It Romantic attempts to mock the formula by working from within. Natalie was thrilled by Romantic Comedies as a child, until her mother made it clear that she would never be desirable and needed to settle for pretty much anything she gets in life.

So when we find her as an adult, she is a meek woman, interested in her male best friend Josh (who clearly thinks the best of her and is constantly trying to get her to step outside her walls). She is walked over by her coworkers who do not take her ideas seriously. After a mugging goes way awry, Natalie wakes up in an amazing hospital emergency room greeted by an incredibly handsome doctor.

Natalie finds that New York is now smelling better, her apartment is gigantic and her dog is well groomed. Natalie tries to find her way out and decides the only choice she has is to play by the rules of a Rom Com.

The film indulges all the tropes with a wink, some too far better effect than others. The inability to actually get to have sex with handsome suitors is pretty amusing.

At the same time, early in the film, we get an extended sequence where Natalie explains why Romantic Comedies are toxic where we are told exactly what we will experience. The film also does nothing to really develop any of the characters outside Natalie. Josh gets the most development as a character, at least enough to get why she likes him. And while it is entirely predictable that they are going to end up together, it is at least understandable that the two always had feelings for each other.

Isn’t It Romantic does manage to subvert certain of its core criticisms of the genre and the cast is entertaining enough in spite of the lack of character development. It is not as genre busting as it sets out to be, but it has its moments.

Tag: Betty Gilpin

Woke Culture (The Hunt, 2020)

Forced Friendship (Stuber, 2019)

Trapped In a Fantasy (Isn’t It Romantic, 2019)